{"id":1148,"date":"2018-12-18T18:28:55","date_gmt":"2018-12-18T18:28:55","guid":{"rendered":"http:\/\/www.iwabogdani.org\/?p=1148"},"modified":"2023-12-21T13:16:29","modified_gmt":"2023-12-21T13:16:29","slug":"serpil-devrim-turkey","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/serpil-devrim-turkey\/","title":{"rendered":"Serpil Devrim, Turkey"},"content":{"rendered":"<p class=\"p2\"><span class=\"s1\">Serpil Devrim Member of IWA Bogdani\u00a0<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Born in <\/span><span class=\"s2\">06 January <\/span><span class=\"s1\">1960 in \u0130stanbul<\/span><span class=\"s2\">-Turkey<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Her interest and love for poetry and literature began in her middle school years.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Speaks English and German.<\/span><\/p>\n<p class=\"p3\"><span class=\"s2\">She graduated High School.<\/span><\/p>\n<p class=\"p3\"><span class=\"s2\">She completed her certificate programs related to her profession in Turkey and Canada.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">She worked in Istanbul as an <\/span><span class=\"s2\">IATA agent and foreign trade<\/span><span class=\"s1\"> company owner for 15 years and she moved to Canada<\/span><span class=\"s2\">. She worked at \u0130nternational Logistic company and <\/span><span class=\"s1\">lived there for 12 years. After returning to Turkey, she started to publish her works.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Has a daughter named Nazli.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Poetry Books:<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">At the Birth of day<span class=\"Apple-converted-space\">\u00a0 <\/span>\/ \u00c7\u0131ng\u0131 Publishing<\/span><span class=\"s2\">\/ 2012-\u0130stanbul-Turkey<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">One half is half done \/ Artshop Publishing<\/span><span class=\"s2\">\/ 2017-\u0130stanbul-Turkey<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">The road was ending \/ Kaynak Publishing<\/span><span class=\"s2\">\/2014-\u0130stanbul-Turkey<\/span><\/p>\n<p class=\"p3\"><span class=\"s2\">Pain of the Earth\/ Artshop Publishing\/2018-\u0130stanbul-Turkey<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Short Stories:<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Purple alphabet women \/ Artshop Publishing<\/span><span class=\"s2\">\/2017-\u0130stanbul-Turkey<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Novel: <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Like water \/ M\u00fch\u00fcr Publishing<\/span><span class=\"s2\">\/2016-\u0130stanbul-Turkey<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Serpil Devrim has won the Muammer Hac\u0131o\u011flu Literary Award for her book One Half is Half Done in April 2018.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">In her poetry, she focuses on social issues, inspired by real life. She also writes love poems, socialist and lyric lines. Her poems, her novel and her stories are racial, violence and war against and she read her poems in diffferent radio and television channels and shared her humanist views with listeners and viewers.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">One Half is Half Done was translated to Russian and Bulgarian<\/span><span class=\"s2\"> in 2017-2018,<\/span><span class=\"s1\"> Purple Alphabet Women and Like Water were translated to Bulgarian<\/span><span class=\"s2\"> in 2018. <\/span><span class=\"s1\">Her poem named Wall was translated to Italian and published in an Italian literature magazine<\/span><span class=\"s2\">in 2018.<\/span><span class=\"s1\"> The poems Wall, Hold My Dead Branches, and The Poem of the 100th Day were translated to<span class=\"Apple-converted-space\">\u00a0 <\/span>Balkanian Languages and published in Balkan Literary Herald magazine<\/span><span class=\"s2\"> in 2018. <\/span><span class=\"s1\">Also was translated to Bulgarian and published in another literary magazine ; Balkanski Knji\u017eevni Glasnik<\/span><span class=\"s2\"> in 2019 and some poems published in Femina Literature Magazine in Uzbekistan and published English, Turkish and Arabic Samama \u0130nternational Literature Magazine in Morocco in 2018, and Afaqhorra Literature Magazine in Jordan.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Many of her poems and short stories were published in different literature magazines in Turkey.Some of these magazines are: Kasabadan Esinti, Menek\u015fe, Bodrum G\u00fcndem, Berfin Bahar, Adalya, Tmolos Edebiyat, Aratos, Lacivert and M\u00fch\u00fcr.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">She has taken place at many different international poetry festivals such as : Femin\u0130stanbul, Bodrum Bineali and Kalimerhaba.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">She is involved with many charities and works with disabled and homeless children.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">She lives in Bodrum.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">She is a member of the PEN \u0130nternational Writers Associat\u0131on in Turkey.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><span class=\"s1\">The Poem of the 100th Day<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">vinedresser, i linked my voice to sky, erase death<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i am a stone-sculptor tonight i linked my voice to sky<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">my eyes sculpted what outweighed them<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the crowd of my outside, the isolation of my inside<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">sculpted gently the side of me that was offended by life<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i took it to the city square and left it there<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i\u2019m too lonely for anyone to notice me<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">my apprenticeship of stone age is a rodent in my chest cavity<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">my semi-skilled working, my bronze age, <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the slip-of-tongue wing of whirligig<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">my iron age is my mastership, by inner beauty that attracts the devil<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">in a sleazy capstan-free well the cementer\u2019s cap<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">vinedresser, i linked my voice to sky, erase death<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i am a stone-sculptor tonight i linked my voice to sky<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i sculpted what outweighed my tongue<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">seven generations, seven shirts off of the back of the stone<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">young and old alike the great powers off of the belly of the stone<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i spilled from my skirt ash-colored and rose-scented<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i took my heart out and loaded my emotional clamorous side<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">onto the hands of a callow off-tune musician<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i sculpted the earth to cleanse it of its dirt<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the lifeguard with little room and a large heart rang the bell<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">blew its whistle its vigorous siren<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">quite appropriate for a tale, quite against the genuine<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the bite in her throat turned out to be a hard row to hoe<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">put her seamy lustful foot down<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">vinedresser, i linked my voice to sky, erase death<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i am a stone-sculptor tonight i linked my voice to sky<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">two acrobats on one tightrope, impatient and fond of comfort,<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the one heavily seethed the one whose face is down<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the fond one and the one with no dreams all of them is a memory loss<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">their skulls are the size of a huge cave each of them<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i eroded the surface, took it out, slam it down<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">my flesh blood and memory thought <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">it wouldn\u2019t be heard when slammed<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the joy of cleansing gleamed on the cutter<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">vinedresser, i linked my voice to sky, erase death<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i am a stone-sculptor tonight i linked my voice to sky<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">i sculpted my heart, open wounds around it apparent<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">people passed by, passed away, hunger hasn\u2019t had enough yet<\/span><\/p>\n<p class=\"p2\">\n<p class=\"p2\"><span class=\"s1\">The Dead Poet<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the dead poet is a river exiled from its bed<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">its gurgle is without foot or rhyme<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">its flow is the linear of existence<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the path it knows is courageous and open<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">water takes the form of the container<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">dress the form of the body in it<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">and the chewn bits the form of the mouth<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the bed of the poet for the outbursts<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">is like the narrow Aegean shores<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the Cretan promontory<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">its two sides are the song of goats<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">and a lyric poem blessed with immortality<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">on the land of the dead<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">its heart never decays<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the river exiled from its bed<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">stripped of its privacy<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">it brings down stars from the sky<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">and bath<\/span><span class=\"s2\">e<\/span><span class=\"s1\">s in its own water<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">it&#8217;s hilly and rocky when seen from the sea<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">when seen from the land there are crazy blue waves only<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">with their hard-line freedom<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">it sweeps before itself the ways<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">landless peasants walk on<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">and the aid sailors seek<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">it grows ou<\/span><span class=\"s2\">t<\/span><span class=\"s1\"> of the labors<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">of workers and splitters<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">and lies next to dead children<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">decapitated at each war<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">it had sad eyes at each break up<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">it gurgles to death<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">with fragile <\/span><span class=\"s2\">l<\/span><span class=\"s1\">oves at its core<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><span class=\"s2\">Hold My Dead Branches !<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\"><span class=\"Apple-converted-space\">\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>\u201cmy soul was a door handle<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\"><span class=\"Apple-converted-space\">\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>as my mind never matched the steps\u201d<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">the brunette refugee child with otherworldly descriptions<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">who lands down on the cage of my chest fluttering<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">your face is the gap called wound this evening<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">your eyes were a single country, the whole earth<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">the insensitivity of this era is a death trap<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">the thundering robbery, plunder, pillage of an avalanche<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">with its cooperative loam the red-brown marsh<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">depth and the subsiding weight do go away<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">lacking humanity that makes it lose its way<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">it has no roof to wash ashore or to take shelter<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">in september the unhugged body the surplus of water<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">the iceberg drifting from where it belongs is just like you<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">woven for the outer world a long time ago<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">its fragile body lessens by moments, from which<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">it adds itself to the water that will drown us all<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">wherever i turn the speed of light is the same<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">one\u2019s circle, occasionally recurring mercy sprinkle<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">which pours down on the sift of the sky<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">from a long distance<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">Hold my dead branches ! Hold my dead branches !<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">let the dead leaf fall !<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">let my crooked branch flatten\u2026<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Serpil Devrim Member of IWA Bogdani\u00a0 Born in 06 January 1960 in \u0130stanbul-Turkey Her interest and love for poetry and literature began in her middle school years. Speaks English and German. She graduated High School. She completed her certificate programs related to her profession in Turkey and Canada. She worked in Istanbul as an IATA [&hellip;]<\/p>","protected":false},"author":4,"featured_media":3636,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[171,162],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/1148"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=1148"}],"version-history":[{"count":1,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/1148\/revisions"}],"predecessor-version":[{"id":3635,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/1148\/revisions\/3635"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/3636"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=1148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=1148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=1148"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=1148"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=1148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}