{"id":1304,"date":"2019-06-10T19:36:26","date_gmt":"2019-06-10T19:36:26","guid":{"rendered":"http:\/\/www.iwabogdani.org\/?p=1304"},"modified":"2019-06-10T19:36:26","modified_gmt":"2019-06-10T19:36:26","slug":"jeton-kelmendi-ose-lulet-e-dashurise-nga-prof-gustavo-vega-mansilla-spanje","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/jeton-kelmendi-ose-lulet-e-dashurise-nga-prof-gustavo-vega-mansilla-spanje\/","title":{"rendered":"\u201cJETON KELMENDI OSE LULET E DASHURIS\u00cb\u201d, nga Prof. Gustavo Vega Mansilla, Spanj\u00eb"},"content":{"rendered":"

\u201cJETON KELMENDI OSE LULET E DASHURIS\u00cb\u201d<\/strong><\/p>\n

Prof. Gustavo Vega Mansilla, Spanj\u00eb
\n<\/strong>P\u00ebrkthyeu nga Spanjishtja: Peter Tase\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong><\/p>\n

N\u00eb k\u00ebt\u00eb lib\u00ebr Jeton Kelmendi na ilustron p\u00ebr pasionin e tij p\u00ebr jet\u00ebn, p\u00ebr dashurin\u00eb e tij p\u00ebr t\u00eb rikrijuar, p\u00ebrjet\u00ebsuar ose p\u00ebrhapur dhe ndar\u00eb p\u00ebrvojat e tij. Tregon p\u00ebr jet\u00ebn e tij, n\u00ebp\u00ebrmjet v\u00ebllimit t\u00eb tij t\u00eb par\u00eb t\u00eb poezis\u00eb botuar n\u00eb vitin 1999 me titullin “Shekulli i Premtimeve”, me nj\u00eb sasi t\u00eb mjaftueshme dhe cil\u00ebsi t\u00eb vepr\u00ebs poetike p\u00ebr t’u njohur si nj\u00eb nga autor\u00ebt m\u00eb p\u00ebrfaq\u00ebsues t\u00eb poezis\u00eb aktuale t\u00eb shkruar n\u00eb gjuh\u00ebn shqipe.<\/p>\n

Poema e par\u00eb ‘Kuptimi \u00ebsht\u00eb nj\u00eb tjet\u00ebr’ kushtuar babait t\u00eb tij, na \u00e7on n\u00eb Pej\u00eb, atdheun e tij, atdheun ku ai ka lindur dhe ndaj t\u00eb cilit poeti \u00ebsht\u00eb i lidhur ngusht\u00eb me peizazhet, njer\u00ebzit, zakonet, folklorin, gastronomin\u00eb, gjuha dhe theksi. .. dhe, kryesisht, p\u00ebr shkak t\u00eb lidhjes s\u00eb tij familjare. Kelmendi, i cili jeton dhe l\u00ebviz n\u00eb nj\u00eb vend t\u00eb larg\u00ebt dhe me ligje shum\u00eb t\u00eb ndryshme nga Peja-Kosova, ndjehet nostalgjik. Poeti ndjen nostalgji p\u00ebr tok\u00ebn e tij edhe pse \u00ebsht\u00eb – dhe mbi t\u00eb gjitha p\u00ebr at\u00eb arsye – mij\u00ebra kilometra large, dhe disa dit\u00eb larg\u00eb, dhe megjith\u00ebse mbetet si e harruar n\u00eb mes t\u00eb pun\u00ebs s\u00eb tij t\u00eb p\u00ebrditshme, midis qindra dosjeve, librave ose fashikujve. Por babai i tij dhe toka e tij jan\u00eb gjithmon\u00eb atje: Pash\u00eb baban\u00eb tim duke shkuar \/ n\u00ebp\u00ebr pyll, \/ kur dukej se ishte her\u00ebt p\u00ebr t\u00eb shkuar n\u00eb male.<\/em> Babai i tij se nj\u00eb pranver\u00eb heshti si kurr\u00eb m\u00eb par\u00eb, \/ i gatsh\u00ebm n\u00eb t\u00eb gjitha \u00ebndrrat e tij, \/ hyri n\u00eb gjum\u00eb pa \u00ebndrra.<\/em><\/p>\n

Mir\u00eb se vini, v\u00eblla, n\u00eb \u00c7am\u00ebri, Shqip\u00ebri. \/ Po n\u00eb lidhje me rr\u00ebnj\u00ebt e thella?, Pyet poeti. Dhe nj\u00eb parajs\u00eb me fruta t\u00eb fresk\u00ebta, moll\u00eb, nj\u00eb \u00ebnd\u00ebrr apo nj\u00eb \u00ebnd\u00ebrr t\u00eb p\u00ebrhershme shpaloset n\u00eb kujtes\u00ebn tuaj. Si mund ta lidhim? Le t\u00eb mbjellim nj\u00eb t\u00eb ardhme shprese, thot\u00eb Kelmendi, dhe kjo n\u00eb m\u00ebnyr\u00eb t\u00eb pashmangshme m\u00eb \u00e7on n\u00eb at\u00eb q\u00eb nj\u00eb prej poet\u00ebve t\u00eb m\u00ebdhenj spanjoll\u00eb, Gabriel Celaya, thot\u00eb: Poezia \u00ebsht\u00eb nj\u00eb arm\u00eb e ngarkuar me t\u00eb ardhmen. Kjo, edhe pse m\u00eb par\u00eb autori yn\u00eb na ka paralajm\u00ebruar se asgj\u00eb nuk shkakton dhimbje m\u00eb t\u00eb madhe se \u00ebndrra e p\u00ebrhershme, duke iu referuar qart\u00eb vdekjes, vdekjeve t\u00eb ndryshme midis t\u00eb cilave jetojm\u00eb. Po, sepse poeti b\u00ebhet i vet\u00ebdijsh\u00ebm p\u00ebr zhdukjen fizike dhe zhdukjen n\u00eb kujtes\u00eb, t\u00eb dy prej tij dhe popullit t\u00eb tij, peisazheve t\u00eb tij t\u00eb \u00ebndrrave. K\u00ebto jan\u00eb rutinat e p\u00ebrditshme, ai m\u00eb von\u00eb do t\u00eb thot\u00eb n\u00eb “Dashuria n\u00eb koh\u00eb lufte”.<\/p>\n

Puna e Kelmendit p\u00ebrfshin nj\u00eb shpjegim t\u00eb p\u00ebrvojat e tyre, historin\u00eb e tyre dhe n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, p\u00ebrvojat dhe historit\u00eb e njer\u00ebzve t\u00eb saj, vendet dhe njer\u00ebzit enclaved n\u00eb peizazhet e bukura, por gjithmon\u00eb duke qen\u00eb nj\u00eb fush\u00eb e v\u00ebshtir\u00eb dhe e r\u00ebnd\u00ebsishme p\u00ebr vite, madje edhe shekuj ; nj\u00eb zon\u00eb ku konfliktet e armatosura kan\u00eb ndodhur, kjo e fundit duke qen\u00eb nj\u00eb p\u00ebrvoj\u00eb jet\u00ebsore t\u00eb poetit ton\u00eb. P\u00ebrkufizimi i Celaya tha se poezia \u00ebsht\u00eb nj\u00eb arm\u00eb e ngarkuar me t\u00eb ardhmen rezultoi n\u00eb saj jo vet\u00ebm dit\u00ebn e habitshme, n\u00ebse jo e pakuptueshme t\u00eb jet\u00eb n\u00eb krahasim me thjesht beauticians shum\u00eb konceptime paqarta t\u00eb poezis\u00eb. E megjithat\u00eb, ajo \u00ebsht\u00eb nj\u00eb p\u00ebrkufizim i sakt\u00eb, pa kujdes. Poezia nuk \u00ebsht\u00eb nj\u00eb luks apo thjesht\u00eb k\u00ebnaq\u00ebsi e dit\u00ebs melankolik iniciuar apo adoleshent\u00ebt. Poezi, mbi t\u00eb gjitha, madje edhe vlera estetike, \u00ebsht\u00eb duke transmetuar vlerat morale q\u00eb na sjell\u00eb n\u00eb orbit\u00ebn e humanizmit dhe jo thjesht evazion gjithashtu t\u00eb gjall\u00eb edhe pse n\u00eb shum\u00eb raste mund te jete.<\/p>\n

N\u00eb poem\u00ebn e tij “Dashuria n\u00eb koh\u00eb lufte”, Kelmendi, i cili jetonte p\u00ebrmes nj\u00eb lufte dhe lot\u00ebve t\u00eb tij – ai ishte an\u00ebtar i Ushtris\u00eb t\u00eb \u00c7lirimit t\u00eb Kosov\u00ebs n\u00eb 1998 dhe 1989 – aludon n\u00eb p\u00ebrvoj\u00ebn e tij. Edhe n\u00ebse dikush mendon se je budalla, edhe n\u00eb luft\u00ebn m\u00eb t\u00eb eg\u00ebr nj\u00eb ushtar nuk do t\u00eb ndaloj\u00eb kurr\u00eb t\u00eb mendoj\u00eb p\u00ebr dashurin\u00eb. Prandaj, dhe n\u00eb k\u00ebt\u00eb kuptim, mund t\u00eb themi se dashuria dhe, me t\u00eb, poezia \u00ebsht\u00eb nj\u00eb instrument, nj\u00eb mjet, ose – duke e parafrazuar Gabriel \u00c7elaya – nj\u00eb arm\u00eb e ngarkuar me t\u00eb ardhmen<\/em>.<\/p>\n

Poezia e projektuar drejt nd\u00ebrgjegjes dhe ndjeshm\u00ebris\u00eb s\u00eb lexuesit ose t\u00eb d\u00ebgjuesit mund t\u00eb kontribuoj\u00eb n\u00eb modifikimin, transformimin, jet\u00ebn etike. Prandaj, kur poezia kuptohet n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb till\u00eb, \u00ebsht\u00eb nj\u00eb ferment revolucionar: Ndonj\u00ebher\u00eb un\u00eb dua q\u00eb k\u00ebto gj\u00ebra t\u00eb ndodhin \/ n\u00eb nj\u00eb m\u00ebnyr\u00eb tjet\u00ebr. \/ P\u00ebr shembull, nj\u00eb mjegull e dendur do t\u00eb rrethojn\u00eb m\u00eb \/ t\u00eb kalojn\u00eb kufirin \/…\/ ku disa muaj m\u00eb par\u00eb \/ Un\u00eb pash\u00eb nj\u00eb vajz\u00eb \/ flok\u00ebt ka\u00e7urrel. \/ Vet\u00ebm p\u00ebr t\u00eb par\u00eb at\u00eb dhe m\u00eb von\u00eb p\u00ebr t\u00eb \u00ebnd\u00ebrruar p\u00ebr t\u00eb, \/ u rrita n\u00eb dashuri. Por \u00ebsht\u00eb e qart\u00eb se poeti nuk mund t\u00eb jet\u00eb nj\u00eb fanatik Monopolar, gjithmon\u00eb ndjehen nxitur poezin\u00eb, p\u00ebr t\u00eb nd\u00ebrtuar dhe rind\u00ebrtuar realitetin e tij poetike nga perspektiva t\u00eb shumta nga koh\u00ebt e shumta – hap\u00ebsira dhe qoshet e p\u00ebrvojave. Po si shpesh \u00ebsht\u00eb mendimi m\u00eb i nd\u00ebrlikuar poetik, poeti, pasi ai k\u00ebndon e dashuris\u00eb, \u00ebsht\u00eb e vet\u00ebdijshme p\u00ebr realitetin e ashp\u00ebr: Por, n\u00eb fund, \/ \u00ebsht\u00eb luft\u00eb dhe asgj\u00eb \/ \u00ebsht\u00eb i njohur p\u00ebr t\u00eb ardhmen \/ kur \u00e7do dit\u00eb luftoj me vdekjen. Kelmendi duhej t\u00eb jetonte n\u00eb koh\u00eb lufte dhe, dihet, luft\u00ebrat i kthejn\u00eb poet\u00ebt n\u00eb ushtar\u00eb dhe nganj\u00ebher\u00eb ushtar\u00eb n\u00eb poet\u00eb.<\/p>\n

N\u00eb k\u00ebt\u00eb lib\u00ebr gjejm\u00eb nj\u00eb poet t\u00eb qart\u00eb, por jo nj\u00eb poet spontaniteti t\u00eb \u00e7mendur dhe shp\u00ebrthime, n\u00ebse jo, nj\u00eb poet reflektues q\u00eb p\u00eblqen t\u00eb g\u00ebrmoj n\u00eb thell\u00ebsit\u00eb e n\u00ebnnd\u00ebrgjegjesh\u00ebm, q\u00eb mund t\u00eb p\u00ebrputhet me nj\u00eb ndjenj\u00eb t\u00eb caktuar ose q\u00ebndrim ekzistencial dhe nj\u00eb pranim t\u00eb caktuar i absurdit si nj\u00eb dimension jetik i qenies njer\u00ebzore: dua t\u00eb ik\u00eb nga vetja \/ derisa t\u00eb vij\u00eb me mua, thot\u00eb n\u00eb poezin\u00eb e tij “Fuqia e pamund\u00ebsis\u00eb”.<\/p>\n

N\u00eb k\u00ebt\u00eb poem\u00eb t\u00eb thell\u00eb, Kelmendi sjell nd\u00ebr mend mendimet e disa prej mendimtar\u00ebve m\u00eb t\u00eb shquar q\u00eb ndri\u00e7ojn\u00eb t\u00eb gjith\u00eb shekullin e nj\u00ebzet\u00eb si, p\u00ebr shembull, ato t\u00eb antropologut dhe mendimtarit francez Georges Bataille p\u00ebr t\u00eb cil\u00ebt p\u00ebrvoja e brendshme mund t\u00eb jet\u00eb si nj\u00eb l\u00ebvizje n\u00eb kufirin e vet, nj\u00eb rrug\u00eb p\u00ebr t\u00eb pamundur\u00ebn. Ajo q\u00eb, nga ana tjet\u00ebr, mund t\u00eb lidhet me konceptin e p\u00ebrvoj\u00ebs s\u00eb p\u00ebrshkruar nga Maurice Blanchot n\u00eb “Dialogun e Pap\u00ebrfunduar”, kur ai deklaron se \u00ebsht\u00eb pamund\u00ebsi shum\u00eb karakteristik\u00eb e asaj q\u00eb ne e quajm\u00eb p\u00ebrvoj\u00eb<\/em>.<\/p>\n

Dhe pastaj, n\u00eb poezin\u00eb e m\u00ebposhtme t\u00eb k\u00ebtij libri, me titullin e Anhelo-s, Jeton Kelmendi thot\u00eb: Mendoj se m\u00eb ndjekni \/ me udh\u00ebtime t\u00eb gjata mendimi \/ \u00e7do m\u00ebngjes, \/ n\u00eb \u00e7do pasdite t\u00eb qet\u00eb.<\/em> D\u00ebshira, mendimi i ngul\u00ebt, aq i pranish\u00ebm n\u00eb k\u00ebt\u00eb vep\u00ebr, na v\u00eb n\u00eb rrug\u00ebn e reflektimeve, jo vet\u00ebm t\u00eb Maurice Blanchot-it dhe teorive t\u00eb tij t\u00eb d\u00ebshirave n\u00eb “D\u00ebshirat e pafundme”, por edhe t\u00eb teorizimeve e d\u00ebshir\u00ebs s\u00eb Frojdit dhe Lacanit.<\/p>\n

Frojdi n\u00eb shkrimet e tij me influenc\u00eb mbi psikoanaliz\u00ebn, i jep d\u00ebshira nj\u00eb r\u00ebnd\u00ebsi t\u00eb ve\u00e7ant\u00eb. Qenia njer\u00ebzore sipas tij \u00ebsht\u00eb nd\u00ebrtuar si e till\u00eb pik\u00ebrisht n\u00ebp\u00ebrmjet d\u00ebshir\u00ebs s\u00eb tij. Por, d\u00ebshira dhe, me t\u00eb, d\u00ebshira e madhe, nuk prodhohet nga akumulimi i nevojave dhe instinkteve primare, t\u00eb cilat i kan\u00eb ato, por \u00ebsht\u00eb n\u00eb lidhje me nj\u00eb form\u00eb t\u00eb d\u00ebshir\u00ebs s\u00eb tjetr\u00ebs dhe plot\u00ebsojn\u00eb nj\u00eb s\u00ebr\u00eb ligjesh t\u00eb cil\u00ebt marrin pjes\u00eb n\u00eb p\u00ebrvoj\u00ebn e d\u00ebshiruar. Teori t\u00eb tilla t\u00eb d\u00ebshir\u00ebs jan\u00eb nuancuar dhe marrin disa ve\u00e7ori n\u00eb vepr\u00ebn e Maurice Blanchot, p\u00ebr t\u00eb cil\u00ebt d\u00ebshira do t\u00eb krijonte nj\u00eb lloj l\u00ebvizjeje t\u00eb pafund q\u00eb shkon p\u00ebrtej munges\u00ebs frojdiane ose lakaniane.<\/p>\n

Ai na \u00e7on n\u00eb nj\u00eb vizion t\u00eb ve\u00e7ant\u00eb q\u00eb d\u00ebshirojm\u00eb si d\u00ebshir\u00eb p\u00ebr d\u00ebshir\u00eb, nj\u00eb form\u00eb zbrazjeje t\u00eb d\u00ebshir\u00ebs q\u00eb \u00ebsht\u00eb e paaft\u00eb p\u00ebr t\u00eb p\u00ebrmbushur ose formuar ndonj\u00eb objekt, q\u00eb na v\u00eb n\u00eb rrug\u00ebn e nj\u00eb t\u00eb padefinuar p\u00ebrtej ku na pret ardhm\u00ebria. Pik\u00ebrisht poema e lartp\u00ebrmendur e Kelmendit p\u00ebrfundon duke th\u00ebn\u00eb: Un\u00eb dua q\u00eb dielli t\u00eb ngrihet p\u00ebrtej lindjes sime \/ t\u00eb dal\u00eb mes nesh dhe t\u00eb zbres\u00eb p\u00ebrtej juve. \/ Ju dhe un\u00eb ecim s\u00eb bashku \/ p\u00ebrgjat\u00eb rrug\u00ebs \/ dhe shkojm\u00eb n\u00eb nj\u00eb sfer\u00eb tjet\u00ebr \/ ku na pret ardhm\u00ebria. Pra, p\u00ebrvoja jet\u00ebsore, jeta ose mendimi, ose rishikimi \u00ebsht\u00eb treguar n\u00eb k\u00ebt\u00eb lib\u00ebr “sublimuar” dhe projektuar n\u00eb shkrim, poem\u00eb.<\/p>\n

Es, en definitiva este libro \u2018El significado es otro\u2019, <\/em>una obra en la que el sentimiento hecho amor, deseo, anhelo y… las distancias, el recuerdo… son pensamientos constantes, objetos que, independientemente de su correspondencia con alg\u00fan datos hist\u00f3rico, son elaboraciones o, mejor, re-elaboraciones<\/em> mentales. Corresponden con la idea que describiera Shakespeare en su “Sue\u00f1o de una noche de verano”, en referencia al ojo de la mente,<\/em> cuando dijo que \u201cel amor no mira con los ojos, sino con la mente<\/em>\u201d, con el pensamiento, con la a\u00f1oranza. Son, en palabras del propio Kelmendi en su poema “Un pensamiento consentido”, un exaltado \/ grato pensamiento \/ que arriba \/ y ocupa mis noches \/ antes de acostarme.<\/em><\/p>\n

Shkurtimisht, ky lib\u00ebr “Kuptimi \u00ebsht\u00eb nj\u00eb tjet\u00ebr”, nj\u00eb vep\u00ebr n\u00eb t\u00eb cil\u00ebn ndjenja e b\u00ebri dashurin\u00eb, d\u00ebshir\u00ebn, d\u00ebshir\u00ebn dhe distancat, kujtes\u00ebn … jan\u00eb mendime konstante, objekte q\u00eb, pavar\u00ebsisht nga korrespondenca e tyre me disa t\u00eb dh\u00ebna historike, ato jan\u00eb p\u00ebrpunime ose, m\u00eb mir\u00eb, ri-p\u00ebrpunimi mendor. Ata korrespondojn\u00eb me iden\u00eb q\u00eb Shekspiri e p\u00ebrshkroi n\u00eb “\u00cbndrr\u00ebn e nat\u00ebs s\u00eb mesdit\u00ebs”, duke iu referuar syve t\u00eb mendjes, kur tha se “dashuria nuk duket me sy, por me mendjen”,<\/em> me mendimin, me wistfully. Ata, sipas fjal\u00ebve t\u00eb Kelmendit, n\u00eb poezin\u00eb e tij “Nj\u00eb mendim i pamatur”, nj\u00eb mendim i lart\u00ebsuar \/ i k\u00ebndsh\u00ebm \/ q\u00eb mb\u00ebrrin n\u00eb net\u00ebt e mia para se t\u00eb shkoj\u00eb n\u00eb shtrat<\/em>.<\/p>\n

Dhe, si n\u00eb \u00e7do poet t\u00eb madh, Heidegger do t\u00eb shihej t\u00eb ishte “zbuluar”<\/em>, nj\u00eb nd\u00ebrgjegje magjike, megjith\u00ebse i n\u00ebnshtrohet forcave natyrore dhe nj\u00eb nd\u00ebrgjegjeje personale, n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb kolektive apo sociale, q\u00eb nuk mund t\u00eb harrohet. kushtet e jetes\u00ebs brenda rrethanave dhe strukturave, kufizimet, pamund\u00ebsit\u00eb … t\u00eb imponuara nga realiteti. Oh, Per\u00ebndia im, sa \u00e7njer\u00ebzor \u00ebsht\u00eb njer\u00ebzimi n\u00eb koh\u00ebn ton\u00eb, na tregon n\u00eb syt\u00eb e Sarajev\u00ebs, kur vrimat e plumbave \/ n\u00eb muret e sht\u00ebpive \/ bashk\u00ebjetojn\u00eb me t\u00eb mbijetuarit.<\/em><\/p>","protected":false},"excerpt":{"rendered":"

\u201cJETON KELMENDI OSE LULET E DASHURIS\u00cb\u201d Prof. Gustavo Vega Mansilla, Spanj\u00eb P\u00ebrkthyeu nga Spanjishtja: Peter Tase\u00a0\u00a0\u00a0\u00a0 N\u00eb k\u00ebt\u00eb lib\u00ebr Jeton Kelmendi na ilustron p\u00ebr pasionin e tij p\u00ebr jet\u00ebn, p\u00ebr dashurin\u00eb e tij p\u00ebr t\u00eb rikrijuar, p\u00ebrjet\u00ebsuar ose p\u00ebrhapur dhe ndar\u00eb p\u00ebrvojat e tij. Tregon p\u00ebr jet\u00ebn e tij, n\u00ebp\u00ebrmjet v\u00ebllimit t\u00eb tij t\u00eb par\u00eb […]<\/p>","protected":false},"author":1,"featured_media":1255,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[166],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/1304"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=1304"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/1304\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=1304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=1304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=1304"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=1304"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=1304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}