{"id":3319,"date":"2021-12-15T19:59:50","date_gmt":"2021-12-15T19:59:50","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?p=2360"},"modified":"2023-12-21T13:22:29","modified_gmt":"2023-12-21T13:22:29","slug":"poems-by-gasham-najafzadeh-azerbaijan","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/poems-by-gasham-najafzadeh-azerbaijan\/","title":{"rendered":"Poems by Gasham Najafzadeh, Azerbaijan"},"content":{"rendered":"<p><strong>Gasham Najafzadeh, Azerbaijan<\/strong><\/p>\n<p>THE BATTLE, THE BOOT AND DEATH<\/p>\n<p>War is an expression of feelings,<br \/>\nthe song of the bullets an artistic style,<br \/>\nthe soldiers a rapid succession of thoughts<br \/>\nand blood the fearsome silence of a minute.<\/p>\n<p>I once looked at the boot<br \/>\nof a dead soldier,<br \/>\nstill not cold inside.<br \/>\nIt stood straight up<br \/>\nin remembrance of feet.<br \/>\nBoots are what tell us most<br \/>\nOf the death of a man.<br \/>\nThat is why the wedding-ring<br \/>\non the trigger-finger<br \/>\nbegs the finger every time:<br \/>\nI implore you, please ,<br \/>\ndon&#8217;t push me against the metal.<br \/>\nThe soldier&#8217;s grief in the trenches<br \/>\nis best asked of the foot.<br \/>\nAt times, the dirt sticking to the boot<br \/>\nis the mark of tension inside.<br \/>\nIn a word, the boot<br \/>\nIs the most mournful picture<br \/>\nof the absence of a man.<\/p>\n<p>A PARK<\/p>\n<p>It is as this park<br \/>\nis a painting<br \/>\nhanging from the collar of the city.<br \/>\nThe benches are green<br \/>\nand the people on them,<br \/>\nespecially the young boys and grils,<br \/>\nare its forest dreams.<br \/>\nThe winds of time have welded them<br \/>\ntightly onto the benches.<br \/>\nA woman has kept her balance,<br \/>\nholding her child by the hand.<br \/>\nLook! That gril, a student perhaps,<br \/>\nhas held firmly on with two hands<br \/>\nto the thoughts in her heart<br \/>\nand remains standing.<br \/>\nThe trees too still stand.<br \/>\nIf you think about it<br \/>\nthese trees were planted<br \/>\nwith human looks.<\/p>\n<p>The wind, an onlooker,<br \/>\nblows across the painting<br \/>\nand shakes the trees.<br \/>\nBut the woman<br \/>\nholds her child tightly by the hand.<br \/>\nShe wishes to go nowhere.<br \/>\nHow sad that time<br \/>\nwill one day<br \/>\ntake the painting away<br \/>\nlike a curator at an exhibition.<\/p>\n<p>TURNING FACES<\/p>\n<p>There can be no doubt<br \/>\nthat women have a hand in the rain.<br \/>\nWhen the raindrops begin to sting<br \/>\nthrough the undone buttons of my dhirt<br \/>\nI recognise the women&#8217;s hands.<br \/>\nRain is a synonym for woman<br \/>\nor perhaps her other face.<br \/>\nAll women are rainfall<br \/>\nShowing its other face<br \/>\nThe other side of the wind is a man.<br \/>\nWhat makes women show<br \/>\ntheir rainfall face,<br \/>\nis men turning<br \/>\ntheir wind face.<br \/>\nAnd what makes men<br \/>\nShow their other face<br \/>\nIs the emptiness of their lives.<\/p>\n<p>TO WRITE A LETTER<\/p>\n<p>To write a letter<br \/>\nis to water a cornfield.<br \/>\nEach letter of the alphabet<br \/>\na single ear of corn.<br \/>\nAnd each ear a finger:<br \/>\nthe earth saying &#8220;I am here&#8221;<\/p>\n<p>To write a letter<br \/>\nis to knit stockings.<br \/>\nEach woolen letter<br \/>\nsoon fills up the feet<br \/>\nis to set out on a long journey.<br \/>\nTo walk is to write the feet on the road.<\/p>\n<p>To write a letter<br \/>\nis the last-born girl in a village.<br \/>\nTo write a letter<br \/>\nis to make time for her.<br \/>\nShe sends time to the city<br \/>\nWhere her lover has no time.<\/p>\n<p>To write a letter<br \/>\nis to copy out the heart<br \/>\nLike copying out a letter.<br \/>\nDo not pass letters hand-to-hand<br \/>\nthey may bleed.<\/p>\n<p>SKETCHES OF PRISON<\/p>\n<p>Those are men, in prison,<br \/>\nbut their wives<br \/>\nand their babies held in their memory.<br \/>\nThose are not men, beaten up in prison,<br \/>\nbut their women<br \/>\nand, in particular,<br \/>\nthe women&#8217;s eyes.<\/p>\n<p>The courts can never learn<br \/>\nThe reason<br \/>\nwhy men kill others.<br \/>\nPerhaps it&#8217;s the murdeed<br \/>\nwho are most murderous.<\/p>\n<p>At the end of each day<br \/>\nThe darkness leaves the cells<br \/>\nto take each prisoner back to his home.<br \/>\nThe prisoners&#8217; wives clearly see<br \/>\nunder the moonlight<br \/>\nwhat their husbands suffer in prison.<br \/>\nThey can taste prison<br \/>\nin the cheap cigarettes<br \/>\nbought on credit.<br \/>\nEach prisoner goes out<br \/>\nwith a piece of letter<br \/>\nwritten to his wife.<br \/>\nEach night the interrogators attack<br \/>\nthe dreams of these women<br \/>\non the prison wires.<\/p>\n<p>Prisons turn men<br \/>\ninto the cruelest murderers.<\/p>","protected":false},"excerpt":{"rendered":"<p>Gasham Najafzadeh, Azerbaijan THE BATTLE, THE BOOT AND DEATH War is an expression of feelings, the song of the bullets an artistic style, the soldiers a rapid succession of thoughts and blood the fearsome silence of a minute. I once looked at the boot of a dead soldier, still not cold inside. It stood straight [&hellip;]<\/p>","protected":false},"author":4,"featured_media":3950,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[171],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3319"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3319"}],"version-history":[{"count":1,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3319\/revisions"}],"predecessor-version":[{"id":3949,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3319\/revisions\/3949"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/3950"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3319"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3319"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}