{"id":2869,"date":"2023-12-19T15:23:01","date_gmt":"2023-12-19T15:23:01","guid":{"rendered":"https:\/\/kosovoweb.com\/iwabogdani\/?p=2869"},"modified":"2023-12-19T15:23:01","modified_gmt":"2023-12-19T15:23:01","slug":"linja-e-harreses-e-autorit-rumun-mihai-firica-botohet-ne-shqip-nga-prof-jeton-kelmendi-phd","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/linja-e-harreses-e-autorit-rumun-mihai-firica-botohet-ne-shqip-nga-prof-jeton-kelmendi-phd\/","title":{"rendered":"Linja e harreses e autorit rumun Mihai Firica botohet ne Shqip. nga Prof. Jeton Kelmendi PhD"},"content":{"rendered":"<p><strong>NJ\u00cb MISION I MIR\u00cbFILLT\u00cb I BESIMIT<br \/>\n<\/strong><br \/>\nNga Prof. Jeton Kelmendi PhD<\/p>\n<p>Ligj\u00ebrimi poetik i Zt. Mihai Firic\u0103 p\u00ebrq\u00ebndrohet n\u00eb zonat e vendosura n\u00eb af\u00ebrsi ekzistenciale, nga ku nxirren t\u00eb gjitha t\u00eb dh\u00ebnat e nevojshme p\u00ebr nj\u00eb profesion t\u00eb sinqert\u00eb, t\u00eb v\u00ebrtet\u00eb ideologjik t\u00eb besimit. Duket se t\u00eb gjitha p\u00ebrvojat jan\u00eb kaluar p\u00ebrmes filtrit t\u00eb kuptimit lirik, p\u00ebr t\u00eb rifilluar n\u00eb nj\u00eb form\u00eb t\u00eb p\u00ebrmir\u00ebsuar t\u00eb ndjeshm\u00ebris\u00eb. Nj\u00eb ton i mbindjesh\u00ebm i shoq\u00ebron k\u00ebto tekste k\u00ebng\u00ebsh lirike. Suksesi i stin\u00ebve t\u00eb jet\u00ebs ndihet me nj\u00eb mpreht\u00ebsi t\u00eb madhe emocionale. Duke e p\u00ebrjetuar ekzistenc\u00ebn n\u00eb k\u00ebt\u00eb moment, kjo \u00ebsht\u00eb th\u00ebnia e p\u00ebrshtatshme p\u00ebr shum\u00eb tekste q\u00eb favorizojn\u00eb nj\u00eb form\u00eb t\u00eb ve\u00e7ant\u00eb t\u00eb v\u00ebrtet\u00ebsis\u00eb. Pafaj\u00ebsia e p\u00ebrq\u00ebndrueshme nuk zhduket edhe kur p\u00ebrmenden efektet p\u00ebrgjith\u00ebsisht g\u00ebrryese t\u00eb koh\u00ebs: ju prisni n\u00eb stacionin e trenit deri n\u00eb muzg \/ \u00ebnd\u00ebrroni t\u00eb rikuperoni nj\u00eb \u00e7erek ore \/ n\u00eb lagjet pran\u00eb blloqeve t\u00eb banesave qiramarr\u00ebsit \/ kopshtet p\u00ebr met\u00ebr katror q\u00eb pini duhan gjithmon\u00eb vjen n\u00eb shtat\u00eb \/ sot\u00a0nuk ka ardhur \/\u2026\/ nj\u00eb koll\u00eb alergjike zgjon stacionin n\u00eb\u00a0jet\u00eb (Ajo gjithmon\u00eb vjen n\u00eb shtat\u00eb).<br \/>\nBrend\u00ebsia e shpirtit karakterizohet nga nj\u00eb q\u00ebndrim i thell\u00eb pozitiv q\u00eb mund t\u00eb katalizoj\u00eb vet\u00ebm impulset krijuese. K\u00ebshtu, ne jemi t\u00eb p\u00ebrsh\u00ebndetur kudo me nj\u00eb altruiz\u00ebm mbres\u00ebl\u00ebn\u00ebs, jo shum\u00eb larg shenjave t\u00eb past\u00ebrtis\u00eb. Jeta duket se \u00ebsht\u00eb nj\u00eb gar\u00eb p\u00ebr t\u00eb arritur shum\u00eb lumturi t\u00eb thirrura. Ndonj\u00ebher\u00eb spektri i eg\u00ebr i vetmis\u00eb shkakton nj\u00eb gam\u00eb shqet\u00ebsuese. K\u00ebrkimi ka nj\u00eb nivel apodiktik, ka siguri intuitive t\u00eb suksesit. Primordialiteti i ndjenj\u00ebs \u00ebsht\u00eb nj\u00eb pjes\u00eb integrale e thelbit t\u00eb vargjeve t\u00eb propozuara nga Mihai Firic\u0103: shija e shelgut si rezultat i nj\u00eb zjarri \/ i tjet\u00ebrsuar i vet\u00ebm \/ barra q\u00eb nuk e ndjeni \/ buz\u00ebqeshjet e vogla t\u00eb trazuara (Dielli i humbur). Poeti b\u00ebn hap\u00ebsir\u00ebn e tij t\u00eb jetes\u00ebs, fryt i lart\u00ebsimeve estetike t\u00eb pand\u00ebrprera dhe t\u00eb p\u00ebrqendruara n\u00eb emocione pasionante: ari i gruas i fshehur n\u00eb zorr\u00ebt \/ hamendja pasi zgjidh drynin \/ ndarja e jet\u00ebs \/ p\u00ebr t\u00eb menduar \/ jeta e t\u00eb\u00a0palindurit (Rruga e gjakut).<br \/>\nThell\u00ebsisht t\u00eb lavd\u00ebrueshme jan\u00eb k\u00ebto\u00a0introspeksione lirike t\u00eb b\u00ebra nga poeti i Krajovc\u00ebs, i cili\u00a0krijon nj\u00eb univers intim dhe interesant e t\u00eb etur p\u00ebr t\u00eb\u00a0eksploruar me bujari aspektet e shumta t\u00eb ekzistenc\u00ebs.\u00a0Poezia e Zt. Mihai Firic\u0103 \u00ebsht\u00eb n\u00ebn ndikimin metamorfik<br \/>\nt\u00eb kromatik\u00ebve t\u00eb fillimit t\u00eb p\u00ebrjetsh\u00ebm, duke thirrur\u00a0m\u00ebngjesin e p\u00ebrjetsh\u00ebm. V\u00ebllimi dygjuh\u00ebsh \u201cDit\u00ebt e\u00a0fundit dhe jeta pas\u201d (Amanda Edit, Bukuresht, 2020) ka<br \/>\nsi gur themeli imazhin e \u00ebndrr\u00ebs me gjelb\u00ebrim t\u00eb\u00a0p\u00ebrhersh\u00ebm t\u00eb dashuris\u00eb q\u00eb mund ta b\u00ebj\u00eb bot\u00ebn t\u00eb marr\u00eb\u00a0valenca t\u00eb padyshimta: foshnja n\u00eb fytyr\u00ebn t\u00ebnde t\u00eb zbeht\u00eb\u00a0\/ lexoj historin\u00eb e diellit t\u00eb humbur \/ \/ dembel duke\u00a0shpenzuar hijen t\u00ebnde \/ n\u00eb krah\u00ebt e vdekjes \/ mishin e<br \/>\nth\u00ebrrmuar \u2013 ata vodh\u00ebn duke \u00ebnd\u00ebrruar \/ ata e donin n\u00eb\u00a0arrati \/ jetuan duke qeshur \/ t\u00eb gjith\u00eb s\u00eb bashku n\u00eb nj\u00eb kor\u00a0\/ duke glorifikuar hirin e shp\u00ebrndar\u00eb nga era \/ n\u00eb buz\u00ebt e<br \/>\nt\u00eb gjith\u00ebve (Dielli i humbur).<br \/>\nKjo poezi thell\u00ebsisht e mir\u00eb na kujton se ka ende\u00a0imazhe serafike, vizione t\u00eb fluturimit t\u00eb par\u00eb magjeps\u00ebs.\u00a0Melankolia e but\u00eb shoq\u00ebron but\u00ebsisht pushimin sh\u00ebtit\u00ebs<br \/>\nt\u00eb shpirtit. Gruaja \u00ebsht\u00eb e rrethuar me energji maksimale adhurimi, nj\u00eb pik\u00eb referimi e padiskutueshme n\u00eb nj\u00eb jet\u00eb q\u00eb kalon. Kulmi i or\u00ebs me shpejt\u00ebsi gjithnj\u00eb e m\u00eb t\u00eb shpejt\u00eb mund t\u00eb shtyp\u00eb edhe ngjyrat e ylberit. Kjo n\u00eb\u00a0momentet e muzgut q\u00eb sh\u00ebnojn\u00eb kalimin e pakthyesh\u00ebm.<br \/>\nParimi fem\u00ebror mund t\u00eb ndryshoj\u00eb, duke qart\u00ebsuar,\u00a0thell\u00ebsit\u00eb e err\u00ebta dhe t\u00eb dhimbshme t\u00eb \u00ebndrrave t\u00eb k\u00ebqija.\u00a0E megjithat\u00eb, estetika e val\u00ebve t\u00eb shkum\u00ebzuara<br \/>\nparalajm\u00ebron nj\u00eb epok\u00eb t\u00eb d\u00ebshirueshme t\u00eb besimit n\u00eb t\u00eb\u00a0ardhmen.<br \/>\nGjendjet poetike kan\u00eb nj\u00eb korrespondenc\u00eb t\u00eb\u00a0thell\u00eb kromatike dhe p\u00ebrkeq\u00ebsimet emocionale\u00a0gjithmon\u00eb \u00e7ojn\u00eb n\u00eb figur\u00ebn e n\u00ebn\u00ebs, boshtin e v\u00ebrtet\u00eb t\u00eb<br \/>\nbot\u00ebs: ari i gruas i fshehur n\u00eb zorr\u00ebt \/ mendohet pasi\u00a0zgjidh drynin \/ ndan jet\u00ebn \/ p\u00ebr t\u00eb menduar \/ jet\u00ebn e t\u00eb\u00a0palindurit gjak) Vargjet luajn\u00eb nj\u00eb rol t\u00eb gjer\u00eb t\u00eb\u00a0katarsisit, \u00e7lirimeve drejt m\u00ebnyrave t\u00eb mos- shtr\u00ebngimit.<br \/>\nRefugjat\u00ebt blu t\u00eb shk\u00ebputura po k\u00ebrkojn\u00eb me ethe p\u00ebr p\u00ebrgjigjet, sepse, duke pasur parasysh ngjeshjen e koh\u00ebs, \u00e7dokush mund t\u00eb jet\u00eb nj\u00eb gjethe e ftoht\u00eb. Ka rreziqe t\u00eb konsiderueshme n\u00eb rrug\u00ebn e fillimit t\u00eb v\u00ebrtet\u00eb t\u00eb duhur\u00a0p\u00ebr ekzistenc\u00eb. Mihai Firic\u0103 vazhdon gjithmon\u00eb n\u00eb\u00a0ndjenj\u00ebn q\u00eb mund t\u00eb b\u00ebhet m\u00eb shum\u00eb dhe m\u00eb mir\u00eb.<br \/>\nVetmia do t\u00eb privilegjoj\u00eb gjetjen e kuptimeve t\u00eb fshehura\u00a0t\u00eb Fjal\u00ebs.<\/p>","protected":false},"excerpt":{"rendered":"<p>NJ\u00cb MISION I MIR\u00cbFILLT\u00cb I BESIMIT Nga Prof. Jeton Kelmendi PhD Ligj\u00ebrimi poetik i Zt. Mihai Firic\u0103 p\u00ebrq\u00ebndrohet n\u00eb zonat e vendosura n\u00eb af\u00ebrsi ekzistenciale, nga ku nxirren t\u00eb gjitha t\u00eb dh\u00ebnat e nevojshme p\u00ebr nj\u00eb profesion t\u00eb sinqert\u00eb, t\u00eb v\u00ebrtet\u00eb ideologjik t\u00eb besimit. Duket se t\u00eb gjitha p\u00ebrvojat jan\u00eb kaluar p\u00ebrmes filtrit t\u00eb kuptimit [&hellip;]<\/p>","protected":false},"author":1,"featured_media":2870,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[67,74],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/2869"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=2869"}],"version-history":[{"count":1,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/2869\/revisions"}],"predecessor-version":[{"id":2871,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/2869\/revisions\/2871"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/2870"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=2869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=2869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=2869"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=2869"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=2869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}