Let\u00ebrsia bashk\u00ebkohore shqipe, i ka disa poet t\u00eb shquar bashk\u00ebkohor, n\u00eb Kosov\u00eb, Martin Camajn, Din Mehmetin, Azem Shkrelin, Ali Podrimjen dhe Rrahman Dedajn, n\u00eb Shqip\u00ebri Fatos Arapin, Dritro Agollin, Ismail Kadaren\u00eb, e sidomos Frederik Reshpen etj. K\u00ebtij vargu t\u00eb poeteve elitar i bashk\u00ebngjitet edhe Xhevdet Bajraj fuqimisht.
\nNgaq\u00eb nuk po e b\u00ebjn\u00eb studiuesit e let\u00ebrsis\u00eb shqipe vler\u00ebsimin e Z. Bajraj sa duhet dhe si duhet, i dhash\u00eb vetes t\u00eb drejt\u00eb, bazuar n\u00eb vlerat e tij letrare, me argumente, t\u00eb vler\u00ebsoj ket\u00eb krijues elitar, mb\u00ebshtetur vet\u00ebm n\u00eb kritere letrare, larg kritikes s\u00eb tranzicionit tridhjet\u00eb vje\u00e7ar, e karakterizuar nga lavd\u00ebrimi enorm\u00eb, i pa baz\u00eb, apo dhe i asaj t\u00eb sistemit totalitar pes\u00ebdhjet\u00eb vje\u00e7ar, q\u00eb ka m\u00ebkate t\u00eb m\u00ebdha, sepse let\u00ebrsin\u00eb e vler\u00ebsoj edhe n\u00eb baza ideologjike.
\nAq sa e kam mund\u00ebsin\u00eb e ndjekjes s\u00eb leximit t\u00eb krijimtaris\u00eb s\u00eb autoreve bashk\u00ebkohor t\u00eb let\u00ebrsis\u00eb shqipe, p\u00ebrmend\u00eb k\u00ebtu edhe disa nga individualitet e fuqishme t\u00eb let\u00ebrsis\u00eb son\u00eb, n\u00eb Shqip\u00ebri, si Anton Papleken, Hamit Alijn, Sk\u00ebnder Bu\u00e7papajn, Mimoza Ahmeti, Luljeta Leshanaku, Ervin Hatipi, Agron Tufa, n\u00eb Kosov\u00eb Eqrem Basha, Basri \u00c7apriqi, Jeton Kelmendi etj.,edhe Xhvedet Bajraj q\u00ebndron fuqish\u00ebm n\u00eb ket\u00eb radh\u00eb poetesh, me tematik dhe struktur\u00eb poetike t\u00eb zgjedhur. Bile, e them m\u00eb bindje, se Bajraj ka individualitetin, nd\u00ebr me t\u00eb fuqish\u00ebm letrar. Poezia e tij \u00ebsht\u00eb elitare dhe sado q\u00eb \u00ebsht\u00eb pranuar nga disa krijues tan\u00eb dhe nga disa kritik\u00eb tan\u00eb dhe n\u00eb bot\u00eb, ajo nuk \u00ebsht\u00eb ven\u00eb n\u00eb vendin e vet epror q\u00eb i takon. K\u00ebtu, nuk dua t\u00eb mendoj, se ka anashkalim t\u00eb q\u00ebllimsh\u00ebm kundrejt poeti Bajraj, edhe pse v\u00ebrehen tendenca t\u00eb tilla ndaj tij dhe krejt krijueseve shqiptar m\u00eb vler\u00eb. Vler\u00ebsues i tij, nd\u00ebr m\u00eb t\u00eb mir\u00ebt \u00ebsht\u00eb Petrit Palushi, i cili me argumente e vendos Bajrjan n\u00eb vendin e vet.
\nDuhet ta themi lirisht, se sapo t\u00eb biesh n\u00eb kontakt me poezin\u00eb e Z. Bajraj, sapo ta lexosh at\u00eb, apo sa po ta rilexosh, tash e m\u00eb shum\u00eb s\u00eb dy dekada, bindesh leht\u00eb, se kemi t\u00eb b\u00ebjm\u00eb m\u00eb nj\u00eb poet nd\u00ebr m\u00eb t\u00eb shquarit e poezis\u00eb bashk\u00ebkohore shqipe. Ai dallon shum\u00eb si poet, se t\u00eb gjitha poezit\u00eb e tij, n\u00eb t\u00eb gjith\u00eb librat e tij me poezi: \u201cCopa ime e qiellit\u201d, \u201cL\u00ebngu i Tr\u00ebndafilave\u201d, \u201c Vitet q\u00eb nuk e soll\u00ebn pranver\u00ebn\u201d, \u201c Kur qajn\u00eb hardhit\u00eb\u201d,\u201d Ca kokrra rrushi t\u00eb Rahovecit\u201d etj., kan\u00eb t\u00eb nj\u00ebjtin nivel artistik sip\u00ebror. Ato nuk dallojn\u00eb nga nj\u00ebra tjetra si nivel artistik, edhe pse shumica jan\u00eb antologjike, t\u00eb tjerat nuk kan\u00eb nivel m\u00eb t\u00eb ult\u00eb, apo t\u00eb dob\u00ebt letrar dhe nuk jan\u00eb p\u00ebrfshi n\u00eb lib\u00ebr vet\u00ebm si num\u00ebr, \u00e7ka jo pak ndodh t\u00eb autoret e tjer\u00eb. Pra, mund t\u00eb themi m\u00eb siguri t\u00eb plot\u00eb, se Bajraj, p\u00ebrve\u00e7se ka nj\u00eb struktur\u00eb moderne t\u00eb poezis\u00eb s\u00eb tij, vargun q\u00eb e karakterizon muzikaliteti, rima e lir\u00eb, past\u00ebrtia e struktur\u00ebs dhe tem\u00ebs, ajo dominohet edhe nga figuracioni i zgjedhur poetik, si\u00e7 \u00ebsht\u00eb epiteti fine, krahasimi i mahmitsh\u00ebm, metafora brilante, simboli postmodern dhe imazhi- poezia e tij \u00ebsht\u00eb imazhiste dhe pas Frederek Reshpes \u00ebsht\u00eb nj\u00ebsh.\u00a0![\"\"](\"https:\/\/www.iwabogdani.org\/wp-content\/uploads\/2020\/01\/B0A03029-D0B4-4A1B-A39D-465497A2DB69.jpeg\")
\nTjet\u00ebr, poezia e Bajrajt, sado q\u00eb poeti jeton p\u00ebrtej atlantikut n\u00eb Meksik\u00ebn e Octavio Pazit nobelist, ka tem\u00eb dominuese t\u00eb saj Kosov\u00ebn. Vargjet e tij, kan\u00eb mysht\u00eb rrushi t\u00eb Rahovecit, kan\u00eb t\u00eb mir\u00ebn ton\u00eb t\u00eb pakt\u00eb dhe t\u00eb keqen e shumt\u00eb t\u00eb atdheut ton\u00eb. Ato si poezi, kan\u00eb identitetin ton\u00eb paradoksal, poetikisht\u00eb me nj\u00eb poetik elitare. Pjes\u00ebrisht poezia e tij e ka Meksik\u00ebn ku jeton poeti prej dekadash.
\nLe t\u00eb themi lirisht, se Bajraj \u00ebsht\u00eb poet i atdheut t\u00eb vet, si pa kush tjet\u00ebr, letrarishte. Vargjet e tij jan\u00eb vargje t\u00eb dhimbjes s\u00eb bardh\u00eb, t\u00eb zez\u00eb, t\u00eb kalt\u00ebr, t\u00eb kuqe, t\u00eb hirt\u00eb, q\u00eb i lidh hardhia e rrushit t\u00eb vendlindjes s\u00eb poetit dhe ver\u00ebs l\u00ebng mrekullie.
\nPoezit\u00eb e tij, dedikuar Kosov\u00ebs, jan\u00eb m\u00eb t\u00eb mirat q\u00eb i ka shkruar ndonj\u00eb autor shqiptar p\u00ebr t\u00eb. N\u00eb to kemi luft\u00ebn e fundit dhe barbarin e saj mizore, kemi pas luft\u00ebn e saj anarkike si pak kund tjet\u00ebr, e cila na b\u00ebn ta p\u00ebrbuzim t\u00eb keqen ton\u00eb v\u00ebrshuese dhe t\u00eb ndjem\u00eb neveri ndaj saj si t\u00eb askush tjet\u00ebr poet shqiptar.
\nTh\u00ebn\u00eb pa u zgjatur, poeti Bajraj \u00ebsht\u00eb individualiteti, nd\u00ebr m\u00eb t\u00eb shquarit i poezis\u00eb bashk\u00ebkohore shqipe dhe p\u00ebrfaq\u00ebsuesi m\u00eb i denj\u00eb i saj n\u00eb bot\u00eb.<\/p>","protected":false},"excerpt":{"rendered":"
Muharrem Kurti XHEVDET BAJRAJ ND\u00cbR INDIVIDUALITET POETIK M\u00cb T\u00cb SHQUAR T\u00cb LET\u00cbRSIS\u00cb SHQIPE Let\u00ebrsia bashk\u00ebkohore shqipe, i ka disa poet t\u00eb shquar bashk\u00ebkohor, n\u00eb Kosov\u00eb, Martin Camajn, Din Mehmetin, Azem Shkrelin, Ali Podrimjen dhe Rrahman Dedajn, n\u00eb Shqip\u00ebri Fatos Arapin, Dritro Agollin, Ismail Kadaren\u00eb, e sidomos Frederik Reshpen etj. K\u00ebtij vargu t\u00eb poeteve elitar i […]<\/p>","protected":false},"author":1,"featured_media":1476,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[166],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3173"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3173"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3173\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3173"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3173"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}