{"id":3171,"date":"2020-01-08T21:05:34","date_gmt":"2020-01-08T21:05:34","guid":{"rendered":"http:\/\/www.iwabogdani.org\/?p=1641"},"modified":"2020-01-08T21:05:34","modified_gmt":"2020-01-08T21:05:34","slug":"rahim-karim-karimov-kirgistan","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/rahim-karim-karimov-kirgistan\/","title":{"rendered":"Rahim Karim (Karimov), Kirgistan"},"content":{"rendered":"<p><strong>Rahim Karim (Karimov), Kirgistan<\/strong><\/p>\n<p><em>Perktheu nga Anglishtja: Jeton Kelmendi<\/em><\/p>\n<p>Rahim Karim (Karimov) \u00ebsht\u00eb nj\u00eb poet, shkrimtar, publicist, p\u00ebrkthyes nga Uzbeko-Ruso-Kirgize. Ai u lindi me 1960 n\u00eb qytetin Osh (Kirgistan). I diplomuar n\u00eb Institutin letrar Gorki t\u00eb Mosk\u00ebs (1986). An\u00ebtar i Unionit Komb\u00ebtar t\u00eb Shkrimtar\u00ebve t\u00eb Republik\u00ebs s\u00eb Kirgistanit, an\u00ebtar i Unionit t\u00eb Shkrimtar\u00ebve Ruse, p\u00ebrfaq\u00ebsues zyrtar i Federat\u00ebs Nd\u00ebrkomb\u00ebtare t\u00eb Shkrimtar\u00ebve Rusisht Fol\u00ebs n\u00eb Kirgistan (Lond\u00ebr-Budapest), an\u00ebtar i Bordit t\u00eb SNRF, laureat i \u00e7mimit letrar republikan me emrin e Moldo Niyaz. Autori i bestsellerit komb\u00ebtar \u201cKamila\u201d, fituesi i \u00e7mimit t\u00eb dyt\u00eb t\u00eb Forumit Nd\u00ebrkomb\u00ebtar t\u00eb Librit t\u00eb Hapur, Forumi i Librit dhe i Let\u00ebrsis\u00eb i Librit t\u00eb Azis\u00eb Qendrore &#8211; 2012 (Britani e Madhe), i nominuari p\u00ebr \u00e7mimet letrare komb\u00ebtare ruse \u201cPoet i Vitit 2013 &#8220;,&#8221; Poeti i Vitit 2014 &#8220;,&#8221; Shkrimtari i Vitit 2014 &#8220;,&#8221; Poeti i Vitit 2015 &#8220;,&#8221; Trash\u00ebgimia- 2015 &#8220;,&#8221; Trash\u00ebgimia-2016 &#8220;, Prmimi p\u00ebr ta. S. Yesenin (2016). N\u00eb vitin 2017 atij ju dha medalja e argjendt\u00eb n\u00eb konkursit letrar euroaziatik LiFFt n\u00eb em\u00ebrimin e nj\u00eb poeti Euroaziat. Kryetar i K\u00ebshillit t\u00eb Shkrimtar\u00ebve dhe Lexuesve t\u00eb Asambles\u00eb s\u00eb Popujve t\u00eb Euroazis\u00eb. Autori i rreth 30 librave t\u00eb botuar n\u00eb Kirgistan, Uzbekistan , Kazakistani, Ukraina, Bjellorusia, Rusia, Britania e Madhe, Kanada, Rumania, Greqia, Hollande, Indi, Tunizi, Arabi Saudite, Shqip\u00ebri, Belgjik\u00eb, Meksik\u00eb, Venezuel\u00eb, Poloni, Maqedoni, Kroaci, Serbi, Bosnj\u00eb dhe Hercegovin\u00eb, Afganistan, Spanj\u00eb , Franc\u00eb, Sh.B.A, Gjermani etj. Ai p\u00ebrkthen poezit\u00eb dhe proz\u00ebn e autorit ort\u00eb nga Kirgistani, Uzbekistani, Rusia, Taxhikistani, Mongolia, Azerbajxhani, Kazakistani, Hollanda, Tunizia, Arabia Saudite, Rumania, Polonia, Maqedonia, Kroacia, Bosnja dhe Hercegovina, Irani, Luksemburgu etj.<\/p>\n<p>JO FRIK\u00cb NGA ZOTI<\/p>\n<p>F\u00ebmija ishte pastaj akoma,<br \/>\nPapritur ai u ankua te n\u00ebna ime, n\u00ebse.<br \/>\nAjo ngush\u00ebllonte: &#8220;Ata, n\u00eb fund t\u00eb fundit,<br \/>\nJo frik\u00eb nga Zoti.<\/p>\n<p>Ju nuk u ngjit n\u00eb nj\u00eb argument t\u00eb padobish\u00ebm,<br \/>\nMos e shikoni kot.<br \/>\nAta, n\u00eb fund t\u00eb fundit, njer\u00ebzit jan\u00eb mbi male,<br \/>\nN\u00eb dijeni t\u00eb pik\u00ebllimit, dhimbjes.<\/p>\n<p>Mizori, e keqja \u00ebsht\u00eb djalli, &#8211;<br \/>\nShum\u00eb njer\u00ebz pan\u00eb drit\u00ebn e bardh\u00eb.<br \/>\nAi d\u00ebshiron t\u00eb b\u00ebhet mb\u00ebshtetja e bot\u00ebs,<br \/>\nNuk pash\u00eb kush po vuan, vdekjen. &#8221;<\/p>\n<p>Lulja lul\u00ebzoi dhe bora ra,<br \/>\nKa shum\u00eb vite n\u00eb k\u00ebt\u00eb bot\u00eb.<br \/>\nTani banesa banon,<br \/>\nAta jan\u00eb t\u00eb pabanuesh\u00ebm.<\/p>\n<p>Ateisti filloi t\u00eb lutet ku,<br \/>\nNamaz lexohet kudo.<br \/>\nJeto deri tani n\u00eb Tok\u00eb,<br \/>\nJo frik\u00eb nga Zoti!<\/p>\n<p>STILOLAPSI<\/p>\n<p>Me stilolaps hap rrug\u00ebn,<br \/>\nUn\u00eb hap der\u00ebn me nj\u00eb stilolaps.<br \/>\nMe nj\u00eb stilolaps eci, me nj\u00eb pend\u00eb po notoj,<br \/>\nPo marr frym\u00eb me nj\u00eb pend\u00eb, miku im, m\u00eb beso!<\/p>\n<p>Me nj\u00eb stilolaps nd\u00ebrtoj nj\u00eb sht\u00ebpi, sht\u00ebpi,<br \/>\nMbjell nj\u00eb stilolaps dhe kopsht.<br \/>\nNdonj\u00ebher\u00eb, penda ime \u00ebsht\u00eb nj\u00eb pyk\u00eb dhe nj\u00eb cop\u00ebz,<br \/>\nMe nj\u00eb stilolaps marr bubullim\u00ebn, bresh\u00ebr.<\/p>\n<p>Vet\u00ebm fuqi, krenari, fuqi,<br \/>\nPen\u00eb dhe lavdi, nd\u00ebrgjegje, nder.<br \/>\nAftermimi n\u00eb fund t\u00eb fundit pa nj\u00eb stilolaps p\u00ebr mua \u00ebsht\u00eb nj\u00eb qindark\u00eb,<br \/>\nPenda ime \u00ebsht\u00eb p\u00ebrgjigjja dhe hakmarrja.<\/p>\n<p>Pend\u00eb &#8211; arm\u00eb. mburoj\u00eb dhe shpat\u00eb,<br \/>\nPenda ime \u00ebsht\u00eb buka ime e fort\u00eb.<br \/>\nPenda ime \u00ebsht\u00eb z\u00ebri im, fjalimi.<br \/>\nPenda \u00ebsht\u00eb bota ime, drita ime e bardh\u00eb.<\/p>\n<p>PERFORMANC\u00cb<\/p>\n<p>Un\u00eb luaj \u00e7do dit\u00eb rolin e jet\u00ebs n\u00eb m\u00ebngjes,<br \/>\nDhe \u00e7do dit\u00eb e Zotit shkon n\u00eb shfaqjen time.<br \/>\nSkena \u00ebsht\u00eb ndri\u00e7uar nga dy dritat e drit\u00ebs s\u00eb prishjes:<br \/>\nH\u00ebna dhe dielli: gjat\u00eb nat\u00ebs vet\u00ebm p\u00ebrgjimi i p\u00ebrgjumur.<\/p>\n<p>Un\u00eb p\u00ebrpiqem t\u00eb tregoj talent dhe aft\u00ebsi,<br \/>\nN\u00eb vend t\u00eb gjith\u00e7kaje: si audienca ashtu edhe dirigjenti.<br \/>\nNga skena do t\u00eb hiqet, por nj\u00eb her\u00eb &#8211; natyra, &#8211;<br \/>\nN\u00eb \u00e7do koh\u00eb, ne jemi Krijuesi &#8211; Prodhuesi.<\/p>\n<p>Q\u00ebllimi kryesor i jet\u00ebs \u00ebsht\u00eb t\u00eb luani rolin tuaj,<br \/>\nLini t\u00eb keni nj\u00eb em\u00ebr p\u00ebr veten tuaj p\u00ebrgjithmon\u00eb.<br \/>\nNe vet\u00eb jemi artist\u00eb, spektator\u00eb, ky akt<br \/>\nJepini nj\u00eb vler\u00ebsim t\u00eb shansit nj\u00ebri-tjetrit, njeri!<\/p>\n<p>POETIKA &#8220;HARA-KIRI&#8221;<\/p>\n<p>Japonez\u00ebt performuan me krenari hara-kiri, &#8211;<br \/>\nSamurai me porosi, mbase tani atje?<br \/>\nBarku q\u00eb shqyhej hapur vullnetarisht, n\u00eb heshtje,<br \/>\nKur ushtari i nderit u plagos.<\/p>\n<p>Sa prej nesh n\u00eb poet\u00eb trima t\u00eb bot\u00ebs,<br \/>\nNuk njihet nga lexuesin fare n\u00eb bot\u00eb.<br \/>\nLe ta b\u00ebjm\u00eb, megjithat\u00eb, ne n\u00eb bot\u00eb,<br \/>\nPoetiken &#8220;Hara-kiri&#8221; japoneze ?!<\/p>\n<p>Poet\u00ebt nuk ndodhin shum\u00eb n\u00eb univers,<br \/>\nKa disa prej tyre p\u00ebr gjith\u00eb p\u00ebrjet\u00ebsin\u00eb &#8211; poet\u00eb tok\u00ebsor\u00eb!<br \/>\nPoet\u00ebt em\u00ebrohen, ndoshta, nga Zoti,<br \/>\nZoti qoft\u00eb i zgjedhur nga t\u00eb gjith\u00eb ne n\u00eb k\u00ebt\u00eb bot\u00eb.<\/p>\n<p>DASHURIA \u00cbSHT\u00cb SI NJ\u00cb BOMB\u00cb<\/p>\n<p>Kur d\u00ebgjoni nj\u00eb em\u00ebr,<br \/>\n\u00ebsht\u00eb sikur nj\u00eb bomb\u00eb t\u00eb shp\u00ebrthej\u00eb brenda jush.<br \/>\nPrandaj, dashuria e dikurshme \u00ebsht\u00eb akoma gjall\u00eb,<br \/>\nDhe diku \u00ebsht\u00eb si nj\u00eb minier\u00eb.<br \/>\nDhe ajo pret, ajo nuk do t\u00eb pres\u00eb at\u00eb dit\u00eb,<br \/>\nkur hap pas tij.<br \/>\nDashuria d\u00ebshiron t\u00eb fryj zemr\u00ebn t\u00ebnde p\u00ebrs\u00ebri,<br \/>\nSi \u00ebsht\u00eb bomba atomike &#8211; Nagasaki ?!<br \/>\nSi mund t\u00eb je<br \/>\ntoni tani duke pasur frik\u00eb nga ai em\u00ebr ?!<br \/>\nDuke q\u00ebndruar larg shpirtit tuaj n\u00eb shpirtin tuaj?<br \/>\nDashuria si t\u00eb shkat\u00ebrrosh, neutralizosh,<br \/>\nSi t\u00eb kurseni nj\u00eb sapun t\u00eb lezetsh\u00ebm ?!<br \/>\nN\u00eb fund t\u00eb fundit, kapaku i saj \u00ebsht\u00eb<br \/>\nnga nj\u00eb granat\u00eb? !!!<\/p>","protected":false},"excerpt":{"rendered":"<p>Rahim Karim (Karimov), Kirgistan Perktheu nga Anglishtja: Jeton Kelmendi Rahim Karim (Karimov) \u00ebsht\u00eb nj\u00eb poet, shkrimtar, publicist, p\u00ebrkthyes nga Uzbeko-Ruso-Kirgize. Ai u lindi me 1960 n\u00eb qytetin Osh (Kirgistan). I diplomuar n\u00eb Institutin letrar Gorki t\u00eb Mosk\u00ebs (1986). An\u00ebtar i Unionit Komb\u00ebtar t\u00eb Shkrimtar\u00ebve t\u00eb Republik\u00ebs s\u00eb Kirgistanit, an\u00ebtar i Unionit t\u00eb Shkrimtar\u00ebve Ruse, p\u00ebrfaq\u00ebsues [&hellip;]<\/p>","protected":false},"author":1,"featured_media":1301,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[166,164],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3171"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3171"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3171\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3171"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3171"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}