{"id":2393,"date":"2022-01-29T19:45:50","date_gmt":"2022-01-29T19:45:50","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?p=2393"},"modified":"2022-01-29T19:45:50","modified_gmt":"2022-01-29T19:45:50","slug":"anila-dahriu-boton-librin-degdisur-ne-embrion-te-palindur","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/anila-dahriu-boton-librin-degdisur-ne-embrion-te-palindur\/","title":{"rendered":"IWA Bogdani boton librin e Anila Dahriu "DEGDISUR N\u00cb EMBRION T\u00cb PALINDUR""},"content":{"rendered":"

URTIA P\u00cbR T\u00cb QEN\u00cb VETVETJA
\n
\nNga Engjell I. Berisha<\/em><\/p>\n

Marr\u00ebdh\u00ebniet q\u00eb krijojm\u00eb n\u00eb raport me koh\u00ebn q\u00eb e
\njetojm\u00eb, nuk \u00ebsht\u00eb vet\u00ebm rast\u00ebsi, por edhe mend\u00ebsi q\u00eb e
\nushqejm\u00eb, p\u00ebr ta send\u00ebrtuar qenien ton\u00eb njer\u00ebzore pasi q\u00eb
\ngjithmon\u00eb do t\u00eb jemi n\u00eb bashk\u00ebjetes\u00eb me t\u00eb tjer\u00ebt, e
\ndesh\u00ebm apo nuk desh\u00ebm, nj\u00eb pjes\u00eb t\u00eb mir\u00eb t\u00eb jet\u00ebs do ta
\nb\u00ebjm\u00eb po p\u00ebr t\u00eb tjer\u00ebt. Kjo, na jep detyr\u00eb t\u00eb dyfisht\u00eb, ose
\negon e sh\u00ebndosh\u00eb, ose shkat\u00ebrrohemi shpirt\u00ebrisht.
\nGjat\u00eb leximit t\u00eb poezive m\u00eb t\u00eb fundit t\u00eb poetes Anila
\nDahriu, e cila portretizon dukurit\u00eb q\u00eb na rrethojn\u00eb,
\nkomunikon me jet\u00ebn, e u b\u00ebn thirrje virtyteve, t\u00eb cilat ajo
\ni shikon dhurat\u00eb nga natyra q\u00eb na rrethon. Poezia
\n\u201cGdhendur vargun p\u00ebr ty vendi im\u201d, – “Un\u00eb e gdhenda
\nvargun p\u00ebr ty \/ nuk m\u00eb ndali as stuhia e koh\u00ebs \/ nd\u00ebrsa
\nrr\u00ebzoi vet\u00ebm klithma shpoti \/ un\u00eb e gdhenda at\u00eb, n\u00eb folen\u00eb
\ne shpirtit \/ sepse, aty, jeton fryma jote \/ teksa rip\u00ebrt\u00ebrin
\neshtrat e trupit tim\u201d.
\nMbase, jetojm\u00eb edhe nga d\u00ebshirat estetike dhe b\u00ebhemi
\npeng i tyre, por, poetja shpreh\u00eb di\u00e7ka p\u00ebrtej tyre, bart\u00eb
\nurtin\u00eb p\u00ebr t\u00eb qen\u00eb vetvetja n\u00eb plot\u00ebsi me t\u00eb mirat e
\np\u00ebrbashk\u00ebta si qenie dhe shoq\u00ebri. Koha l\u00eb gjurm\u00eb
\nl\u00ebnguese sipas poezis\u00eb: \u201cKlithm\u00eb\u201d, \u201c Mjellm\u00eb e bardh\u00eb
\nsygjakosur \/ shpirtplasur, dhe e burgosur \/ pesh\u00eb e koh\u00ebs
\np\u00ebshtjellim vitesh \/ rrezeve t\u00eb universit \/ klithm\u00eb mbetesh
\nmes nj\u00eb agonie pafaj\u00ebsie\u201d.
\nKy blen poetik, si nj\u00eb pem\u00eb me rr\u00ebnj\u00eb, gjethe, deg\u00eb e fryt,
\njep nga nj\u00eb mesazh, se p\u00ebr t\u00eb zgjedhur, duhet t\u00eb krijojm\u00eb
\nmarr\u00ebdh\u00ebnie q\u00eb na ndihmojn\u00eb, pasi q\u00eb sikur e vrojton ajo,
\ns\u00eb pari duhet rind\u00ebrtuar shpirtin e mend\u00ebsin\u00eb ton\u00eb.
\nKur l\u00ebvizim trupin ton\u00eb, mendja i n\u00ebnshtrohet nj\u00eb procesi
\ntjet\u00ebr t\u00eb komunikimit, gati tundues. Ruajtja aktive e
\nmendjes s\u00eb poetes p\u00ebr etnin\u00eb e gjenez\u00ebn e saj, t\u00eb pakt\u00ebn
\nsikur e jep poezia e saj, e s\u2019do mend se mund t\u00eb jet\u00eb tjet\u00ebr,
\nngase nuk l\u00eb boshll\u00ebk n\u00eb mendjen e saj, edhe kur i k\u00ebndon
\nVlor\u00ebs e \u00c7am\u00ebris\u00eb, edhe kur shuan etjen n\u00eb bukurit\u00eb e
\nShqip\u00ebris\u00eb, dhe at\u00ebher\u00eb kur provon ta d\u00ebboj\u00eb po nga ai
\nvend m\u00ebkatin q\u00eb dikush e mbolli k\u00ebt\u00eb shpifje djall\u00ebzore
\nderi te klithja, pse t\u00eb ket\u00eb aq shum\u00eb hisedar\u00eb. Ky mendim
\naktiv i saj, nuk paraqitet thjesht\u00eb nj\u00eb perceptim intuitive,
\npor shpirti i saj e nxjerr\u00eb z\u00ebrin nga p\u00ebrjetimet q\u00eb e la
\nvendin n\u00eb nj\u00eb kriz\u00eb gati kolektive, deri te migrimi ku mori
\nme vete dashurin\u00eb dhe di\u00e7ka q\u00eb e r\u00ebndon n\u00eb zem\u00ebr. \u201cKu
\ngjendemi\u201d, \u201c\u00c7\u2019 l\u00ebkur kemi veshur sot?! E djeshmja na
\ngrabiti lot\u00ebt \/ e nes\u00ebrmja nuk vonon t\u00eb trokas! \u00c7 \u2018l\u00ebkur\u00eb
\npo i k\u00ebrkojm\u00eb jet\u00ebs vall\u00eb ?!\u201d.\u00a0\"\"
\nJan\u00eb dy faktor\u00eb q\u00eb lexon n\u00eb shpirtin e poetes nga poezit\u00eb
\ne saj, ndjenjat q\u00eb i lidh\u00eb me besimin, kur nganj\u00ebher\u00eb
\ntundohet edhe ndaj krijuesit, Zotit, duke i b\u00ebr\u00eb pyetje, q\u00eb
\nmbase p\u00ebrgjigjen e lexon tek ata q\u00eb b\u00ebjn\u00eb keq. Si dhe
\nfaktori i dyt\u00eb, jan\u00eb emocionet paksa t\u00eb ndrojtura, e her\u00eb
\nedhe si me plag\u00eb, ngase nuk e ka t\u00ebr\u00eb at\u00eb forc\u00eb poetike ti
\nshfaq\u00eb, aq sa i lexohen n\u00eb mes rreshtave n\u00eb secil\u00ebn poezi.
\nRruga e \u00e7lirimit nga skllav\u00ebria nuk b\u00ebhet vet\u00ebm at\u00ebher\u00eb
\nkur alarmojm\u00eb. \u00cbsht\u00eb e v\u00ebrtet\u00eb se kujtimet ndjellin
\nemocione, p\u00ebrderisa te poetja gjat\u00eb k\u00ebtij libri m\u00eb shum\u00eb ka
\nt\u00eb k\u00ebndshme, duke provuar t\u00eb n\u00eb \u00e7liroj\u00eb, e t\u00eb na grish\u00eb n\u00eb
\npaqe, m\u00eb e mira edhe p\u00ebr njer\u00ebzimin.
\nKjo \u00ebsht\u00eb ajo marr\u00ebdh\u00ebnia e fort\u00eb e saj me jet\u00ebn, sikur kur
\nsillemi rreth gurit, her\u00eb p\u00ebr tu b\u00ebr\u00eb t\u00eb q\u00ebndruesh\u00ebm sa
\npesha e tij, e her\u00eb p\u00ebr tu mbrojtur nga furtunat q\u00eb nuk na
\npyesin.
\nPa diskutim, se t\u00eb qenit grua p\u00ebr poeten nuk \u00ebsht\u00eb vet\u00ebm
\nsi shije e moll\u00ebs vet\u00ebm derisa e kafshon, por, poetes i jep
\nefekte ngjeth\u00ebse, n\u00eb marshimin e saj brenda bukuris\u00eb me
\nmonologun, \u201cMos ki frik\u00eb\u201d, “Fem\u00ebr e dashuruar \/ mos ki
\nfrik\u00eb \/ askush nuk t\u00eb rr\u00ebmben dashurin\u00eb \/ ve\u00e7 jetojm\u00eb n\u00eb
\nnj\u00eb shekull t\u00eb krisur \/ ku Don Zhuan\u00ebt e sot\u00ebm l\u00ebn\u00eb kudo
\ngjurm\u00ebt \/ mos ki frik\u00eb \/ ti, fem\u00ebr buz\u00eb mishtore \/ ti, fem\u00ebr
\nmiturin\u00eb\u201d.
\nSe virtyti i njeriut kalon n\u00ebp\u00ebr njeriun, natyrisht i
\nfrym\u00ebzuar, e p\u00ebrshkruan te poezia e N\u00ebn\u00ebs Terez\u00eb,
\n\u201cLutemi me ty, N\u00ebn\u00eb e Madh\u00ebrishme\u201d, sikur shum\u00eb pyetje
\ntjera q\u00eb ia b\u00ebn Krijuesit, edhe k\u00ebtu \u201c Zot, pse e nd\u00ebshkon
\nnjer\u00ebzin\u00eb\u201d, \u00ebsht\u00eb nj\u00eb nga p\u00ebrsiatjet shpirt\u00ebrore t\u00eb saj kur
\nndjen p\u00ebrbuzjen dhe vuajtjen m\u00eb tep\u00ebr se mund ta duroj\u00eb
\nnjeriu, e, poetja nga dhimbja, i b\u00ebn nj\u00eb pyetje gati sa
\ntunduese, \u201cO Zot, nga dallg\u00ebt e tua t\u00eb fuqishme t\u00eb
\nzem\u00ebrimit \/edhe eshtrat e t\u00eb vdekurve u ndrodh\u00ebn n\u00eb
\nshtratin e fundit \/ fryma qeniesh t\u00eb pafajshme ngelen
\npezull pa drit\u00eb \/ nd\u00ebr sysh vet\u00ebm ngric\u00eb \/ dimri i heshtur
\nshkon\u201d.\u00a0Poezit\u00eb p\u00ebr dashurin\u00eb, shum\u00eb sosh me k\u00ebt\u00eb motiv, e
\np\u00ebrshfaqin m\u00eb s\u00eb miri at\u00eb \u00e7ka ka brenda k\u00ebsaj poete, pra
\nkarakteri q\u00eb i duhet njeriut, si dhunti, m\u00eb e mira e m\u00eb e
\nurta p\u00ebr t\u00eb qen\u00eb vetvetja. Nga fillimi deri n\u00eb fund e ruan
\ninterpretimin e saj, sa origjinale e sa e denj\u00eb, sikur shihet
\nshum\u00eb e drejtp\u00ebrdrejt\u00eb edhe kur adhuron edhe kur gjykon.
\nMendoj se vet\u00ebm k\u00ebshtu flet shpirti poetik\u00eb.
\nEngj\u00ebll I. Berisha<\/p>","protected":false},"excerpt":{"rendered":"

URTIA P\u00cbR T\u00cb QEN\u00cb VETVETJA Nga Engjell I. Berisha Marr\u00ebdh\u00ebniet q\u00eb krijojm\u00eb n\u00eb raport me koh\u00ebn q\u00eb e jetojm\u00eb, nuk \u00ebsht\u00eb vet\u00ebm rast\u00ebsi, por edhe mend\u00ebsi q\u00eb e ushqejm\u00eb, p\u00ebr ta send\u00ebrtuar qenien ton\u00eb njer\u00ebzore pasi q\u00eb gjithmon\u00eb do t\u00eb jemi n\u00eb bashk\u00ebjetes\u00eb me t\u00eb tjer\u00ebt, e desh\u00ebm apo nuk desh\u00ebm, nj\u00eb pjes\u00eb t\u00eb mir\u00eb […]<\/p>","protected":false},"author":1,"featured_media":2394,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[174,164],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/2393"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=2393"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/2393\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=2393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=2393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=2393"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=2393"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=2393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}