{"id":3166,"date":"2019-12-24T16:05:30","date_gmt":"2019-12-24T16:05:30","guid":{"rendered":"http:\/\/www.iwabogdani.org\/?p=1623"},"modified":"2019-12-24T16:05:30","modified_gmt":"2019-12-24T16:05:30","slug":"tendai-rinos-mwanaka-botohet-ne-shqip","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/tendai-rinos-mwanaka-botohet-ne-shqip\/","title":{"rendered":"Tendai Rinos Mwanaka Botohet n\u00eb Shqip"},"content":{"rendered":"

\u00cbsht\u00eb botuar libri me poezi \u201cRegjister<\/span> i shkruar nga dometh\u00ebnia\u201d I autorit\u00a0<\/span><\/span><\/span>Tendai<\/span> Rinos<\/span> Mwanaka nga Zimbaveja. Librin e ka P\u00ebrkthyer nga Anglishtja Jeton Kelmendi…<\/span><\/p>\n

\n

PARATHENIE<\/span><\/span>
\n<\/span><\/span>
\n<\/span><\/span>Libri i shkruar nga nj\u00eb shtegtar, \u00ebsht\u00eb nj\u00eb cik\u00ebl poezish t\u00eb nd\u00ebrlidhura q\u00eb merren me jet\u00ebn, aspektet shpirt\u00ebrore, gjuh\u00ebn, idet\u00eb filozofike dhe marr\u00ebdh\u00ebniet e dashuris\u00eb n\u00eb nivelet e tyre t\u00eb ndryshme, ose n\u00eb thell\u00ebsi, por p\u00ebrqendrohet m\u00eb shum\u00eb n\u00eb nj\u00eb marr\u00ebdh\u00ebnie q\u00eb ka ndryshuar karakterin; q\u00eb personazhi nuk di si t\u00eb merret, q\u00eb e ka b\u00ebr\u00eb personazhin n\u00eb nj\u00eb lloj shkat\u00ebrrimi, <\/span><\/span>emocionalisht<\/span><\/span>, <\/span><\/span>psikologjikisht<\/span><\/span>, apo edhe shpirt\u00ebr<\/span><\/span>isht<\/span><\/span>, ve\u00e7an\u00ebrisht shpirt\u00ebror. Karakteri po i thot\u00eb vetes se nuk e do vajz\u00ebn, ai e d\u00ebshiron at\u00eb, ai mund t\u00eb jetoj\u00eb pa t\u00eb dhe nuk mund t\u00eb jetoj\u00eb pa t\u00eb. <\/span><\/span>\u00cb<\/span><\/span>s<\/span><\/span>ht\u00eb ky aspekt konfuz, pavendosm\u00ebria, d\u00ebshira p\u00ebr t\u00eb njohur t\u00eb v\u00ebrtet\u00ebn, nevoja e brendshme p\u00ebr t\u00eb d\u00ebshiruar t\u00eb gjejm\u00eb dik\u00eb me t\u00eb cilin mund t\u00eb lidhemi, k\u00ebt\u00eb d\u00ebshir\u00eb <\/span><\/span>obsesive<\/span><\/span>, q\u00eb na drejton nd\u00ebrsa kalojm\u00eb n\u00ebp\u00ebr k\u00ebt\u00eb s<\/span><\/span>i<\/span><\/span>l<\/span><\/span>ue<\/span><\/span>t\u00eb emocionale.<\/span><\/span>
\n<\/span><\/span>Poemat n\u00eb k\u00ebt\u00eb koleksion prekin poezit\u00eb e dashuris\u00eb s\u00eb hershme t\u00eb <\/span><\/span>t\u00eb<\/span><\/span>rriturve t\u00eb hersh\u00ebm, poezit\u00eb e dashuris\u00eb n\u00eb nj\u00eb bot\u00eb n\u00ebn hijen e pandemis\u00eb s\u00eb SIDA-s, nevoj\u00ebn ton\u00eb t\u00eb jasht\u00ebzakonshme q\u00eb njer\u00ebzit t\u00eb duan t\u00eb lidhin jet\u00ebn <\/span><\/span>e tyre<\/span><\/span> me dik\u00eb, ve\u00e7an\u00ebrisht tani n\u00eb shekullin XXI , dhe sa m\u00eb shum<\/span><\/span>\u00eb<\/span><\/span>, ajo po p\u00ebrfundon n\u00eb prishje dhe zhg\u00ebnjim, <\/span><\/span>mund t\u00eb jet\u00eb nj\u00eb prishje psikologjike, shpirt\u00ebrore dhe emocionale kur merresh me nj\u00eb marr\u00ebdh\u00ebnie t\u00eb d\u00ebshtuar. P<\/span><\/span>oezi<\/span><\/span>t<\/span><\/span>\u00eb<\/span><\/span> jan\u00eb n\u00eb cop\u00ebza dhe <\/span><\/span>me <\/span><\/span>driblime, t\u00eb njer\u00ebzve t\u00eb <\/span><\/span>ndrysh\u00ebm q\u00eb lidhen me k\u00ebt\u00eb \u00e7\u00ebshtje, dashuri<\/span><\/span>a<\/span><\/span>, duke folur … Duke i treguar tregimet e tyre t\u00eb dashuris\u00eb, n\u00eb m\u00ebnyr\u00ebn e tyre, k\u00ebshtu q\u00eb un\u00eb nuk i p\u00ebrdor gjithmon\u00eb m\u00ebnyrat konvencionale t\u00eb poezis\u00eb. N\u00eb k\u00ebt\u00eb p\u00ebrpjekje, m\u00eb lejohet t\u00eb hulumtoj nj\u00eb varg lirish <\/span><\/span>\u00e7liruese<\/span><\/span>, pajisjesh dhe teknikash q\u00eb personazhet n\u00eb poezi t\u00eb vulosin emocionet e <\/span><\/span>tyre n\u00eb faqe. <\/span><\/span>\u00cb<\/span><\/span>s<\/span><\/span>ht\u00eb shum\u00eb eksperimentale, sfiduese dhe <\/span><\/span>incizive<\/span><\/span>, k\u00ebshtu q\u00eb ka aft\u00ebsin\u00eb t\u00eb shikoj\u00eb nj\u00eb tem\u00eb drejt e n\u00eb sy pa u rrudhur.<\/span><\/span>
\n<\/span><\/span>Ndonj\u00ebher\u00eb poezit\u00eb jan\u00eb t\u00eb thyera, t\u00eb ngecura, me fraza q\u00eb zhduken nga skajet. Kam p\u00ebrzierjen e shum\u00eb stileve dhe zhanreve t\u00eb ndryshme (ditari, eset\u00eb, sh\u00ebnimet, skicat, ligj\u00ebrimi filozofik, <\/span><\/span>ran<\/span><\/span>de<\/span><\/span>s<\/span><\/span>a<\/span><\/span>t<\/span><\/span>, thirrjet <\/span><\/span>etj<\/span><\/span> …) me zhanrin poetik. Ka poezi q\u00eb jan\u00eb n\u00eb pjes\u00eb, dhe un\u00eb p\u00ebrpiqem t’i lidh k\u00ebto pjes\u00eb, t\u00eb cilat vijn\u00eb nj\u00ebra pas tjetr\u00ebs.<\/span><\/span>
\n<\/span><\/span>Poezit\u00eb n\u00eb Librin e shkruar nga nj\u00eb shkrimtar prek shumic\u00ebn e aspekteve t\u00eb dashuris\u00eb; r\u00ebnia p\u00ebr nj\u00eb vajz\u00eb ose djal\u00eb (takimi i tyre), shijimi i mir\u00ebsis\u00eb s\u00eb nj\u00eb marr\u00ebdh\u00ebnie (puthja), prishja e nj\u00eb marr\u00ebdh\u00ebnieje (Shum\u00eb vite m\u00eb von\u00eb), seksi (dashnor\u00ebt e pakujdessh\u00ebm). Ka nga ato q\u00eb merren me dashurin\u00eb si imazh ose konstruksione t\u00eb nj\u00eb poeti (<\/span><\/span>dashuroje<\/span><\/span>k\u00ebt\u00eb faqe), humbje (Lot n\u00eb sip\u00ebrfaqen time), vdekje (Gjysm\u00eb dije, gjysma nuk e di), kujtime (Yje), shpres\u00eb, me urt\u00ebsi (Thirrja p\u00ebr ty ), dhe ndjenja shum\u00eb e p\u00ebrhapur e identitetit (Jeta ime), shpirt\u00ebrore ose prishje shpirt\u00ebrore (xhevahire), filozofike (nd\u00ebrmarrje zen), jet\u00eb (h\u00ebn\u00eb tetori) dhe gjuh\u00eb (\u00e7do fjal\u00eb e p\u00ebrdredhur); k\u00ebshtu ata krijojn\u00eb nj\u00eb gam\u00eb t\u00eb gjer\u00eb t\u00eb bot\u00ebs s\u00eb ndjenjave; t\u00eb jetuarit, t\u00eb dashurit dhe t\u00eb <\/span><\/span>qenurit<\/span><\/span>. Ekzistojn\u00eb lloje, forma dhe struktura t\u00eb ndryshme t\u00eb k\u00ebtyre poezive n\u00eb k\u00ebt\u00eb koleksion. Disa forma t\u00eb <\/span><\/span>tankave<\/span><\/span>, soneteve, vjershave t\u00eb gjata, shantazheve, <\/span><\/span>rantave<\/span><\/span>, sh\u00ebnimeve, skicave, vjershave t\u00eb proz\u00ebs, poezive t\u00eb eseve, poezive gati-histori, duke eksperimentuar me <\/span><\/span>D<\/span><\/span>ichten<\/span><\/span> D<\/span><\/span>enken<\/span><\/span> e<\/span><\/span>Gjermanis\u00eb (poezi dhe mendim), jehon\u00eb poezie, fjalim, <\/span><\/span>kumbues<\/span><\/span>, \u00ebndrra, dit\u00eb , gjendjet anormale t\u00eb mendjes (si <\/span><\/span>poezit\u00eb e brezit t\u00eb rrahjes), dhe \u00e7do prirje tjet\u00ebr t\u00eb \u00e7rregullt jan\u00eb hulumtuar.<\/span><\/span><\/p>\n

\u00c7f<\/span><\/span>ar\u00eb po p\u00ebrpiqem t\u00eb arrij me k\u00ebt\u00eb koleksion. Libri i shkruar nga nj\u00eb shkrimtar regjistron jet\u00ebn, emocionet dhe ndjenjat q\u00eb personazhi po kalon, pasi ai merret me nj\u00eb dashuri t\u00eb paplot\u00ebsuar. Ai \u00ebsht\u00eb n\u00eb nj\u00eb hap\u00ebsir\u00eb \u200b\u200bt\u00eb vog\u00ebl, si hap\u00ebsira midis nj\u00eb vendi t\u00eb v\u00ebshtir\u00eb dhe nj\u00eb shk\u00ebmbi, dhe k\u00ebshtu ai e b\u00ebn at\u00eb hap\u00ebsir\u00eb \u200b\u200bt\u00eb tijin. Koleksioni na inkurajon t\u00eb mbajm\u00eb ato hap\u00ebsira, hap\u00ebsira t\u00eb zhvendosjes, derisa t\u00eb kemi trajtuar element\u00ebt e fort\u00eb ose element\u00ebt shk\u00ebmbor\u00eb, dhe gjith\u00e7ka \u00ebsht\u00eb p\u00ebrs\u00ebri mir\u00eb. Ndonj\u00ebher\u00eb shkon \u00ebsht\u00eb gjith\u00e7ka q\u00eb mund t\u00eb b\u00ebjm\u00eb!<\/span><\/span><\/p>\n

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\u00cbsht\u00eb botuar libri me poezi \u201cRegjister i shkruar nga dometh\u00ebnia\u201d I autorit\u00a0Tendai Rinos Mwanaka nga Zimbaveja. Librin e ka P\u00ebrkthyer nga Anglishtja Jeton Kelmendi… PARATHENIE Libri i shkruar nga nj\u00eb shtegtar, \u00ebsht\u00eb nj\u00eb cik\u00ebl poezish t\u00eb nd\u00ebrlidhura q\u00eb merren me jet\u00ebn, aspektet shpirt\u00ebrore, gjuh\u00ebn, idet\u00eb filozofike dhe marr\u00ebdh\u00ebniet e dashuris\u00eb n\u00eb nivelet e tyre t\u00eb […]<\/p>","protected":false},"author":1,"featured_media":1624,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[166,164],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3166"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3166"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3166\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3166"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3166"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}