{"id":3378,"date":"2023-01-03T11:41:04","date_gmt":"2023-01-03T11:41:04","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?p=2590"},"modified":"2023-01-03T11:41:04","modified_gmt":"2023-01-03T11:41:04","slug":"spiranca-e-nates-e-poetit-nga-tivari-i-malit-te-zi-llabud-n-lloncar-nga-prend-buzhala","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/spiranca-e-nates-e-poetit-nga-tivari-i-malit-te-zi-llabud-n-lloncar-nga-prend-buzhala\/","title":{"rendered":"\u201cSpiranca e nat\u00ebs\u201d e poetit nga Tivari i Malit t\u00eb Zi, Llabud N. Llon\u00e7ar – nga Prend Buzhala"},"content":{"rendered":"

DASHURIA, SPIRANC\u00cb E JET\u00cbS SON\u00cb<\/strong><\/p>\n

N\u00ebse asgj\u00eb tjet\u00ebr nuk i afron kulturat dhe letrat e bukura t\u00eb regjioneve t\u00eb ndryshme gjuh\u00ebsore, s\u00eb paku k\u00ebt\u00eb le ta b\u00ebj\u00eb tema e dashuris\u00eb! K\u00ebshtu le ta kuptojm\u00eb v\u00ebllimin poetik \u201cSpiranca e nat\u00ebs\u201d e poetit nga Tivari i Malit t\u00eb Zi, Llabud N. Llon\u00e7ar, n\u00eb p\u00ebrkthim t\u00eb Smajl Smak\u00ebs. I nd\u00ebrgjegjsh\u00ebm se kan\u00eb shum\u00eb gjurm\u00eb plag\u00ebsh hap\u00ebsirat ekzistenciale nd\u00ebr ne, poeti do t\u00eb k\u00ebndoj\u00eb:<\/p>\n

Vragat e mia dhe tuaja
\n<\/em>B\u00ebhen spiranc\u00eb nate
\n<\/em>Dhe fjala shnd\u00ebrrohet n\u00eb dashuri<\/em><\/p>\n

Vargjet e m\u00ebsip\u00ebrme, kur i kontekstualizojm\u00eb p\u00ebrtej nj\u00eb situate t\u00eb dashuris\u00eb, sjellin nj\u00eb tjet\u00ebr energji t\u00eb k\u00ebsaj ndjeshm\u00ebrie. Te e fundit, nuk ka hap\u00ebsir\u00eb mbi rruzullin ton\u00eb q\u00eb t\u00eb mos i ket\u00eb ngritur elozhe asaj. Llona\u00e7ar na sjell k\u00ebndej leksikun bregdetar t\u00eb k\u00ebndimit t\u00eb dashuris\u00eb, me magjin\u00eb e t\u00eb padukshmes t\u00eb thell\u00ebsive t\u00eb detit, si\u00e7 jan\u00eb spiranca, deti, guaca, dallg\u00ebt, vala, anija, etj. gjithsesi me ngarkesa figurative e kuptimore. Duke e em\u00ebrtuar librin me poezin\u00eb e par\u00eb, spiranc\u00eb nate, e lexojm\u00eb at\u00eb semantem\u00eb q\u00eb na drejton kah nj\u00eb q\u00ebllim n\u00eb jet\u00eb. A thua, n\u00ebse na mungon kjo spiranc\u00eb (dashurie), kjo pik\u00eb jet\u00ebsore referimi e dashuris\u00eb, kah do t\u00eb na shpinte bredhja jon\u00eb e shkap\u00ebrderdhur?\u00a0 Anodea Judit,\u00a0 nj\u00eb autore amerikane, do t\u00eb thoshte: \u201cT\u00eb humbasim lidhjen ton\u00eb me trupin do t\u00eb thot\u00eb t\u00eb b\u00ebhemi shpirt\u00ebrisht t\u00eb pastreh\u00eb. Pa spiranc\u00eb ne notojm\u00eb pa q\u00ebllim, t\u00eb goditur nga er\u00ebrat dhe dallg\u00ebt e jet\u00ebs.\u201d<\/p>\n

N\u00ebse leksema poetike\u00a0 spiranc\u00eb <\/em>na i zgjon asociacionet e detit dhe anijes, at\u00ebher\u00eb nuk \u00ebsht\u00eb e rastit p\u00ebrse autori p\u00ebrdor edhe fjal\u00ebn shpres\u00eb si nj\u00eb spiranc\u00eb t\u00eb bot\u00ebs son\u00eb t\u00eb brendshme, t\u00eb jet\u00ebs son\u00eb n\u00ebp\u00ebr nat\u00eb (\u201cN\u00eb nat\u00ebn p\u00ebrmbushur me er\u00eb<\/em>\u201d), nata<\/em> \u00ebsht\u00eb shenj\u00eb poetike q\u00eb sugjeron baticat e zbaticat e ekzistimit. E pra, poeti i ka kikat e tij ku t\u00eb mb\u00ebshtetet dhe p\u00ebr t\u00eb l\u00ebvizur i sigurt.<\/p>\n

Dhe, kur e lexojm\u00eb nj\u00eb lib\u00ebr t\u00eb t\u00ebr\u00eb me lirika dashurie; e rik\u00ebnduar n\u00eb nj\u00eb tjet\u00ebr regjion gjuh\u00ebsor, lexuesi do ta perceptoj\u00eb drejt se Eosi mbetet ajo per\u00ebndi q\u00eb shquhet p\u00ebr shpirtin humanist mbi t\u00eb gjitha hyjnit\u00eb tjera. Duke e frekuentuar poetikisht shpesh fjal\u00ebn bark <\/em>(barku i gruas etj.), fol\u00ebsi lirik sikur d\u00ebshiron t\u00eb na thot\u00eb se aty \u00ebsht\u00eb mitra dhe altari i krijimit, qendra e ndjesive tona.<\/p>\n

Mir\u00ebpo, k\u00ebto vargje na shqiptohen me frym\u00ebn moderne t\u00eb th\u00ebnies lirike p\u00ebrtej nj\u00eb sentimentalizmi a mbufatjeje, si\u00e7 na rastis t\u00eb lexojm\u00eb shpesh e me boll\u00ebk tekste t\u00eb tilla. Jan\u00eb vargje q\u00eb shqiptohen si thelb i \u00e7do gj\u00ebje, \u201cAtje ku \u00e7do gj\u00eb fillon\u201d; \u00a0si p\u00ebrsiatje situatash dashurore t\u00eb fsheht\u00ebsis\u00eb, vetmis\u00eb, heshtjes,\u00a0 puthjes, m\u00ebkatit, pagjum\u00ebsis\u00eb, dhembjes, largimit, shpres\u00ebs e sidomos kujtimeve dhe \u00ebndrr\u00ebs. T\u00eb krijohet mbresa se fol\u00ebsi lirik k\u00ebmb\u00ebngulsh\u00ebm i k\u00ebrkon ato situata ku ka shum\u00eb hap\u00ebsir\u00eb e ku mbizot\u00ebron leksiku kozmologjik i erosit, me nat\u00eb, yje, m\u00ebngjese, h\u00ebn\u00eb, drit\u00eb, diell, dit\u00eb apo me det, uj\u00ebra dhe shi. Mir\u00ebpo, i k\u00ebrkon aty ku ka shum\u00eb fsheht\u00ebsi. \u201cP\u00ebrsosm\u00ebria e krijimtaris\u00eb artistike \u00ebsht\u00eb t\u00eb fsheh\u00eb artin\u201d e ka th\u00ebn\u00eb k\u00ebt\u00eb q\u00eb moti Kuintiliani. Kurse poeti k\u00ebrkon ta shihe buz\u00ebqeshjen e fshehur pas margaritar\u00ebve t\u00eb nat\u00ebs (poezia \u201cFshihesh\u201d), m\u00eb tutje k\u00ebrkon \u201cmisteret e fshehta\u201d. A thua, me \u00e7do kusht qenia e dashuruar k\u00ebrkon t\u00eb l\u00ebviz\u00eb pas nj\u00eb veli magjik? Dhe bukuria e fjal\u00ebs gjendet pas k\u00ebsaj magjepsjeje?<\/p>\n

Fjal\u00ebn e fsheh\u00eb n\u00eb ujin m\u00eb t\u00eb thell\u00eb
\n<\/em>N\u00eb ujin pa dallg\u00eb
\n<\/em>Q\u00eb buz\u00ebqeshja mos ta l\u00ebviz\u00eb.<\/em><\/p>\n

Makrokozmos e mikrokozmos b\u00ebhen nj\u00eb: fol\u00ebsi lirik \u00ebsht\u00eb i shkrir\u00eb n\u00eb hap\u00ebsirat e pamatshme t\u00eb dashuris\u00eb:<\/p>\n

Mos e k\u00ebrko kufirin e mendjes
\n<\/em>N\u00eb n\u00ebnkres\u00ebn e djersitur
\n<\/em>Derisa gjith\u00ebsia ngesh\u00ebm
\n<\/em>Rri n\u00eb dritare
\n<\/em>N\u00eb parzm\u00ebn e nat\u00ebs
\n<\/em>Rrah zemra e frik\u00ebsuar derisa
\n<\/em>Un mbledh\u00eb yjet e r\u00ebna
\n<\/em>T\u00ebr\u00eb nat\u00ebn me shi dhe i vendos
\n<\/em>N\u00eb syt\u00eb tu.<\/em><\/p>\n

T\u00eb mos harrojm\u00eb: poeti ndien nevoj\u00eb q\u00eb gjithnj\u00eb t\u00eb ligj\u00ebroj\u00eb rishtas e rishtas p\u00ebr dashurin\u00eb, t\u00eb ringjallet n\u00eb k\u00ebt\u00eb k\u00ebndim, t\u00eb mos reshtet asnj\u00ebher\u00eb s\u00eb k\u00ebnduari p\u00ebr k\u00ebt\u00eb ndjesi. Ka nj\u00eb lidhje midis dashuris\u00eb, fol\u00ebsit lirik, dhimbjes dhe kujtes\u00ebs (\u201cSecili m\u00ebngjes imi \u00ebsht\u00eb shfryr\u00eb se k\u00ebnduari\/Pavar\u00ebsisht nga dhembja dhe kujtesa<\/em>\u201d).<\/p>\n

N\u00eb fund, kur e lexojm\u00eb poezin\u00eb \u201cAi kaher\u00eb ec\u00ebn\u201d, do ta ndiejm\u00eb dhe p\u00ebrjetojm\u00eb si tonin at\u00eb ankorimin e spiranc\u00ebs s\u00eb p\u00ebrjet\u00ebsis\u00eb s\u00eb dashuris\u00eb (\u201cZemra e tij banon n\u00eb qiell<\/em>\u201d), zem\u00ebr-shikim mbi realitetin e vet\u00ebdijes son\u00eb, mbi acarimet e nd\u00ebrgjegjes son\u00eb apo mbi trazimet e ekzistenc\u00ebs son\u00eb. Mandej poeti lundron n\u00ebp\u00ebr stuhit\u00eb e dashuris\u00eb e t\u00eb jet\u00ebs ngadh\u00ebnjimtar drejt portit t\u00eb tij t\u00eb dashuris\u00eb.<\/p>\n

Prend BUZHALA,\u00a0Dhjetor 2022<\/em><\/p>","protected":false},"excerpt":{"rendered":"

DASHURIA, SPIRANC\u00cb E JET\u00cbS SON\u00cb N\u00ebse asgj\u00eb tjet\u00ebr nuk i afron kulturat dhe letrat e bukura t\u00eb regjioneve t\u00eb ndryshme gjuh\u00ebsore, s\u00eb paku k\u00ebt\u00eb le ta b\u00ebj\u00eb tema e dashuris\u00eb! K\u00ebshtu le ta kuptojm\u00eb v\u00ebllimin poetik \u201cSpiranca e nat\u00ebs\u201d e poetit nga Tivari i Malit t\u00eb Zi, Llabud N. Llon\u00e7ar, n\u00eb p\u00ebrkthim t\u00eb Smajl Smak\u00ebs. […]<\/p>","protected":false},"author":1,"featured_media":2591,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[174,164],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3378"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3378"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3378\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3378"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3378"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}