{"id":3331,"date":"2022-02-14T20:06:29","date_gmt":"2022-02-14T20:06:29","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?p=2412"},"modified":"2022-02-14T20:06:29","modified_gmt":"2022-02-14T20:06:29","slug":"fotoja-e-erresires-e-umid-najarit-nga-dr-bujar-tafa","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/fotoja-e-erresires-e-umid-najarit-nga-dr-bujar-tafa\/","title":{"rendered":"Fotoja e err\u00ebsir\u00ebs\u00a0e Umid Najarit Nga Dr. Bujar Tafa"},"content":{"rendered":"


\nFotoja e err\u00ebsir\u00ebs\u00a0<\/strong>e Umid Najarit<\/p>\n

Nga Dr. Bujar Tafa
\n<\/strong>
\nN\u00ebse poezia kuptohet si nj\u00eb ikje p\u00ebr t\u00eb gjetur\u00a0shp\u00ebtim nga nj\u00eb realitet i caktuar, at\u00ebher\u00eb ajo,\u00a0gjithmon\u00eb i kalon kufijt\u00eb kohor e kufijt\u00eb gjeografik.
\nAjo b\u00ebhet e p\u00ebrbotshme. K\u00ebshtu poet\u00ebt, n\u00eb at\u00eb ikje t\u00eb\u00a0supozuar, e gjejn\u00eb shp\u00ebtimin, e gjejn\u00eb nj\u00eb streh\u00eb dhe\u00a0nj\u00eb der\u00eb dal\u00ebse p\u00ebr atje ku shpresojn\u00eb se gjendet
\nshp\u00ebtimi. Kjo ndodh gjithmon\u00eb aty ku shkruhet\u00a0poezia e aty ku jetojn\u00eb poet\u00ebt. N\u00eb k\u00ebt\u00eb drejtim\u00a0poezia e shfaq\u00eb at\u00eb natyr\u00ebn e vet fisnike e t\u00eb\u00a0mrekullueshme, zot\u00ebsin\u00eb e saj p\u00ebr t\u00eb mbret\u00ebruar mbi\u00a0\u00e7do gj\u00eb q\u00eb ekziston. Si e till\u00eb poezia del n\u00eb sip\u00ebrfaqe\u00a0sikur nj\u00eb ur\u00eb lidh\u00ebse e si nj\u00eb fush\u00eb ku bashkohen t\u00eb\u00a0gjitha ato \u00ebndrra dhe shpresa p\u00ebr nj\u00eb bot\u00eb m\u00eb t\u00eb
\nmir\u00eb e p\u00ebr nj\u00eb bot\u00eb m\u00eb njer\u00ebzore. Shp\u00ebtimin n\u00eb\u00a0poezi poeti Umid Najjari e gjen her\u00eb n\u00eb fluturimin\u00a0e zogjve e her\u00eb n\u00eb form\u00ebn e p\u00ebrsosur t\u00eb luleve e her\u00eb
\nn\u00eb pul\u00ebbardhat n\u00eb det. Ai shp\u00ebtimin e gjen ve\u00e7mas\u00a0n\u00eb syt\u00eb, n\u00eb syt\u00eb q\u00eb pasqyrojn\u00eb shpirtin e q\u00eb shohin t\u00eb\u00a0bukuren. K\u00ebto jan\u00eb kryesisht ato adresat poetike t\u00eb
\ncilat poeti shpesh her\u00eb i viziton me imagjinat\u00ebn e tij\u00a0krijuese. N\u00eb rastet kur realiteti jet\u00ebsor \u00ebsht\u00eb i\u00a0mbushur me kund\u00ebrth\u00ebnie e me brenga, e q\u00eb kjo\u00a0ndodh shpesh, poeti gjen shpres\u00eb n\u00eb to.
\nNevoja p\u00ebr nj\u00eb streh\u00eb shpirt\u00ebrore, p\u00ebr nj\u00eb\u00a0siguri e qet\u00ebsi njer\u00ebzore shprehet n\u00eb poezi t\u00eb
\nndryshme. Diku ajo theksohet me figura poetike t\u00eb\u00a0krijuara mjaft bukur, (Nj\u00eb atdhe i madh sa ombrella) shkruan poeti.\u00a0Muret jo vet\u00ebm si objekte, por muret t\u00eb
\nkuptuara figurativisht si t\u00ebr\u00ebsi, b\u00ebhen opsesion i\u00a0p\u00ebrhersh\u00ebm i poetit. Muret, si t\u00eb tilla, jan\u00eb t\u00eb\u00a0pashmangshme n\u00eb rrug\u00ebn e n\u00eb \u00ebndrrat e poetit. Kjo\u00a0dram\u00eb b\u00ebhet m\u00eb sinjifikative dhe m\u00eb kuptimplote\u00a0kur e marrim me mend se mure t\u00eb tilla n\u00eb rajonin ku
\njeton poeti ka shum\u00eb. Kemi parasysh rajone me\u00a0konflikte t\u00eb vazhdueshme, konflikte edhe aktive\u00a0edhe t\u00eb ngrira. Mure q\u00eb ndajn\u00eb njer\u00ebz e q\u00eb\u00a0nd\u00ebrprejn\u00eb komunikimet, mure q\u00eb sjellin fatkeq\u00ebsi,\u00a0q\u00eb pamund\u00ebsojn\u00eb \u00ebndrrat e shpresat e njer\u00ebzve n\u00eb\u00a0aspiratat e tyre. Mure q\u00eb i nd\u00ebrtojn\u00eb njer\u00ebzit me baza\u00a0her\u00eb ideologjike, her\u00eb nacionale, religjioze e \u00e7far\u00ebdo
\nqofshin ato. Mure t\u00eb dukshme dhe mure t\u00eb\u00a0padukshme e q\u00eb burojn\u00eb, her\u00eb her\u00eb, edhe nga
\nstereotipet q\u00eb nd\u00ebrtohen e shtresohen n\u00eb mentalitete\u00a0t\u00eb kulturave t\u00eb ndryshme.
\nP\u00ebrgjith\u00ebsisht k\u00ebto jan\u00eb ndalesat q\u00eb nxisin\u00a0poetin t\u00eb meditoj\u00eb e t\u00eb \u00ebnd\u00ebrroj\u00eb p\u00ebr nj\u00eb bot\u00eb pa\u00a0mure, pa ndalesa, ashtu si\u00e7 fluturojn\u00eb zogjt\u00eb t\u00eb\u00a0pakufizuar e t\u00eb papenguar n\u00eb qiell.
\nK\u00ebto poezi, n\u00eb t\u00ebr\u00ebsi, bartin n\u00eb vete motive e\u00a0shenja tipike p\u00ebr trev\u00ebn nga vjen poeti. Luft\u00ebrat,\u00a0kufijt\u00eb e mbyllur, revoltat e kund\u00ebrshtit\u00eb n\u00eb shoq\u00ebrit\u00eb e atyre rajoneve, n\u00eb k\u00ebto poezi, jan\u00eb\u00a0motive t\u00eb zakonshme;
\nMungesa e krah\u00ebve m\u00eb b\u00ebn pa gjum\u00eb nat\u00ebn\u2026
\nNgrini kapelat tuaja, zhvishni mbulesat tuaja fetare,
\nDhe
\nPara se t\u00eb harroni, digjni p\u00eblhurat tuaja\u00a0shum\u00ebngjyr\u00ebshe,
\ndigjni ato,\u00a0P\u00ebr ngrohjen e duarve t\u00eb f\u00ebmij\u00ebs.
\n(Nj\u00eb z\u00eb nga lumi)
\nK\u00ebt\u00eb revolt\u00eb poeti e p\u00ebrforcon te poezia tjet\u00ebr,\u00a0q\u00eb ndoshta mund t\u00eb jet\u00eb m\u00eb emblematikja e k\u00ebtij\u00a0konceptimi (Duhet t\u00eb jetosh) q\u00eb n\u00eb fakt, ting\u00ebllon si\u00a0nj\u00eb himn p\u00ebr t\u00eb bukur\u00ebn, p\u00ebr shpres\u00ebn e p\u00ebr\u00a0dashurin\u00eb. E till\u00eb p\u00ebr nga p\u00ebrmasat e \u00ebnd\u00ebrrimit t\u00eb s\u00eb
\nbukur\u00ebs dhe p\u00ebrplasjes s\u00eb shpresave e \u00ebndrrave m\u00eb\u00a0realitetin ekzistues \u00ebsht\u00eb edhe poezia Vajza e vog\u00ebl.\u00a0Muret, zogjt\u00eb, syt\u00eb, gjethet, nata, etj., jan\u00eb\u00a0fjal\u00eb q\u00eb poeti i p\u00ebrdor\u00eb n\u00eb vazhdim\u00ebsi. P\u00ebrmes\u00a0k\u00ebtyre fjal\u00ebve, q\u00eb n\u00eb poezi jan\u00eb me ngarkesa t\u00eb
\nfuqishme figurative, poeti e shtrin\u00eb dhe e zgjeron\u00a0rr\u00ebfimin e vet poetik, her\u00eb p\u00ebrmes \u00ebndrrave,\u00a0imagjinat\u00ebs e her\u00eb p\u00ebrmes soditjeve t\u00eb bot\u00ebs p\u00ebrreth.<\/p>","protected":false},"excerpt":{"rendered":"

Fotoja e err\u00ebsir\u00ebs\u00a0e Umid Najarit Nga Dr. Bujar Tafa N\u00ebse poezia kuptohet si nj\u00eb ikje p\u00ebr t\u00eb gjetur\u00a0shp\u00ebtim nga nj\u00eb realitet i caktuar, at\u00ebher\u00eb ajo,\u00a0gjithmon\u00eb i kalon kufijt\u00eb kohor e kufijt\u00eb gjeografik. Ajo b\u00ebhet e p\u00ebrbotshme. K\u00ebshtu poet\u00ebt, n\u00eb at\u00eb ikje t\u00eb\u00a0supozuar, e gjejn\u00eb shp\u00ebtimin, e gjejn\u00eb nj\u00eb streh\u00eb dhe\u00a0nj\u00eb der\u00eb dal\u00ebse p\u00ebr atje ku […]<\/p>","protected":false},"author":1,"featured_media":2413,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[164],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3331"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3331"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3331\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3331"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3331"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}