![\"\"](\"https:\/\/www.iwabogdani.org\/wp-content\/uploads\/2017\/10\/qwert-235x300.jpg\")
<\/p>\nDoli nga shtypi libri m\u00eb i ri \u201cSyri Blu\u201d I Engj\u00ebll I. Berisha. Edicioni nd\u00ebrkomb\u00ebtar i botimeve IWABOGDANI i cili e ka botuar kete libri e vlereson si nje nga librat me te mire me poezi Te botuar ne Kosovo n\u00eb dekaden e Fundit.<\/p>\n
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Mendime shkurt p\u00ebr autorin<\/span><\/strong><\/p>\n Poezia <\/span><\/span>e Berish\u00ebs n\u00eb nj\u00eb m\u00ebnyra paraqet bot\u00ebn sentimentale me t\u00eb cil\u00ebn spikat p\u00ebrjetimet dhe ngjarjet q\u00eb ka kaluar autori dhe njeriu shqiptar\u00eb n\u00eb Kosov\u00eb. Duke qen\u00eb tanim\u00eb nj\u00eb autor q\u00eb ka p\u00ebrvoj\u00ebn n\u00eb <\/span><\/span>shkrimtarin\u00eb<\/span><\/span> letrare e ve\u00e7mas at\u00eb poetike, Berisha me shum\u00eb mjeshtri nd\u00ebrton nj\u00eb ko<\/span><\/span>munikim poetik q\u00eb ngre nj\u00eb stil<\/span><\/span> t\u00eb tij shum\u00eb t\u00eb bukur, madje do t\u00eb <\/span><\/span>thoja<\/span><\/span> se k\u00ebt\u00eb komunikim ai e nd\u00ebrton bukur, q\u00eb nga fjalori, <\/span><\/span>tematologjia<\/span><\/span>, kujdesi me fjal\u00ebn dhe deri tek <\/span><\/span>pe<\/span><\/span>dant\u00ebria<\/span><\/span>shpreh\u00eb<\/span><\/span>se. P\u00ebr mua ky <\/span><\/span>lib\u00ebr<\/span><\/span> poetik padyshim se \u00ebsht\u00eb libri m\u00eb i realizuar artistikisht i autorit, por edhe \u00ebsht\u00eb nj\u00eb nga librat m\u00eb t\u00eb mir\u00eb t\u00eb botuar n\u00eb Kosov\u00eb n\u00eb <\/span><\/span>dekad\u00ebn<\/span><\/span> e fundit, pra <\/span><\/span>lib\u00ebr<\/span><\/span>me poezi.<\/span><\/span><\/p>\n \u00a0 \u00a0 \u00a0<\/span><\/span>Prof. Dr. Jeton Kelmendi, Prishtin\u00eb.<\/span><\/span><\/p>\n Poezia e Engj\u00ebll I. Berish\u00ebs lidh\u00eb imazhe s\u00eb bashku si shtr\u00ebngim i rrezeve t\u00eb diellit n\u00ebn hijet e mesdit\u00ebs. Poezia e tij e mir\u00ebpret lexuesin n\u00eb nj\u00eb dhom\u00eb t\u00eb qet\u00eb ku dashuria dhe largimi bien n\u00eb kontakt me nj\u00eb ton t\u00eb qet\u00eb.\u00a0Ajo q\u00eb ka m\u00eb s\u00eb shumti r\u00ebnd\u00ebsi n\u00eb k\u00ebto poezi \u00ebsht\u00eb kontakt i rastit i nj\u00eb dore, i nj\u00eb v\u00ebshtrimi t\u00eb fundit, apo kujtimi i nj\u00eb fytyr\u00eb.\u00a0K\u00ebto poezi jan\u00eb intime me \u00e7do gj\u00eb q\u00eb zhduket shum\u00eb shpejt.<\/span><\/span><\/p>\n Bill<\/span><\/span> Wolak<\/span><\/span>, ShBA.<\/span><\/span><\/p>\n Poezia e Engj\u00ebllit I. Berisha po p\u00ebrfaq\u00ebson nivelin e lart\u00eb t\u00eb shprehjes artistike. Ajo shpreh arritjet moderniste t\u00eb <\/span><\/span>krijimit <\/span><\/span>imagjinativ<\/span><\/span>, duke theksuar potencialin emocional t\u00eb vlerave q\u00eb na godasin. Kjo imagjinat\u00eb po b\u00ebn harmonizimin artistik n\u00eb sferat bashk\u00ebkohore <\/span><\/span>entropike<\/span><\/span> konceptuale<\/span><\/span>. Ky lloj trajtimi i aspekteve t\u00eb ndryshme t\u00eb realitetit ton\u00eb zbulon strukturat e thella q\u00eb na japin element\u00ebt e k\u00ebrkimit shpirt\u00ebror. Kjo e b\u00ebn k\u00ebt\u00eb poezi t\u00eb bukur dhe dramatike t\u00eb plot\u00eb t\u00eb fuqis\u00eb pragmatike t\u00eb metamorfoz\u00ebs dhe tejkalon nivelin ekzistues t\u00eb mjediseve t\u00eb polarizuara p\u00ebr t\u00eb b\u00ebr\u00eb kontradiktat, ku takohen <\/span><\/span>kaoset<\/span><\/span> n\u00eb zhvillimin e hulumtimit t\u00eb autorit p\u00ebr nj\u00eb kozmos q\u00eb do t\u00eb p\u00ebrforcoj\u00eb edhe energjin\u00eb e lexuesit.<\/span><\/span><\/p>\n Acad<\/span><\/span>. Prof. <\/span><\/span>PhD<\/span><\/span> Dmytro<\/span><\/span> O. <\/span><\/span>Chystiak\u00a0<\/span><\/span>European<\/span><\/span> academy<\/span><\/span> for<\/span><\/span> Sciences<\/span><\/span>, <\/span><\/span>Arts<\/span><\/span>and<\/span><\/span> Letters\u00a0<\/span><\/span>Kyiv<\/span><\/span> national<\/span><\/span> Taras<\/span><\/span> Shevchenko<\/span><\/span>University<\/span><\/span>.<\/span><\/span><\/p>\n Akordimi i ambientit me ekspresionin e tij t\u00eb paskajsh\u00ebm, n\u00eb rezonanc\u00eb me brendin\u00eb e zot\u00ebruar nga d\u00ebshira p\u00ebr mir\u00ebkuptim, \u00ebsht\u00eb provokimi m\u00eb i madh q\u00eb i ka dh\u00ebn\u00eb gjithmon\u00eb nxitje artistit. P\u00ebrndryshe, askund thell\u00ebsia nuk \u00ebsht\u00eb m\u00eb af\u00ebr lart\u00ebsimit se sa <\/span><\/span>mveshja<\/span><\/span> e fjal\u00ebve t\u00eb zgjuara n\u00eb p\u00ebrditshm\u00ebrin\u00eb ton\u00eb drejt brigjeve t\u00eb befasive permanente, si nj\u00eb mister i koncentruar i poezis\u00eb. E them k\u00ebt\u00eb me krejt bindjen, dhe me siguri, edhe me rrezikun p\u00ebr t\u00eb qen\u00eb i p\u00ebrs\u00ebritur, por \u00e7do her\u00eb duke <\/span><\/span>patur<\/span><\/span> shansin p\u00ebr t\u00eb prur\u00eb argumente t\u00eb reja. <\/span><\/span><\/p>\n Engj\u00ebll I. Berisha \u00ebsht\u00eb nj\u00eb poet i ekuilibrit, madje dhe at\u00ebher\u00eb kur vet\u00eb gravitacioni i hap\u00ebsirave dhe koh\u00ebrave, vet\u00eb proklamohet, por kjo nuk don\u00eb t\u00eb thot\u00eb se mund t\u00eb jet\u00eb i mundur apo i pushtuar! Me r\u00ebnd\u00ebsi p\u00ebr ne \u00ebsht\u00eb fakti se poeti shqiptar i pushton edhe zemrat e lexuesve t\u00eb huaj.<\/span><\/span><\/p>\n Daniel<\/span><\/span> Marian<\/span><\/span>, Bukuresht.<\/span><\/span><\/p>\n N\u00eb nj\u00eb koh\u00eb t\u00eb till\u00eb, n\u00eb marr\u00ebdh\u00ebnie e n\u00eb gjendje t\u00eb till\u00eb, arti shnd\u00ebrrohet her\u00eb n\u00eb dhimbje, her\u00eb n\u00eb ngush\u00ebllim shpirt\u00ebror, n\u00eb <\/span><\/span>katars\u00eb<\/span><\/span> shpirt\u00ebrore, gj\u00eb q\u00eb p\u00ebrligjet n\u00ebp\u00ebrmjet t\u00eb shprehurit simbolik e metaforik ose t\u00eb drejtp\u00ebrdrejt\u00eb. Arti i frym\u00ebzuar nga gjendja e till\u00eb tragjike shnd\u00ebrrohet para s\u00eb gjithash n\u00eb dhimbje e vuajtje.<\/span><\/span><\/p>\n P\u00ebsimi n\u00eb nj\u00eb koh\u00eb t\u00eb till\u00eb kur m\u00ebzi frymohet dhe mbahet drejtpeshimi shpirt\u00ebror, mendor e veprues, \u00ebsht\u00eb i madh, madje mund t\u00eb thuhet rr\u00ebnues e tragjik. Pra, n\u00ebp\u00ebrmjet vargut, poeti shpreh<\/span><\/span>, dashurin\u00eb, pse jo edhe trishtimin, p\u00ebsimin,<\/span><\/span> dhe i kund\u00ebrvihet nj\u00eb gjendje t\u00eb till\u00eb; ai ka vet\u00ebm fjal\u00eb<\/span><\/span>n e vet, <\/span><\/span>t\u00eb vetmin mjet \u2013 po ia mor\u00ebt vargjet \/ \u00e7\u2019i vlen shpirti; <\/span><\/span>n\u00ebp\u00ebrmjet<\/span><\/span> t\u00eb cilit shpreh pak\u00ebnaq\u00ebsin\u00eb dhe pajtueshm\u00ebrin\u00eb dhe k\u00ebrkon dalje nga kjo gjendje.<\/span><\/span><\/p>\n \u00a0Prof. Dr. Anton <\/span><\/span>Nik\u00eb<\/span><\/span>Berisha, Prishtin\u00eb.<\/span><\/span> Nj\u00eb lexim universal q\u00eb nuk duhet ta humbim<\/span><\/span><\/p>\n I lodhur nga m\u00ebnyra me t\u00eb cil\u00ebn dehja e fatit i kalon pjes\u00ebt e saj, Engj\u00ebll I. Berisha q\u00ebndron p\u00ebrpara aeroplanit <\/span><\/span>spektakular<\/span><\/span> t\u00eb kujtes\u00ebs dhe udh\u00ebton n\u00ebp\u00ebr koh\u00ebt q\u00eb e kan\u00eb sjell\u00eb p\u00ebr t\u00eb e sotmja.\u00a0 P\u00ebrkujtues, – po, \u00a0analitike gjithashtu, \u00a0ai peshon shkall\u00ebt e brishta t\u00eb nj\u00eb stadi q\u00eb nuk p\u00ebrmbush t\u00eb gjith\u00eb ndjenj\u00ebn e ngjitjes, duke u kthyer n\u00eb gropa t\u00eb momenteve t\u00eb <\/span><\/span>aviditetit<\/span><\/span> m\u00eb t\u00eb madh. \u00a0<\/span><\/span>Sa koh\u00eb p\u00ebr nj\u00eb mosh\u00eb<\/span><\/span>\u00a0<\/span><\/span>!,<\/span><\/span>\u00a0madje edhe p\u00ebrtej p\u00ebrvoj\u00ebs s\u00eb sugjeruar t\u00eb jet\u00ebs n\u00eb em\u00ebrtimin e titullit \u2013 shpjegues \u00a0q\u00eb do ta kap\u00ebrcej\u00eb <\/span><\/span>k\u00ebt\u00eb koment – \u00ebsht\u00eb lakuriq\u00ebsia e nj\u00eb organi organik t\u00eb ndjesh\u00ebm dhe t\u00eb ngusht\u00eb p\u00ebr val\u00ebt q\u00eb fatkeq\u00ebsia propozon n\u00eb \u00e7do hap q\u00eb \u00ebsht\u00eb, \u00a0e synon t\u00eb ngjitet.<\/span><\/span><\/p>\n Pa anestezi apo maska, por me metafor\u00eb t\u00eb ndritsh\u00ebm, poeti na jep lidhjet e tij n\u00eb arsye, n\u00eb intimitet, n\u00eb kuptimin m\u00eb t\u00eb ngusht\u00eb, n\u00eb dashuri dhe shk\u00ebputje, n\u00eb hidh\u00ebrime, n\u00eb kujtime – madje n\u00eb alegori t\u00eb komplotuara mbi mitologjin\u00eb klasike – gjithmon\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb drejt\u00eb n\u00eb t\u00eb cil\u00ebn mundemi t\u00eb shohim ndjenj\u00ebn e v\u00ebrtet\u00eb dhe krejt\u00ebsisht t\u00eb qart\u00eb, <\/span><\/span>diafanoze<\/span><\/span> ( e tejdukshme) dhe t\u00eb but\u00eb. N\u00ebp\u00ebrmjet koh\u00ebve t\u00eb ndryshme n\u00eb t\u00eb cilat ne mund t’i ndjekim hapat e tij, ai zbulon nj\u00eb udh\u00ebtim p\u00ebrmes asaj q\u00eb ka ekzistenca t\u00eb virtytshme, t\u00eb shkreta dhe t\u00eb fundme.<\/span><\/span><\/p>\n Engj\u00eblli, kalon n\u00ebp\u00ebr k\u00ebto poema t\u00eb p\u00ebrshtatura p\u00ebr stoik\u00ebt q\u00eb nuk do t\u00eb harrojn\u00eb, p\u00ebr t\u00eb vendosur n\u00eb \u00e7do qeliz\u00eb faqet e nj\u00eb jete t\u00eb rast\u00ebsishme q\u00eb luftojn\u00eb p\u00ebr temperamentin. Poezia e tij \u00ebsht\u00eb nj\u00eb lexim universal q\u00eb nuk mund ta humbim.<\/span><\/span><\/p>\n Ricardo<\/span><\/span> Rubio<\/span><\/span> Doli nga shtypi libri m\u00eb i ri \u201cSyri Blu\u201d I Engj\u00ebll I. Berisha. Edicioni nd\u00ebrkomb\u00ebtar i botimeve IWABOGDANI i cili e ka botuar kete libri e vlereson si nje nga librat me te mire me poezi Te botuar ne Kosovo n\u00eb dekaden e Fundit. Mendime shkurt p\u00ebr autorin Poezia e Berish\u00ebs n\u00eb nj\u00eb m\u00ebnyra paraqet […]<\/p>","protected":false},"author":1,"featured_media":933,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[166,164],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3061"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3061"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3061\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3061"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3061"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/span><\/span><\/p>\n
\n<\/span><\/span>Buenos Aires, Argjentin\u00eb.<\/span><\/span><\/p>","protected":false},"excerpt":{"rendered":"