{"id":5630,"date":"2025-12-14T20:17:13","date_gmt":"2025-12-14T20:17:13","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?page_id=5630"},"modified":"2025-12-14T20:17:13","modified_gmt":"2025-12-14T20:17:13","slug":"mantra-jeton-kelmendi","status":"publish","type":"page","link":"https:\/\/www.iwabogdani.org\/sq\/mantra-jeton-kelmendi\/","title":{"rendered":"Mantra – Jeton Kelmendi"},"content":{"rendered":"
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<\/a>PARAFJAL\u00cb<\/span><\/strong><\/h2>\n<\/div>\n
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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ky lib\u00ebr lindi nga nj\u00eb reflektim i thell\u00eb mbi qenien, koh\u00ebn dhe ndjenjat q\u00eb na udh\u00ebheqin. Poezit\u00eb q\u00eb p\u00ebrmban libri nuk jan\u00eb thjesht vargje t\u00eb radhitura p\u00ebr t\u00eb p\u00ebrshkruar bot\u00ebn, por jan\u00eb pasqyrime t\u00eb shpirtit, ndjesive dhe pyetjeve q\u00eb mbeten p\u00ebrgjithmon\u00eb t\u00eb hapura.<\/span><\/p>\n<\/div>\n

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Me k\u00ebt\u00eb lib\u00ebr, synoj t\u00eb udh\u00ebtoj s\u00eb bashku me lexuesin n\u00eb bot\u00ebn e heshtjeve q\u00eb flasin, t\u00eb koh\u00ebs q\u00eb na shikon dhe t\u00eb fjal\u00ebve q\u00eb kan\u00eb pesh\u00eb edhe kur nuk shqiptohen. Jeta, sipas meje, \u00ebsht\u00eb nj\u00eb enigm\u00eb e pafundme, ku realiteti dhe iluzioni p\u00ebrzihen vazhdimisht, ku dashuria, mungesa dhe kujtimi marrin forma t\u00eb ndryshme n\u00eb var\u00ebsi t\u00eb k\u00ebndv\u00ebshtrimit ton\u00eb.<\/span><\/p>\n<\/div>\n

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Poezia n\u00eb k\u00ebt\u00eb v\u00ebllim trajton disa nga temat m\u00eb universale dhe m\u00eb t\u00eb ndiera:\u00a0<\/span>misterin e ekzistenc\u00ebs<\/strong>,\u00a0<\/span>ngjyrat e ndryshme t\u00eb dashuris\u00eb<\/strong>,\u00a0<\/span>kalimin e koh\u00ebs<\/strong> <\/b>dhe\u00a0<\/b><\/span>sfidat e shpirtit n\u00eb p\u00ebrballje me t\u00eb v\u00ebrtetat e tij<\/strong>.<\/b> Ato jan\u00eb nj\u00eb ftes\u00eb p\u00ebr t\u00eb medituar mbi dometh\u00ebnien e jet\u00ebs, mbi thell\u00ebsin\u00eb e ndjenjave dhe mbi lidhjet e padukshme q\u00eb na mbajn\u00eb t\u00eb bashkuar me gjith\u00e7ka rreth nesh.<\/span><\/p>\n<\/div>\n

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Nj\u00eb element i r\u00ebnd\u00ebsish\u00ebm i poezive q\u00eb do t\u00eb gjeni n\u00eb k\u00ebt\u00eb lib\u00ebr \u00ebsht\u00eb edhe filozofia q\u00eb ato mbartin. Shum\u00eb prej tyre jan\u00eb p\u00ebrsiatje mbi natyr\u00ebn e realitetit, mbi raportin mes fjal\u00ebs dhe heshtjes, mes kujtes\u00ebs dhe harres\u00ebs, mes asaj q\u00eb \u00ebsht\u00eb dhe asaj q\u00eb mund t\u00eb kishte qen\u00eb. Nuk synoj t\u00eb jap p\u00ebrfundime, por t\u00eb hap dritare drejt mendimeve t\u00eb reja.<\/span><\/p>\n<\/div>\n

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Frym\u00ebzimi im buron nga vet\u00eb jeta, nga fragmentet e saj t\u00eb \u00e7muara, nga humbjet dhe gjetjet, nga hijet q\u00eb na ndjekin dhe dritat q\u00eb na udh\u00ebheqin. Poezia, p\u00ebr mua, nuk \u00ebsht\u00eb vet\u00ebm nj\u00eb form\u00eb arti, por nj\u00eb m\u00ebnyr\u00eb jetese, nj\u00eb rrug\u00eb drejt s\u00eb panjohur\u00ebs dhe nj\u00eb dialog i p\u00ebrjetsh\u00ebm me shpirtin.<\/span><\/p>\n<\/div>\n

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Kjo parafjal\u00eb nuk ka q\u00ebllim t\u00eb shpjegoj\u00eb poezit\u00eb q\u00eb vijojn\u00eb, por t\u00eb ftoj\u00eb lexuesin q\u00eb t\u00eb futet n\u00eb bot\u00ebn e tyre pa parashikime, pa pritur p\u00ebrgjigje t\u00eb drejtp\u00ebrdrejta, por duke u hapur ndaj ndjesive dhe interpretimeve q\u00eb do t\u00eb lindin natyrsh\u00ebm.<\/span><\/p>\n<\/div>\n

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Le t\u00eb filloj\u00eb udh\u00ebtimi i fjal\u00ebve!\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n<\/div>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Autori<\/em><\/strong><\/span><\/p>\n<\/div>\n

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Me nj\u00eb stil t\u00eb drejtp\u00ebrdrejt\u00eb, por thell\u00ebsisht lirik dhe reflektues, Kelmendi eksploron tema universale: luft\u00ebn, paqen, identitetin, kujtes\u00ebn dhe kompleksitetin e ekzistenc\u00ebs moderne, duke i ankoruar gjithmon\u00eb n\u00eb gjeografin\u00eb e tij emocionale.
\nProf. Gustavo Vega, Spanj\u00eb<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Rruga e tij \u00ebsht\u00eb nj\u00eb udh\u00eb k\u00ebrkimi: k\u00ebrkim i dashuris\u00eb, k\u00ebrkim i balsamit q\u00eb do t\u00eb ndihmoj\u00eb n\u00eb sh\u00ebrimin e plag\u00ebve pa fshir\u00eb gjurm\u00ebt e l\u00ebna n\u00eb shpirt. N\u00eb k\u00ebt\u00eb sh\u00ebtitje na fton t\u00eb dep\u00ebrtojm\u00eb heshtjen, ta pushtojm\u00eb at\u00eb, ta d\u00ebgjojm\u00eb, n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb d\u00ebgjojm\u00eb z\u00ebrin e tij q\u00eb del nga heshtja gjat\u00eb shkrimit.<\/p>\n

Gustavo Gac-Artigas, Kili<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Ky lib\u00ebr i Jeton Kelmendit ka nj\u00eb intensitet shpreh\u00ebs, madje nj\u00eb forc\u00eb shpreh\u00ebse t\u00eb mrekullueshme.
\nStruktura e t\u00eb gjith\u00eb udh\u00ebtimit \u00ebsht\u00eb fuqimisht metafizike, e kalibruar mbi kontraste dhe ndri\u00e7ime q\u00eb hyjn\u00eb dhe dalin nga kuptimi, nga dyshime q\u00eb, nd\u00ebrsa zgjidhen, madje gjejn\u00eb siguri; brenda dimensionit t\u00eb nj\u00eb arritjeje hipotetike q\u00eb nuk ka mund\u00ebsi t\u00eb gjej\u00eb nj\u00eb piedestal, nj\u00eb mb\u00ebrritje.<\/p>\n

Dante Maffia, Itali<\/em><\/p>\n

\u00a0<\/em><\/p>\n

N\u00eb\u00a0Mantra<\/strong>,<\/strong> librin e tij m\u00eb t\u00eb ri, lexuesi mund t\u00eb shijoj\u00eb nj\u00eb sag\u00eb t\u00eb dyfisht\u00eb t\u00eb eksplorimit t\u00eb thelbit njer\u00ebzor: s\u00eb v\u00ebrtet\u00ebs, bukuris\u00eb, dashuris\u00eb. Jam i nderuar t\u00eb jem botuesi i tij n\u00eb ShBA.<\/p>\n

Stanley H. Barkan, ShBA<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Poezia e Kelmendit n\u00eb k\u00ebt\u00eb lib\u00ebr \u00ebsht\u00eb shum\u00eb emocionale dhe e thell\u00eb, me nj\u00eb k\u00ebrkim pothuajse t\u00eb pamundur t\u00eb esenc\u00ebs s\u00eb koh\u00ebs, heshtjes, s\u00eb v\u00ebrtet\u00ebs, jet\u00ebs dhe rrug\u00ebve t\u00eb saj. Ai luan me nj\u00eb dialektik\u00eb mes t\u00eb kund\u00ebrtave dhe nxitjeve psikologjike.<\/p>\n

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Prof. Emeritus. Ernesto Kahan, Izrael \u2013 Nobelist<\/em><\/p>\n

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Ajo q\u00eb mund t\u00eb them \u00ebsht\u00eb se kjo poezi \u00ebsht\u00eb e hapur, me nj\u00eb hap\u00ebsir\u00eb t\u00eb gjer\u00eb p\u00ebr reflektim. Ajo synon t\u00eb shpreh\u00eb si p\u00ebrvoj\u00ebn e tij nga fati turbulent i atdheut t\u00eb tij, Kosov\u00ebs, ashtu edhe reflektime universale njer\u00ebzore mbi jet\u00ebn dhe vdekjen, dinjitetin njer\u00ebzor, dashurin\u00eb dhe urrejtjen.<\/p>\n

Knut \u00d8deg\u00e5rd, Norvegji<\/em><\/p>\n

Tensioni mes d\u00ebshirave t\u00eb brendshme dhe realitetit t\u00eb jasht\u00ebm \u00ebsht\u00eb nj\u00eb motiv qendror n\u00eb krijimtarin\u00eb e Kelmendit.<\/p>\n

Prof. Dr. Antoon Van den Braembussche, Belgjik\u00eb<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Te Kelmendi, i ndjesh\u00ebm ndaj kalueshm\u00ebris\u00eb s\u00eb fatit njer\u00ebzor n\u00eb t\u00eb gjitha dimensionet e tij ontologjike, biologjike, psikologjike apo historike, \u00ebsht\u00eb e r\u00ebnd\u00ebsishme t\u00eb v\u00ebrehet se k\u00ebnga e dashuris\u00eb strukturojn\u00eb si nj\u00eb shtyll\u00eb kurrizore gjith\u00eb n\u00eb k\u00ebng\u00ebn poetike: ajo i drejtohet nj\u00ebkoh\u00ebsisht gruas dhe atdheut.<\/p>\n

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Akademik \u00c9ric Brogniet, Belgjik\u00eb<\/em><\/p>","protected":false},"excerpt":{"rendered":"

PARAFJAL\u00cb \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ky lib\u00ebr lindi nga nj\u00eb reflektim i thell\u00eb mbi qenien, koh\u00ebn dhe ndjenjat q\u00eb na udh\u00ebheqin. Poezit\u00eb q\u00eb p\u00ebrmban libri nuk jan\u00eb thjesht vargje t\u00eb radhitura p\u00ebr t\u00eb p\u00ebrshkruar bot\u00ebn, por jan\u00eb pasqyrime t\u00eb shpirtit, ndjesive dhe pyetjeve q\u00eb mbeten p\u00ebrgjithmon\u00eb t\u00eb hapura. Me k\u00ebt\u00eb lib\u00ebr, synoj t\u00eb udh\u00ebtoj s\u00eb bashku me lexuesin […]<\/p>","protected":false},"author":8,"featured_media":5625,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/pages\/5630"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=5630"}],"version-history":[{"count":1,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/pages\/5630\/revisions"}],"predecessor-version":[{"id":5631,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/pages\/5630\/revisions\/5631"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/5625"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=5630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}