{"id":3287,"date":"2021-04-29T19:52:25","date_gmt":"2021-04-29T19:52:25","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?p=2203"},"modified":"2021-04-29T19:52:25","modified_gmt":"2021-04-29T19:52:25","slug":"libri-gjenocid-i-autoreve-ernesto-kahan-dhe-taki-yuriko-perkthyer-nga-jeton-kelmendi","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/libri-gjenocid-i-autoreve-ernesto-kahan-dhe-taki-yuriko-perkthyer-nga-jeton-kelmendi\/","title":{"rendered":"Libri Gjenocid I autoreve Ernesto Kahan dhe Taki Yuriko perkthyer nga Jeton Kelmendi"},"content":{"rendered":"

RR\u00cbFIMI P\u00cbR<\/strong> TA<\/strong> UNIFIKUAR MENDJEN NJER\u00cbZORE<\/strong><\/span><\/p>\n

Dr. <\/span>Ernesto<\/span> Kahan<\/span> \u201c………………………\u201d. Poezi.<\/span><\/p>\n

Shkruan: <\/span>Mr.sc<\/span>. Engj\u00ebll I. Berisha<\/span><\/p>\n

N\u00eb p\u00ebrkthim nga anglishtja, n\u00eb gjuh\u00ebn shqipe, poeti Jeton Kelmendi, i ofron lexuesit edhe nj\u00eb v\u00ebllim poetik me dy autor\u00eb, Dr. <\/span><\/span>Ernesto<\/span><\/span> Kahan<\/span><\/span>, izraelit\u00eb dhe <\/span><\/span>Taki<\/span><\/span> Yuriko<\/span><\/span>, japoneze, me poezi p\u00ebrkushtim ndaj gjenocidit, ngjarje kjo q\u00eb krijoj\u00eb ekstaz\u00eb dhimbjeje, reproduksion n\u00ebp\u00ebr vite \u00a0p\u00ebr ta gjykuar koh\u00ebn, si dhe kund\u00ebrth\u00ebnien nga nj\u00eb shikim abstrakt. Ndon\u00ebse libri \u00ebsht\u00eb botuar edhe n\u00eb gjuhen japoneze, e tani n\u00eb shqip, e sjell\u00eb mir\u00eb t\u00eb ruajtur protest\u00ebn q\u00eb shfaqin ndaj fajit, p\u00ebr figurat tragjike dhe fiksimin ndaj natyr\u00ebs s\u00eb krimit n\u00eb t\u00eb dy rastet me humbjen e paqes ndaj tjetrit. <\/span><\/span><\/p>\n

Ky lib\u00ebr, vjen me nj\u00eb botim interesant pasi u botua n\u00eb gjuh\u00ebn spanjolle, japoneze dhe angleze, me sloganin …. \u201cVdekja – d\u00ebshp\u00ebrimi \u2013 shp\u00ebtimi – <\/span><\/span>death<\/span><\/span> – <\/span><\/span>despair<\/span><\/span> \u2013 <\/span><\/span>escape<\/span><\/span>\u201d sikur e quan <\/span><\/span>Yuriko<\/span><\/span>, \u201c<\/span><\/span>Nj\u00eb lib\u00ebr rreth vuajtjeve t\u00eb shekullit t\u00eb kaluar \u201cUra nga <\/span><\/span>Aushvici<\/span><\/span> n\u00eb Hiroshima dhe prapa\u201d. \u00a0<\/span><\/span>Me k\u00ebrkes\u00ebn e autor\u00ebve jan\u00eb dokumentuar fotot origjinale t\u00eb ngjarjeve, tejet rr\u00ebqeth\u00ebse, pastaj sh\u00ebnime tjera q\u00eb e ve\u00e7ojn\u00eb nj\u00eb lib\u00ebr poetik sikur thot\u00eb n\u00eb fjal\u00ebn e saj <\/span><\/span>Yuriko<\/span><\/span> \u201c<\/span><\/span>Nj\u00eb projekt ky, p\u00ebr t\u00eb lidhur \u00e7\u00ebshtjet mjek\u00ebsore dhe paralajm\u00ebrimin e poezis\u00eb p\u00ebr rreziqet e luft\u00ebs atomike\u201d<\/span><\/span><\/p>\n

Psher\u00ebtima prej rrethanave t\u00eb krimit, paraqet nj\u00eb subjektivitet q\u00eb e trazon edhe shpirtin e lexuesit, pasi q\u00eb <\/span><\/span>dokukemtimi<\/span><\/span> i ngjarjeve q\u00eb kan\u00eb ndodhur e dominon rr\u00ebfimin edhe n\u00eb let\u00ebrsi si struktur\u00eb narrative, duke e nxjerr\u00eb q\u00eb t\u00eb dy poet\u00ebt nga brendia e tyre, n\u00eb sip\u00ebrfaqe edhe p\u00ebr t\u00eb tjer\u00ebt autobiografin\u00eb e popullit t\u00eb vet, me trajt\u00eb t\u00eb mendimit e t\u00eb emocionit, sikur duan ata p\u00ebr ta unifikojn\u00eb mendjen njer\u00ebzore edhe me shprehje artistike. Kjo apoteoz\u00eb, plot etje, mall, e dhimbje \u00ebsht\u00eb bota e ndjeshme e krijuesve duke e par\u00eb t\u00eb djeshmen n\u00eb syrin e njeriut portretizimin e t\u00eb besuarit. <\/span><\/span><\/p>\n

Jevrejt\u00eb<\/span><\/span> nuk kan\u00eb lejuar artificialisht ta mundin dhembjen e tyre. ndon\u00ebse jan\u00eb t\u00eb rrall\u00ebt, t\u00eb cil\u00ebt i p\u00ebrgjigjen teoris\u00eb \u201cse p\u00ebr ta krijuar ekzistenc\u00ebn duhet vepruar, e p\u00ebr t\u00eb vepruar duhet ekzistuar\u201d. Me aft\u00ebsin\u00eb e tyre t\u00eb shpirtit u b\u00ebn\u00eb t\u00eb <\/span><\/span>ekzistuesh\u00ebm<\/span><\/span>, e gati sa e prodhuan dhimbjen edhe p\u00ebr t\u00eb tjer\u00ebt, viktima, p\u00ebrball\u00eb nj\u00eb tendence p\u00ebr ta shkruar ligjin e ri, t\u00eb tiranis\u00eb, eliminimi i t\u00eb dob\u00ebt\u00ebve dhe ngritja e t\u00eb fort\u00ebve si ligj shoq\u00ebror. \u00a0<\/span><\/span><\/p>\n

Poeti, e humanisti i sh\u00ebndetit <\/span><\/span>Nobelisti<\/span><\/span>, <\/span><\/span>Ernesto<\/span><\/span> Kahan<\/span><\/span>, n\u00eb \u00e7do shkrim t\u00eb tij e portretizon n\u00eb skem\u00eb poetike gjenocidin ndaj hebrenjve si thithje e hijeve t\u00eb shpirtit jet\u00ebn e atyre q\u00eb u \u201cd\u00ebnuan\u201d me shenj\u00ebn dalluese t\u00eb etnis\u00eb s\u00eb tyre, e q\u00eb gjat\u00eb nj\u00eb lufte pushtuese ishin m\u00eb t\u00eb fiksuarit pik\u00ebrisht populli hebre. <\/span><\/span><\/p>\n

Edhe pse poezia gjat\u00eb jet\u00ebs s\u00eb saj ka tipizuar shfaqjen e jet\u00ebs e t\u00eb ekzistenc\u00ebs s\u00eb njeriut e t\u00eb qenieve t\u00eb gjalla rreth tij, duke lexuar edhe nga librat tjer\u00eb t\u00eb k\u00ebtij autori, me p\u00eblcitjen e tij ndaj <\/span><\/span>gjenocidit, t\u00eb duket se nuk i mjafton vet\u00ebm n\u00eb poezi ta shpreh\u00eb realitetin me kapjen e momenteve, akteve, metodave prej s\u00eb cilave nxjerr\u00eb p\u00ebrjetime t\u00eb <\/span><\/span>trishta<\/span><\/span>, gati sa dokumentar\u00eb poetik, p\u00ebr ta k\u00ebrkuar nd\u00ebrgjegjen e jo p\u00ebr ta l\u00ebn\u00eb fajin si iluzion.<\/span><\/span><\/p>\n

Derisa ngjarja zhvillohet n\u00eb dy koh\u00eb jo t\u00eb larg\u00ebta, kompozicioni dhe gjuha poetike q\u00eb p\u00ebrdorin t\u00eb dy poet\u00ebt, jan\u00eb ritme t\u00eb gjalla, shfaqin m\u00ebrzi dhe reagim me plot dinamik\u00eb e mllef ndaj vrasjes n\u00eb mas\u00eb, ndaj arm\u00ebve kimike, pa iu shk\u00ebputur kurr\u00eb dedikimit e analiz\u00ebs s\u00eb thell\u00eb psikologjike n\u00eb raport me njeriun, krimin e \u00e7mendur, dhe shkaktarin e t\u00eb keqes q\u00eb \u00ebsht\u00eb edhe p\u00ebrfundim i dram\u00ebs n\u00eb t\u00eb dy ngjarjet, n\u00eb <\/span><\/span>Aushvic<\/span><\/span> si dhe n\u00eb Hiroshima e Nagasaki. <\/span><\/span><\/p>\n

Nj\u00eb tjet\u00ebr koh\u00eb, nj\u00eb tjet\u00ebr gjenocid!<\/span><\/span><\/p>\n

T\u00eb mos i shly<\/span><\/span>e<\/span><\/span>sh mendimet p\u00ebr krimin, as n\u00eb<\/span><\/span>se je krijue<\/span><\/span>s, \u00ebsht\u00eb p\u00ebrs\u00ebritja e tyre, madje kudo q\u00eb ndodh\u00eb, ka vet\u00ebm nj\u00eb em\u00ebr, – krim! Poeti e <\/span><\/span>Nobelisti<\/span><\/span> Ernesto<\/span><\/span> Kahan<\/span><\/span>, vizitoi Kosov\u00ebn n\u00eb vitin 2019, duke e par\u00eb <\/span><\/span>n<\/span><\/span>ga af\u00ebr, u frym\u00ebzua p\u00ebr <\/span><\/span>nj\u00eb tjet\u00ebr gjenocidin i<\/span><\/span>p\u00ebrs\u00ebritur n\u00eb koh\u00eb moderne, ndaj popullit shqiptar\u00eb, t\u00eb pafajsh\u00ebm me identitet e n\u00eb tok\u00ebn e tyre, ku shkroi poem\u00ebn <\/span><\/span>\u201cGjenocidi p\u00ebr Kosov\u00ebn\u201d<\/span><\/span>: \u201c<\/span><\/span> N\u00eb fund t\u00eb shekullit tragjik t\u00eb nj\u00ebzet\u00eb \/ t\u00eb kalendarit t\u00eb mbyllur \/ erdhi nj\u00eb gjenocid tjet\u00ebr \/<\/span><\/span>duke filluar mij\u00ebvje\u00e7arin e ri.<\/span><\/span> – <\/span><\/span>Me <\/span><\/span>injoranc\u00ebn<\/span><\/span> e <\/span><\/span>tij<\/span><\/span> intolerante \/ <\/span><\/span>djeg<\/span><\/span>, <\/span><\/span>vret<\/span><\/span>, <\/span><\/span>n\u00ebnshtron<\/span><\/span> dhe<\/span><\/span> shkat\u00ebrron<\/span><\/span> …\/ <\/span><\/span>g<\/span><\/span>jithmon\u00eb<\/span><\/span> drejt<\/span><\/span>kulturave<\/span><\/span>, <\/span><\/span>gjuh\u00ebve<\/span><\/span> t\u00eb<\/span><\/span> ndryshme<\/span><\/span>, \/<\/span><\/span><\/p>\n

historis\u00eb<\/span><\/span>, <\/span><\/span>theksit<\/span><\/span>, <\/span><\/span>riteve<\/span><\/span> dhe<\/span><\/span> racave<\/span><\/span>\u201d<\/span><\/span>. <\/span><\/span><\/p>\n

Disipl<\/span><\/span>i<\/span><\/span>na e heshtjes nuk mund t<\/span><\/span>\u00eb<\/span><\/span> fsheh<\/span><\/span>\u00eb<\/span><\/span> gjurm<\/span><\/span>\u00eb<\/span><\/span>t q<\/span><\/span>\u00eb<\/span><\/span> l<\/span><\/span>\u00eb<\/span><\/span>n<\/span><\/span>\u00eb<\/span><\/span>keqb<\/span><\/span>\u00eb<\/span><\/span>r<\/span><\/span>\u00eb<\/span><\/span>sit, t<\/span><\/span>\u00eb<\/span><\/span> pakt\u00ebn n<\/span><\/span>\u00eb<\/span><\/span>se nuk e b<\/span><\/span>\u00eb<\/span><\/span>jn<\/span><\/span>\u00eb<\/span><\/span> t<\/span><\/span>\u00eb<\/span><\/span> \u00a0tjer<\/span><\/span>\u00eb<\/span><\/span>t, poet<\/span><\/span>\u00eb<\/span><\/span>t do t<\/span><\/span>\u00eb<\/span><\/span>flasin. Aq sa e duron <\/span><\/span>poez<\/span><\/span>\u00eda urrejtjen, t<\/span><\/span>\u00eb<\/span><\/span> pakt\u00ebn nuk mund ta mbyllim zem<\/span><\/span>\u00eb<\/span><\/span>rimin, sepse p<\/span><\/span>\u00eb<\/span><\/span>lcet e keqb<\/span><\/span>\u00eb<\/span><\/span>r<\/span><\/span>\u00eb<\/span><\/span>sit hiqen si t<\/span><\/span>\u00eb<\/span><\/span>pafajsh<\/span><\/span>\u00eb<\/span><\/span>m. \u00a0<\/span><\/span><\/p>\n

Imazhet <\/span><\/span>kataklizmatike<\/span><\/span> t\u00eb nj\u00eb lufte me kujtes\u00eb, b\u00ebhen refleks poetik, aq sa u b\u00eb jehon\u00eb gati universale p\u00ebr kaq vite, ndoshta sikur kan\u00eb ditur m\u00eb s\u00eb miri ta b\u00ebjn\u00eb vet\u00ebm hebrenjt\u00eb, deri te lasht\u00ebsit\u00eb, apo ta ngjisin z\u00ebrin deri te kupa e qiellit, p\u00ebrderisa japonez\u00ebt kan\u00eb ngritur kullat e paqes n\u00eb t\u00eb dy qytetet me motivacion se lufta ka dhimbje t\u00eb madhe dhe pasoja.<\/span><\/span><\/p>\n

\u200b \u200b\u200b\u200b\u200b\u200b<\/p>","protected":false},"excerpt":{"rendered":"

RR\u00cbFIMI P\u00cbR TA UNIFIKUAR MENDJEN NJER\u00cbZORE Dr. Ernesto Kahan \u201c………………………\u201d. Poezi. Shkruan: Mr.sc. Engj\u00ebll I. Berisha N\u00eb p\u00ebrkthim nga anglishtja, n\u00eb gjuh\u00ebn shqipe, poeti Jeton Kelmendi, i ofron lexuesit edhe nj\u00eb v\u00ebllim poetik me dy autor\u00eb, Dr. Ernesto Kahan, izraelit\u00eb dhe Taki Yuriko, japoneze, me poezi p\u00ebrkushtim ndaj gjenocidit, ngjarje kjo q\u00eb krijoj\u00eb ekstaz\u00eb dhimbjeje, […]<\/p>","protected":false},"author":1,"featured_media":2204,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[166,164],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3287"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3287"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3287\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/2204"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3287"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3287"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}