{"id":3196,"date":"2020-04-14T11:50:51","date_gmt":"2020-04-14T11:50:51","guid":{"rendered":"http:\/\/www.iwabogdani.org\/?p=1798"},"modified":"2023-12-21T13:20:15","modified_gmt":"2023-12-21T13:20:15","slug":"introduction-for-the-book-of-jeton-kelmendi-in-malsysian-by-rahman-shaari-translated-by-rokiah-hashim","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/introduction-for-the-book-of-jeton-kelmendi-in-malsysian-by-rahman-shaari-translated-by-rokiah-hashim\/","title":{"rendered":"Introduction for the book of Jeton Kelmendi in Malsysian BY RAHMAN SHAARI, translated by Rokiah Hashim"},"content":{"rendered":"

PROF RAHMAN SHAARI <\/span><\/span><\/p>\n

Biodata<\/span><\/p>\n

Rahman <\/span><\/span>Shaari<\/span><\/span> was <\/span><\/span>born \u00a0on<\/span><\/span> 5<\/span><\/span>th<\/span><\/span> Sept 1949, in Perlis, Malaysia<\/span><\/span>. Received primary edu<\/span><\/span>cation in Perlis, then<\/span><\/span> entered Sultan Idris Teacher Training College in 1970.<\/span><\/span> He continued his education at the National University of Malaysia (UKM) in 1973 and gained his Bachelor\u2019s degree in Literature 1976. \u00a0After working at the Ministry of Education for 6 years, he continued <\/span><\/span>his study at UKM, and obtained his Master\u2019s degree and<\/span><\/span> was appointed<\/span><\/span> as a lecturer at the <\/span><\/span>Faculty of Education <\/span><\/span>ini<\/span><\/span> 1988. <\/span><\/span>In 1991, he attended a course on international writing at the University of Iowa, USA. <\/span><\/span>In 2003, he was appointed<\/span><\/span> a Profes<\/span><\/span>sor at Media Studies Department, University of Malaya and also served in <\/span><\/span>ASWARA \u00a0for<\/span><\/span>many years. <\/span><\/span>Rahman <\/span><\/span>Shaari<\/span><\/span> received<\/span><\/span> \u00a0the S.E.A Write Award in 2007<\/span><\/span> (South East Asia Write Award). <\/span><\/span>He is currently the President of Malaysian Poetry Association (<\/span><\/span>Penyair<\/span><\/span>) .<\/span><\/span><\/p>\n

 <\/p>\n

Pengantar<\/span><\/span><\/p>\n

KETEBALAN SENI <\/span><\/span>dalam<\/span><\/span>KESEDERHANAAN<\/span><\/span><\/p>\n

Oleh<\/span><\/span> Rahman <\/span><\/span>Shaari<\/span><\/span><\/p>\n

\n

Puisi<\/span><\/span> sewajarnya<\/span><\/span> bersifat<\/span><\/span> separuh<\/span><\/span> \u00a0<\/span><\/span>rahsia<\/span><\/span>. \u00a0<\/span><\/span>Puisi<\/span><\/span> hanya<\/span><\/span> jelas<\/span><\/span> dalam<\/span><\/span> pentafsiran<\/span><\/span> oleh<\/span><\/span> diri<\/span><\/span>peribadi<\/span><\/span>, <\/span><\/span>melalui<\/span><\/span> pe<\/span><\/span>ndekatan<\/span><\/span> mengalami<\/span><\/span>menghayati<\/span><\/span>. <\/span><\/span>Pembacaan<\/span><\/span> puisi<\/span><\/span> menurut<\/span><\/span>pendekatan<\/span><\/span> ini<\/span><\/span> menuntut<\/span><\/span> p<\/span><\/span>embaca<\/span><\/span> membuka<\/span><\/span>fikiran<\/span><\/span> untuk<\/span><\/span> men<\/span><\/span>yerlahkan<\/span><\/span> keterlibatan<\/span><\/span>, <\/span><\/span>kerana<\/span><\/span> puisi<\/span><\/span> ialah<\/span><\/span> karya<\/span><\/span> personal yang <\/span><\/span>se<\/span><\/span>k<\/span><\/span>a<\/span><\/span>l<\/span><\/span>igus<\/span><\/span> universal.<\/span><\/span><\/p>\n

Puisi<\/span><\/span> Jeton<\/span><\/span> Kelmendi<\/span><\/span>, <\/span><\/span>bagi<\/span><\/span> saya<\/span><\/span>, <\/span><\/span>mempunyai<\/span><\/span> \u00a0<\/span><\/span>daya<\/span><\/span> tarikan<\/span><\/span> kerana<\/span><\/span> sifatnya<\/span><\/span> yang <\/span><\/span>seperti<\/span><\/span> di <\/span><\/span>atas<\/span><\/span>. \u00a0<\/span><\/span>Identiti<\/span><\/span> penyairnya<\/span><\/span> terbina<\/span><\/span>melalui<\/span><\/span> kesederhanaan<\/span><\/span> pengucapan<\/span><\/span> dalam<\/span><\/span>membawa<\/span><\/span> perkara<\/span><\/span> umum<\/span><\/span> tetapi<\/span><\/span> besar<\/span><\/span> dalam<\/span><\/span>kehidupan<\/span><\/span>.<\/span><\/span><\/p>\n

Sajak<\/span><\/span> pertama<\/span><\/span>, \u201c<\/span><\/span>Come <\/span><\/span>Closer \u00a0A<\/span><\/span> Bit<\/span><\/span>\u201d \u00a0 <\/span><\/span>bermula<\/span><\/span> de<\/span><\/span>n<\/span><\/span>gan<\/span><\/span> permi<\/span><\/span>n<\/span><\/span>taan<\/span><\/span> yang <\/span><\/span>amat<\/span><\/span> biasa<\/span><\/span>: \u00a0<\/span><\/span>Tell me the words you know\/ the words I love<\/span><\/span>.<\/span><\/span><\/p>\n

Kebersahajaan<\/span><\/span> kata-kata yang <\/span><\/span>dipilih<\/span><\/span> dan<\/span><\/span>disusun<\/span><\/span>, <\/span><\/span>membuat<\/span><\/span> pembaca<\/span><\/span> \u00a0<\/span><\/span>berasa<\/span><\/span> akrab<\/span><\/span>dengan<\/span><\/span> puisi<\/span><\/span>. <\/span><\/span>Untuk<\/span><\/span> menjadikan<\/span><\/span> puisi<\/span><\/span>berimpak<\/span><\/span> tinggi<\/span><\/span>, <\/span><\/span>keakraban<\/span><\/span> beg<\/span><\/span>ini<\/span><\/span> adalah<\/span><\/span>penting<\/span><\/span>. \u00a0Rasa <\/span><\/span>akrab<\/span><\/span> ini<\/span><\/span> kekal<\/span><\/span> di <\/span><\/span>sepanjang<\/span><\/span>pengucapan<\/span><\/span>. \u00a0<\/span><\/span>Rangkap<\/span><\/span> kedua<\/span><\/span> menyebutkan<\/span><\/span>bahawa<\/span><\/span> penantian<\/span><\/span> adalah<\/span><\/span> berterusan<\/span><\/span>:<\/span><\/span><\/p>\n

\u200bI\u2019m waiting now<\/span><\/span><\/p>\n

\u200bLike yesterday like today<\/span><\/span><\/p>\n

\u200bLike tomorrow<\/span><\/span><\/p>\n

\u200bYou have spoken the words, so<\/span><\/span><\/p>\n

\n

\u200bCome closer to me<\/span><\/span>.<\/span><\/span><\/p>\n

\n

Keseluruhan<\/span><\/span> puisi<\/span><\/span> di <\/span><\/span>atas<\/span><\/span> menyatakan<\/span><\/span>hakikat<\/span><\/span> kehidupan<\/span><\/span> manusia<\/span><\/span> yang <\/span><\/span>sentiasa<\/span><\/span>menanti<\/span><\/span>.<\/span><\/span> \u00a0<\/span><\/span>Kini<\/span><\/span>, <\/span><\/span>kelmarin<\/span><\/span> dan<\/span><\/span> esok<\/span><\/span> ialah<\/span><\/span>waktu-waktu<\/span><\/span> yang <\/span><\/span>berlainan<\/span><\/span>, <\/span><\/span>tetapi<\/span><\/span> manusia<\/span><\/span>tetap<\/span><\/span> menanti<\/span><\/span>.<\/span><\/span> \u00a0<\/span><\/span>Apabila<\/span><\/span> kita<\/span><\/span> \u00a0<\/span><\/span>memikirkan<\/span><\/span> hal<\/span><\/span>penantian<\/span><\/span> yang <\/span><\/span>tidak<\/span><\/span> habis-habisan<\/span><\/span>, <\/span><\/span>kita<\/span><\/span> akan<\/span><\/span>terfikirkan<\/span><\/span> makna<\/span><\/span> kehidupan<\/span><\/span>. \u00a0<\/span><\/span>Hidup<\/span><\/span> ini<\/span><\/span> tidak<\/span><\/span>lain <\/span><\/span>daripada<\/span><\/span> penantian<\/span><\/span>.<\/span><\/span><\/p>\n

Dalam<\/span><\/span> diri<\/span><\/span> manusia<\/span><\/span>, <\/span><\/span>ada<\/span><\/span> kepelbagaian<\/span><\/span> rasa <\/span><\/span>dan<\/span><\/span> fikiran<\/span><\/span>. \u00a0<\/span><\/span>Walaupun<\/span><\/span> pelbagai<\/span><\/span>,<\/span><\/span> perkara<\/span><\/span> yang<\/span><\/span>asas<\/span><\/span> cepat<\/span><\/span> \u00a0<\/span><\/span>kita<\/span><\/span> \u00a0<\/span><\/span>kesani<\/span><\/span>. \u00a0<\/span><\/span>Kerinduan<\/span><\/span> pada<\/span><\/span>tempat<\/span><\/span> asal<\/span><\/span> misalnya<\/span><\/span>, <\/span><\/span>adalah<\/span><\/span> sesuatu<\/span><\/span> yang <\/span><\/span>pasti<\/span><\/span>. \u00a0<\/span><\/span>P<\/span><\/span>uisi<\/span><\/span> \u201cMy Wish in <\/span><\/span>Chameria<\/span><\/span>\u201d \u00a0<\/span><\/span>membawa<\/span><\/span> tema<\/span><\/span> demikian<\/span><\/span>. \u00a0<\/span><\/span>Perhatikan<\/span><\/span> baris-baris<\/span><\/span> +5+++<\/span><\/span>awalnya<\/span><\/span>:<\/span><\/span><\/p>\n

\u200b<\/p>\n

\u200bThere is nothing better than coming back<\/span><\/span><\/p>\n

\u200bThe farmer returns to his field,<\/span><\/span><\/p>\n

\u200bSurrounded \u00a0by<\/span><\/span> the meaning of life<\/span><\/span><\/p>\n

\u200bI see the cheerful <\/span><\/span>camman<\/span><\/span> from <\/span><\/span>Filati<\/span><\/span>.<\/span><\/span><\/p>\n

\n

Pulang<\/span><\/span> ke<\/span><\/span> tempat<\/span><\/span> asal<\/span><\/span> amat<\/span><\/span> diimpikan<\/span><\/span> oleh<\/span><\/span>\u00a0<\/span><\/span>perantau<\/span><\/span>.<\/span><\/span> \u00a0<\/span><\/span>Ini<\/span><\/span> ialah<\/span><\/span> pengucapan<\/span><\/span> umum<\/span><\/span> tentang<\/span><\/span>perkara<\/span><\/span> tersebut<\/span><\/span>. \u00a0<\/span><\/span>Bagi<\/span><\/span> penyair<\/span><\/span>, <\/span><\/span>makna<\/span><\/span> lain <\/span><\/span>mungkin<\/span><\/span> disembunyikan<\/span><\/span>. \u00a0<\/span><\/span>Dalam<\/span><\/span> sajak<\/span><\/span> ini<\/span><\/span>, o<\/span><\/span>rang di <\/span><\/span>tempat<\/span><\/span> asal<\/span><\/span> mengucapkan<\/span><\/span> selamat<\/span><\/span>dat<\/span><\/span>a<\/span><\/span>ng<\/span><\/span>, <\/span><\/span>bukan<\/span><\/span> selamat<\/span><\/span> pulang<\/span><\/span>, <\/span><\/span>\u201cW<\/span><\/span>elcome our brother in <\/span><\/span>Chameria<\/span><\/span>, Albania<\/span><\/span>.\u201d \u00a0 <\/span><\/span>Ini<\/span><\/span>menimbulkan<\/span><\/span> kesan<\/span><\/span> tertentu<\/span><\/span>.<\/span><\/span><\/p>\n

Masih<\/span><\/span> ada<\/span><\/span> perasaan<\/span><\/span> lain <\/span><\/span>bermain<\/span><\/span> di <\/span><\/span>fikiran<\/span><\/span>pembaca<\/span><\/span>. \u00a0 <\/span><\/span>Penyair<\/span><\/span> menyebutkan<\/span><\/span> \u2018<\/span><\/span>the perpetual <\/span><\/span>dream<\/span><\/span>\u2019 ,<\/span><\/span> iaitu<\/span><\/span> mimpi<\/span><\/span> yang <\/span><\/span>tetap<\/span><\/span>muncul<\/span><\/span> apabila<\/span><\/span> berada<\/span><\/span> di <\/span><\/span>tempat<\/span><\/span> asal<\/span><\/span>. \u00a0 \u00a0<\/span><\/span>Mimpi<\/span><\/span> itu<\/span><\/span> disebutkan<\/span><\/span> di <\/span><\/span>baris<\/span><\/span> hampir<\/span><\/span> akhir<\/span><\/span>, <\/span><\/span>membawa<\/span><\/span> makna<\/span><\/span> itu<\/span><\/span> bukanlah<\/span><\/span> utama<\/span><\/span>. \u00a0<\/span><\/span>Namun<\/span><\/span>m<\/span><\/span>impi<\/span><\/span> itu<\/span><\/span> signifikan<\/span><\/span> kerana<\/span><\/span> muncul<\/span><\/span> sebagai<\/span><\/span>hiasan<\/span><\/span> keberadaan<\/span><\/span> di <\/span><\/span>tempat<\/span><\/span> asal<\/span><\/span>. \u00a0Ada <\/span><\/span>disebutkan<\/span><\/span> \u2018<\/span><\/span>wedding<\/span><\/span>\u2019 di <\/span><\/span>rangkap<\/span><\/span> itu<\/span><\/span>, <\/span><\/span>dan<\/span><\/span>menurut<\/span><\/span> konteks<\/span><\/span>, <\/span><\/span>perkahwinan<\/span><\/span> di <\/span><\/span>daerah<\/span><\/span> itu<\/span><\/span>hanyalah<\/span><\/span> impian<\/span><\/span> masa <\/span><\/span>lalu<\/span><\/span>. \u00a0 <\/span><\/span>Jadi<\/span><\/span>, <\/span><\/span>baris<\/span><\/span> akhir<\/span><\/span>\u00a0\u2018<\/span><\/span>let\u2019s<\/span><\/span> plant the future with hope<\/span><\/span>\u2019 <\/span><\/span>bukanlah<\/span><\/span>saranan<\/span><\/span> untuk<\/span><\/span> satu<\/span><\/span> kenyataan<\/span><\/span>, <\/span><\/span>tetapi<\/span><\/span> hanya<\/span><\/span>penanda<\/span><\/span> percintaan<\/span><\/span> masa <\/span><\/span>lepas<\/span><\/span>. <\/span><\/span><\/p>\n

Puisi<\/span><\/span> \u201cN<\/span><\/span>oise<\/span><\/span>\u201d<\/span><\/span> \u00a0<\/span><\/span>menyentuh<\/span><\/span> lap<\/span><\/span>a<\/span><\/span>ngan<\/span><\/span> politik<\/span><\/span>secara<\/span><\/span> nipis<\/span><\/span>, <\/span><\/span>tetapi<\/span><\/span> berkesan<\/span><\/span>. \u00a0<\/span><\/span>Penyair<\/span><\/span> tidak<\/span><\/span>mengambil<\/span><\/span> berat<\/span><\/span> tentang<\/span><\/span> pemikiran<\/span><\/span> atau<\/span><\/span>ideologi<\/span><\/span> \u00a0<\/span><\/span>parti<\/span><\/span>, <\/span><\/span>dan<\/span><\/span> tidak<\/span><\/span> juga<\/span><\/span> menyatakan<\/span><\/span>cita-cita<\/span><\/span> perjuangan<\/span><\/span> parti<\/span><\/span>, <\/span><\/span>tetapi<\/span><\/span> memberikan<\/span><\/span>perhatian<\/span><\/span> terhadap<\/span><\/span> gejala<\/span><\/span> dan<\/span><\/span> fenomena<\/span><\/span> umum<\/span><\/span>dalam<\/span><\/span> dunia<\/span><\/span> politik<\/span><\/span>. \u00a0<\/span><\/span>Tajuknya<\/span><\/span> pun <\/span><\/span>telah<\/span><\/span>membayangkan<\/span><\/span> telatah<\/span><\/span> orang <\/span><\/span>politik<\/span><\/span>. <\/span><\/span><\/p>\n

Perhatikan<\/span><\/span> rangkap<\/span><\/span> pertama<\/span><\/span>:<\/span><\/span><\/p>\n

\n

Day revealed it voice<\/span><\/span><\/p>\n

to our secret<\/span><\/span><\/p>\n

tranquility<\/span><\/span>.<\/span><\/span><\/p>\n

\n

Demikianlah<\/span><\/span> pernyataan<\/span><\/span> sikap<\/span><\/span> bersahaja<\/span><\/span>dan<\/span><\/span> tenang<\/span><\/span> penyair<\/span><\/span>, \u00a0<\/span><\/span>kerana<\/span><\/span> baginya<\/span><\/span>\u00a0<\/span><\/span>kebisingan<\/span><\/span> di <\/span><\/span>sekitarnya<\/span><\/span> tidak<\/span><\/span> per<\/span><\/span>lu<\/span><\/span> diberi<\/span><\/span>perhatian<\/span><\/span>. \u00a0<\/span><\/span> Penyair<\/span><\/span> kemudian<\/span><\/span> menyatakan<\/span><\/span>bahawa<\/span><\/span> pandangan-pandangan<\/span><\/span> yang <\/span><\/span>bising<\/span><\/span> di <\/span><\/span>sekitarnya<\/span><\/span> tidak<\/span><\/span> me<\/span><\/span>m<\/span><\/span>bawa<\/span><\/span> faedah<\/span><\/span> kepadanya<\/span><\/span>, <\/span><\/span>keran<\/span><\/span>a<\/span><\/span> semua<\/span><\/span> itu<\/span><\/span> hanya<\/span><\/span> penanda<\/span><\/span> egoism<\/span><\/span>e<\/span><\/span>manusia<\/span><\/span>.<\/span><\/span> \u00a0<\/span><\/span>Siapakah<\/span><\/span> manusia<\/span><\/span> yang <\/span><\/span>egoistik<\/span><\/span> itu<\/span><\/span>? \u00a0<\/span><\/span>Itu<\/span><\/span> dirahsiakan<\/span><\/span>, <\/span><\/span>kerana<\/span><\/span> penyair<\/span><\/span>mengutamakan<\/span><\/span> mesej<\/span><\/span>, <\/span><\/span>iaitu<\/span><\/span> k<\/span><\/span>ebenaran<\/span><\/span> tidak<\/span><\/span>sejajar<\/span><\/span> dengan<\/span><\/span> kebisingan<\/span><\/span>.<\/span><\/span><\/p>\n

Pandangan<\/span><\/span> dan<\/span><\/span> sikap<\/span><\/span> hidup<\/span><\/span> penyair<\/span><\/span> ini<\/span><\/span>sentiasa<\/span><\/span> sederhana<\/span><\/span>. \u00a0<\/span><\/span>Pemikirannya<\/span><\/span> jernih<\/span><\/span>. <\/span><\/span>Tiada<\/span><\/span> kekasaran<\/span><\/span> untuk<\/span><\/span> pihak<\/span><\/span> yang<\/span><\/span> dianggap<\/span><\/span>antagonis<\/span><\/span>, \u00a0<\/span><\/span>kerana<\/span><\/span> penyair<\/span><\/span> mengharmoniskan<\/span><\/span>perasaannya<\/span><\/span> dengan<\/span><\/span> keadaan<\/span><\/span> atau<\/span><\/span> suasana<\/span><\/span> di <\/span><\/span>sekelilingnya<\/span><\/span>. \u00a0<\/span><\/span>Untuk<\/span><\/span> menjelaskan<\/span><\/span> perkara<\/span><\/span> ini<\/span><\/span>, <\/span><\/span>sajak<\/span><\/span> \u201c<\/span><\/span>The Word Crossed The Silence<\/span><\/span>\u201d <\/span><\/span>elok<\/span><\/span>didekati<\/span><\/span>.<\/span><\/span><\/p>\n

Sajak<\/span><\/span> ini<\/span><\/span> \u00a0 <\/span><\/span>tebal<\/span><\/span> dengan<\/span><\/span> \u00a0<\/span><\/span>perasaan<\/span><\/span>, <\/span><\/span>tetapi<\/span><\/span>perasaan<\/span><\/span> itu<\/span><\/span> dikawal<\/span><\/span> oleh<\/span><\/span> fikiran<\/span><\/span>. \u00a0<\/span><\/span>Dikatakan<\/span><\/span>demikian<\/span><\/span>, <\/span><\/span>kerana<\/span><\/span> protoganis<\/span><\/span> merancangkan<\/span><\/span>apa-apa<\/span><\/span> yang <\/span><\/span>akan<\/span><\/span> dilakukannya<\/span><\/span>. \u00a0<\/span><\/span>Dia<\/span><\/span> sedar<\/span><\/span>bahawa<\/span><\/span> dia<\/span><\/span> bercakap<\/span><\/span> sedikit<\/span><\/span> kerana<\/span><\/span> keadaan<\/span><\/span>memerlukan<\/span><\/span> dia<\/span><\/span> bertingkah<\/span><\/span> demikian<\/span><\/span>:<\/span><\/span><\/p>\n

 <\/p>\n

\u200b\u200bI am accustomed yesterday<\/span><\/span><\/p>\n

\u200b\u200bTo speak a little<\/span><\/span><\/p>\n

\u200b\u200bI am full with the respiration of sadness<\/span><\/span><\/p>\n

\u200b\u200bIn the most remote areas<\/span><\/span><\/p>\n

\u200b\u200bOf your eyes<\/span><\/span><\/p>\n

\u200b\u200bSince long ago I begun to arrive from you<\/span><\/span><\/p>\n

\u200b\u200bTo speak silently to you <\/span><\/span><\/p>\n

\u200b\u200bTo confess in you<\/span><\/span><\/p>\n

\u200b\u200bFor you<\/span><\/span><\/p>\n

\u200b\u200bAnd for me<\/span><\/span>.<\/span><\/span><\/p>\n

\n

Apabila<\/span><\/span> keseluruhan<\/span><\/span> puisi<\/span><\/span> ini<\/span><\/span> dibaca<\/span><\/span>, <\/span><\/span>kita<\/span><\/span>temukan<\/span><\/span> tema<\/span><\/span> pemeliharaan<\/span><\/span> perasaan<\/span><\/span> dengan<\/span><\/span>pengukuhan<\/span><\/span> fikiran<\/span><\/span>. \u00a0<\/span><\/span>Penyair<\/span><\/span> mencari<\/span><\/span>kebahagiaan<\/span><\/span> melalui<\/span><\/span> pengawalan<\/span><\/span> \u00a0<\/span><\/span>pe<\/span><\/span>ras<\/span><\/span>aan<\/span><\/span>. \u00a0<\/span><\/span>Dia<\/span><\/span> menyimpulkan<\/span><\/span>, <\/span><\/span>sikap<\/span><\/span> berdiam<\/span><\/span> atau<\/span><\/span>kurang<\/span><\/span> berkata<\/span><\/span>-kata, <\/span><\/span>adalah<\/span><\/span> lebih<\/span><\/span> baik<\/span><\/span>\u00a0<\/span><\/span>daripada<\/span><\/span> penyuaraan<\/span><\/span> \u00a0<\/span><\/span>isi<\/span><\/span> hati<\/span><\/span> secara<\/span><\/span> berterus<\/span><\/span>terang<\/span><\/span>.<\/span><\/span><\/p>\n

Seperti<\/span><\/span> yang <\/span><\/span>telah<\/span><\/span> saya<\/span><\/span> sebutkan<\/span><\/span> di <\/span><\/span>awal<\/span><\/span>bicara<\/span><\/span>, <\/span><\/span>puisi-<\/span><\/span>puisi<\/span><\/span> \u00a0<\/span><\/span>Jeton<\/span><\/span> \u00a0<\/span><\/span>Kelmendi<\/span><\/span> berseni<\/span><\/span>dan<\/span><\/span> mempunyai<\/span><\/span> daya<\/span><\/span> tarikan<\/span><\/span> kerana<\/span><\/span> stailnya<\/span><\/span>yang <\/span><\/span>sederhana<\/span><\/span>. \u00a0<\/span><\/span>Buku<\/span><\/span> ini<\/span><\/span> diterjemahkan<\/span><\/span> ke<\/span><\/span>Bahasa <\/span><\/span>Melayu<\/span><\/span> oleh<\/span><\/span> Puan<\/span><\/span> Siti<\/span><\/span> Ruqaiyah<\/span><\/span>Hashim<\/span><\/span>. \u00a0<\/span><\/span>Penerbita<\/span><\/span>n<\/span><\/span>nya<\/span><\/span> \u00a0<\/span><\/span>memberikan<\/span><\/span> manfaat<\/span><\/span>yang <\/span><\/span>banyak<\/span><\/span> kepada<\/span><\/span> peminat<\/span><\/span> kesusasteraan<\/span><\/span>antara-bangsa<\/span><\/span>. <\/span><\/span>Pengalaman<\/span><\/span> luas<\/span><\/span> Si<\/span><\/span>ti<\/span><\/span> Ruqaiyah<\/span><\/span>Hashim<\/span><\/span> dalam<\/span><\/span> bidang<\/span><\/span> penterjemahan<\/span><\/span>\u00a0<\/span><\/span>menyebabkan<\/span><\/span> hasil<\/span><\/span> usaha<\/span><\/span> ini<\/span><\/span> mencapai<\/span><\/span> \u00a0<\/span><\/span>tahap<\/span><\/span>yang <\/span><\/span>amat<\/span><\/span> membanggakan<\/span><\/span>.<\/span><\/span><\/p>\n

\n

Selamat<\/span><\/span> membaca<\/span><\/span>.<\/span><\/span><\/p>\n

daripada<\/span><\/span><\/p>\n

Rahman <\/span><\/span>Shaari<\/span><\/span><\/p>\n

\"\"<\/p>\n

\n

\n

\n

\n

PREFACE \u00a0<\/span><\/span><\/p>\n

 <\/p>\n

THICKNESS OF ARTS IN <\/span><\/span>MODESTY. <\/span><\/span><\/p>\n

BY RAHMAN SHAARI <\/span><\/span><\/p>\n

\u00a0 \u00a0 \u00a0 <\/span><\/span>P<\/span><\/span>oems are <\/span><\/span>half secret<\/span><\/span>. Poems a<\/span><\/span>re only apparent in <\/span><\/span>interpretation \u00a0of<\/span><\/span> a <\/span><\/span>person<\/span><\/span>himself, through the approach of experiences and appreciating<\/span><\/span>. <\/span><\/span>P<\/span><\/span>oetry reading in this approach demands readers to open the mind<\/span><\/span> to highlight engagement, as<\/span><\/span> poems are <\/span><\/span>personal creation <\/span><\/span>but <\/span><\/span>a<\/span><\/span>t the same <\/span><\/span>time<\/span><\/span> it\u2019s a universal<\/span><\/span> work. <\/span><\/span><\/p>\n

Poetry of <\/span><\/span>Jeton<\/span><\/span> Kelmendi<\/span><\/span>, for me, <\/span><\/span>has<\/span><\/span>attraction<\/span><\/span>s<\/span><\/span> because of the above <\/span><\/span>characteristics.<\/span><\/span>T<\/span><\/span>he<\/span><\/span> identity of the poet <\/span><\/span>is built through<\/span><\/span> the simplicity of utterings in dealing about normal matters, but big <\/span><\/span>in life. <\/span><\/span><\/p>\n

The first poem<\/span><\/span>, <\/span><\/span>\u201c Come<\/span><\/span> Closer A Bit\u201d starting with very common request. <\/span><\/span>Tell me the words you know\/ the words I love<\/span><\/span>.<\/span><\/span><\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/span>T<\/span><\/span>he <\/span><\/span>naturality<\/span><\/span> of the words chosen and <\/span><\/span>arranged,<\/span><\/span> made readers feel close <\/span><\/span>with poetry. To make hi<\/span><\/span>gh-impact poetry, this intimacy<\/span><\/span> is important. T<\/span><\/span>he<\/span><\/span> feelings of closeness<\/span><\/span> remains <\/span><\/span>throughout the reciting.<\/span><\/span>T<\/span><\/span>he second stanza said that waiting <\/span><\/span>is <\/span><\/span>ongoing :<\/span><\/span><\/p>\n

I\u2019m<\/span><\/span> waiting now<\/span><\/span><\/p>\n

\u200bLike yesterday like today<\/span><\/span><\/p>\n

\u200bLike tomorrow<\/span><\/span><\/p>\n

\u200bYou have spoken the words, so<\/span><\/span><\/p>\n

\n

\u200bCome closer to me<\/span><\/span>.<\/span><\/span><\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/span>The entire poe<\/span><\/span>m above states the fact that<\/span><\/span> human life is always waiting. Now, yesterday and tomorrow are di<\/span><\/span>fferent times, but humans still waits. When we think non-stop about waiting,<\/span><\/span> we will think <\/span><\/span>about meaning <\/span><\/span>of life. <\/span><\/span>This life is nothing more but waiting<\/span><\/span>. <\/span><\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/span>In human, there are <\/span><\/span>various senses and thoughts. Though varied, the basic things<\/span><\/span>are felt very fast. <\/span><\/span>The po<\/span><\/span>em\u201d My Wish in <\/span><\/span>Chameria<\/span><\/span> \u201c carried<\/span><\/span> this theme. Note the lines of +5+++: <\/span><\/span><\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/span> There is nothing better than coming back<\/span><\/span><\/p>\n

\u200bThe farmer returns to his field,<\/span><\/span><\/p>\n

\u200bSurrounded \u00a0by<\/span><\/span> the meaning of life<\/span><\/span><\/p>\n

\u200bI see the cheerful <\/span><\/span>camman<\/span><\/span> from <\/span><\/span>Filati<\/span><\/span>.<\/span><\/span><\/p>\n

\n

Going back<\/span><\/span> to the homeland<\/span><\/span> is <\/span><\/span>always<\/span><\/span>dreamed of<\/span><\/span>f<\/span><\/span> by a <\/span><\/span>traveler<\/span><\/span>. This is <\/span><\/span>the general saying about such thing. To the<\/span><\/span>poet, other meanings <\/span><\/span>could have been hidden<\/span><\/span>. In this poem, people in the homeland said welcome, not welcome<\/span><\/span> back<\/span><\/span>, \u201cWelcome our brother in <\/span><\/span>Chameria<\/span><\/span> ,<\/span><\/span>Albania.\u201d This brings about<\/span><\/span> certain effects.<\/span><\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/span>There are other thoughts playing in the poet\u2019s mind. He mentioned \u2018the perpetual dream\u2019, which are<\/span><\/span> dream<\/span><\/span>s<\/span><\/span> that <\/span><\/span>still exist <\/span><\/span>when <\/span><\/span>one <\/span><\/span>is \u00a0<\/span><\/span>in<\/span><\/span> the homeland. That<\/span><\/span> dream is mentioned almost at<\/span><\/span> the end of the verse, which means<\/span><\/span> i<\/span><\/span>ts<\/span><\/span> not <\/span><\/span>a prominent one<\/span><\/span>. But the dream is significant<\/span><\/span>as <\/span><\/span>its<\/span><\/span> appears as decorative<\/span><\/span> existence in the homeland. It mentioned<\/span><\/span> \u2018<\/span><\/span>wedding<\/span><\/span>\u2019 in that stanza,<\/span><\/span> and according<\/span><\/span> to the co<\/span><\/span>ntext, marriage in this area<\/span><\/span> are just dreams of the past. So, the last<\/span><\/span> line \u2018<\/span><\/span>lets<\/span><\/span> plant the future wit<\/span><\/span>h hope\u2019 is not <\/span><\/span>suggestions for<\/span><\/span> statements, but <\/span><\/span>as marker of love in the past. <\/span><\/span><\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0<\/span><\/span>The poem \u2018noise\u2019<\/span><\/span> deals about politics thinly but very effective<\/span><\/span>ly<\/span><\/span>. The poet did not bother about thoughts or party ideology, and not talking about political ambition<\/span><\/span>s<\/span><\/span>, but paid <\/span><\/span>attention about the notions of<\/span><\/span>general phenomenon in politics. Its title shows the politician\u2019s <\/span><\/span>behaviours<\/span><\/span>. <\/span><\/span><\/p>\n

Note the first Stanza: \u00a0<\/span><\/span><\/p>\n

Day revealed it voice<\/span><\/span><\/p>\n

to<\/span><\/span> our secret<\/span><\/span><\/p>\n

tranquility<\/span><\/span>.<\/span><\/span> \u00a0<\/span><\/span><\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/span>That\u2019s<\/span><\/span> the statements of <\/span><\/span>modest<\/span><\/span>y<\/span><\/span> and calm attitudes of the poet, because to him noises around him need not be given attention. The poet then said all the noises of <\/span><\/span>views <\/span><\/span>around<\/span><\/span> him are not beneficial to him, because all those are traits of human egoism. Who is that egoistic person? <\/span><\/span>Its<\/span><\/span>hidden, because the poet talks more about message that truth is not parallel with noises. <\/span><\/span><\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/span>The views and attitudes<\/span><\/span> of this poet is always <\/span><\/span>modest.<\/span><\/span>With<\/span><\/span> clear thoughts. No harshness towards people he thought as antagonist, because he harmonized his feelings with situations around him. To clarify this, the poems\u201d The Word Crossed <\/span><\/span>The<\/span><\/span> Silence\u201d is best examined. <\/span><\/span><\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/span>This poem is thick with feelings but controlled by thoughts. <\/span><\/span>Its<\/span><\/span> said that way because the protagonist planned all he wants to do. He realized that he speaks little because situations demand him to be like that: <\/span><\/span><\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/span>I am accustomed yesterday<\/span><\/span><\/p>\n

\u200b\u200bTo speak a little<\/span><\/span><\/p>\n

\u200b\u200bI am full with the respiration of sadness<\/span><\/span><\/p>\n

\u200b\u200bIn the most remote areas<\/span><\/span><\/p>\n

\u200b\u200bOf your eyes<\/span><\/span><\/p>\n

\u200b\u200bSince long ago I begun to arrive from you<\/span><\/span><\/p>\n

\u200b\u200bTo speak silently to you <\/span><\/span><\/p>\n

\u200b\u200bTo confess in you<\/span><\/span><\/p>\n

\u200b\u200bFor you<\/span><\/span><\/p>\n

\u200b\u200bAnd<\/span><\/span> for me<\/span><\/span>.<\/span><\/span><\/p>\n

 <\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0When the whole poem <\/span><\/span>is read<\/span><\/span>, we meet with the theme of controlled emotions<\/span><\/span>through <\/span><\/span>solidifying of thoughts. His conclusion was, keeping quiet or less <\/span><\/span>talking,<\/span><\/span> is better than pouring out emotions openly. <\/span><\/span><\/p>\n

\n

As I said earlier, <\/span><\/span>Jeton<\/span><\/span> Kelmendi\u2019s<\/span><\/span>poems are<\/span><\/span> artistic<\/span><\/span> and has attractions because of his modest style. <\/span><\/span>This book is translated into Bahasa <\/span><\/span>Melayu<\/span><\/span> by Madam <\/span><\/span>Siti<\/span><\/span> Ruqaiyah<\/span><\/span> Hashim<\/span><\/span>. The publication of this book <\/span><\/span>gives <\/span><\/span>a lot of<\/span><\/span> benefits for the international literature fans. <\/span><\/span>Siti<\/span><\/span> Ruqaiyah<\/span><\/span>Hashim\u2019s<\/span><\/span> vast experiences in translations enabled this book to achieve a very impressive level. <\/span><\/span><\/p>\n

\n

H<\/span><\/span>ave a good r<\/span><\/span>eading<\/span><\/span>. <\/span><\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/span>From<\/span><\/span><\/p>\n

Professor Rahman <\/span><\/span>Shaari<\/span><\/span><\/p>\n

 <\/p>\n

PREFACE <\/span>TRANSLATED INTO <\/span>ENGLISH BY SITI RUQAIYAH HASHIM<\/span><\/p>\n

FOR BILINGUAL POETRY COLLECTIONS OF JETON KELMENDI <\/span><\/p>\n

TITLED LOVE IN WAR TIMES\/CINTA WAKTU PERANG<\/span><\/p>\n

TO BE PUBLISHED BY IWABOGDANI <\/span><\/p>","protected":false},"excerpt":{"rendered":"

PROF RAHMAN SHAARI Biodata Rahman Shaari was born \u00a0on 5th Sept 1949, in Perlis, Malaysia. Received primary education in Perlis, then entered Sultan Idris Teacher Training College in 1970. He continued his education at the National University of Malaysia (UKM) in 1973 and gained his Bachelor\u2019s degree in Literature 1976. \u00a0After working at the Ministry […]<\/p>","protected":false},"author":4,"featured_media":3819,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[171],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3196"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3196"}],"version-history":[{"count":1,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3196\/revisions"}],"predecessor-version":[{"id":3818,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3196\/revisions\/3818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/3819"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3196"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3196"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}