(Xhemil Byty\u00e7i: \u201cKopshti i dashuris\u00eb\u201d, <\/em><\/strong>p\u00ebrmbledhje me 101 poezi dashurie, Sht\u00ebpia botuese \u2018\u2019Bograni\u2019\u2019, Prishtin\u00eb, 2022)<\/em><\/strong><\/p>\n Kur e parap\u00eblqen dhe e p\u00ebrdor shpesh e shpesh sintagm\u00ebn lirike kopshti i dashuris\u00eb, Xhemil Byty\u00e7i, mjek dhe poet, kishte parasysh q\u00eb te formulimi i till\u00eb lirik t\u00eb p\u00ebrgjith\u00ebsonte artistikisht gjendjet e pasura shpirt\u00ebrore q\u00eb t\u2019i dhuron ndjesia e dashuris\u00eb. Kjo do t\u00eb thot\u00eb q\u00eb ai arrin t\u2019i kuptoj\u00eb e t\u00eb dep\u00ebrtoj\u00eb n\u00eb thell\u00ebsit\u00eb e k\u00ebtij disponimi dhe k\u00ebtij emocioni t\u00eb bukur. S\u00eb bashku me p\u00ebrmbledhjen q\u00eb vijn pas k\u00ebsaj, k\u00ebto v\u00ebllime p\u00ebrb\u00ebjn\u00eb nj\u00eb thesar t\u00eb v\u00ebrtet\u00eb t\u00eb poezis\u00eb s\u00eb dashuris\u00eb, duke e k\u00ebndv\u00ebshtruar k\u00ebt\u00eb ndjenj\u00eb nga nj\u00eb k\u00ebnd sa vetjak, aq edhe nga ana e larmis\u00eb s\u00eb motiveve e ideve.<\/p>\n Sado q\u00eb n\u00eb poezin\u00eb angleze poeti i njohur bot\u00ebror William Blake ka nj\u00eb poezi me k\u00ebt\u00eb titull, Xhemil Byty\u00e7i, ndryshe nga poeti anglez q\u00eb e p\u00ebrfundon k\u00ebt\u00eb ndjeshm\u00ebri me rrethimin e d\u00ebnuesh\u00ebm e negativ (n\u00eb vend t\u00eb luleve, n\u00eb at\u00eb kopsht ai sheh varre dhe ku harmonia mes natyr\u00ebs, dashuris\u00eb e njeriut \u00ebsht\u00eb e shprishur); Byty\u00e7i, fare pa e lexuar Blake-un, k\u00ebt\u00eb dometh\u00ebnie t\u00eb titullit e t\u00eb vet\u00eb poezis\u00eb e nxjerr nga t\u00eb tjera burime, nga burimet refleksive, emocionale:<\/p>\n Kopshtit t\u00eb dashuris\u00eb koha p\u00ebrball\u00eb i njehsohet \u00a0<\/em>Me v\u00ebmendje i v\u00ebshtrojm\u00eb shtigjet e kopshtit nga k\u00ebng\u00ebt popullore t\u00eb dashuris\u00eb dhe ato t\u00eb artit letrar apo t\u00eb skulptur\u00ebs:<\/p>\n N\u00eb cep kopshti \u00ebsht\u00eb vendosur statuj\u00eb nga ato biblike dhe mitike:<\/p>\n N\u00eb k\u00ebt\u00eb kopsht t\u00eb dashuris\u00eb (…) <\/em><\/p>\n Me v\u00ebmendje i v\u00ebshtrojm\u00eb shtigjet e kopshtit Me t\u00eb prer\u00eb fatin k\u00ebrkonim t\u00eb na nxiste N\u00eb let\u00ebrsin\u00eb ton\u00eb kemi dhe nj\u00eb ditiramb t\u00eb bukur poetik himnizues me t\u00eb nj\u00ebjtin titull, sikund\u00ebr \u00ebsht\u00eb ajo e \u00c7ajupit \u201cKopshti i dashuris\u00eb\u201d ku k\u00ebndohet, me patos romantik, p\u00ebr miken e tij, g\u00ebzimet e k\u00ebsaj ndjeshm\u00ebrie dhe ku lul\u00ebzimi parajsor e t\u00eb mirat e k\u00ebsaj bote gjenden n\u00eb vendlindjen e tij.<\/p>\n Te ky v\u00ebllim jan\u00eb 101 poezi q\u00eb p\u00ebrb\u00ebjn\u00eb nj\u00eb t\u00ebr\u00ebsi poetike mbi dashurin\u00eb. Prirjen poetike p\u00ebr t\u00ebr\u00ebsi t\u00eb tilla ai e ka shfaqur dhe realizuar n\u00eb disa libra t\u00eb p\u00ebrparsh\u00ebm me lirika, kurse k\u00ebsaj radhe vjen me dy libra t\u00eb till\u00eb: secili me nga 101 poezi! Por ndryshe edhe nga \u00c7ajupi, Byty\u00e7i merr p\u00ebrsip\u00ebr q\u00eb T\u00eb dashur\u00ebn e tij (n\u00ebp\u00ebr vargje p\u00ebrs\u00ebritet apelativi lirik i personazhit lirik: E dashur<\/em>), nd\u00ebrthur, skund\u00ebr e pam\u00eb, t\u00eb tjera p\u00ebrvoja, vjen me nj\u00eb tjet\u00ebr bot\u00eb t\u00eb pasur emocionale, jet\u00ebsore e artistike n\u00eb frym\u00ebn e bashk\u00ebkoh\u00ebsis\u00eb.<\/p>\n N\u00eb k\u00ebng\u00ebt erotike popullore t\u00eb lirik\u00ebs shqiptare e hasim shpesh e shpesh t\u00eb k\u00ebnduar kopshtin, si sinonim t\u00eb s\u00eb bukur\u00ebs, dhe t\u00eb p\u00ebrjetimit t\u00eb emocionit parajsor (\u201cN\u00eb nji kopsht n’ma t’bukurin n’Shkod\u00ebr\u201d<\/em>, ose te k\u00ebnga elegjiake aq e njohur, p\u00ebr Rrushe Rexh\u00ebn:<\/p>\n Ju , n\u00ebr vorra , o, mos me m\u2019 shti \u2013 e, Mir\u00ebpo, ndryshe edhe nga k\u00ebndim elegjiak popullor dhe nga k\u00ebndimi i till\u00eb i tragjikes s\u00eb dashuris\u00eb, te litika\u00a0 Xhemil Byty\u00e7it nuk kemi protagonist\u00eb t\u00eb vdekur apo q\u00eb vdesin p\u00ebr dashurin\u00eb. Sepse ajo \u00ebsht\u00eb p\u00ebrjetuar dhe k\u00ebnduar n\u00eb shum\u00eb trajta t\u00eb tjera, me reminishencat q\u00eb i p\u00ebrmend\u00ebm m\u00eb lart. Do theksuar se me k\u00ebt\u00eb titull jan\u00eb kompozuar edhe k\u00ebng\u00eb n\u00eb zhanrin muzikor, si\u00e7 jan\u00eb ato t\u00eb Sabri Fejzullahut apo t\u00eb Ilir Shaqirit.<\/p>\n T\u00eb gjitha k\u00ebto krahasime dhe k\u00ebto burime, i p\u00ebrmend\u00ebm p\u00ebr t\u00eb pohuar edhe nj\u00eb parim tjet\u00ebr krijues t\u00eb autorit: se ai d\u00ebshiron, nga nj\u00ebra an\u00eb, t\u00eb\u00a0 q\u00ebndroj\u00eb n\u00eb nj\u00eb shum\u00ebsi traditash t\u00eb k\u00ebndimit erotik e dashuror, dhe, nga ana tjet\u00ebr, t\u00eb k\u00ebndoj\u00eb sipas m\u00ebnyr\u00ebs s\u00eb tij: t\u00eb shkruaj\u00eb nj\u00eb ep lirik mbi dashurin\u00eb n\u00eb dy v\u00ebllime, apo n\u00eb dy t\u00ebr\u00ebsi poetike q\u00eb sugjerojn\u00eb pafund\u00ebsin\u00eb e k\u00ebsaj ndjeshm\u00ebrie dhe t\u00eb k\u00ebtij disponimi e p\u00ebrjetimi.<\/p>\n K\u00ebt\u00eb t\u00ebr\u00ebsi burimesh e k\u00ebndimesh, ta sugjeron edhe semantema e numrit 101, si num\u00ebr engj\u00ebllor n\u00eb simbologjin\u00eb e numerologjis\u00eb, si num\u00ebr fati apo i nj\u00eb ndryshimi e fillimi t\u00eb ri. S\u00eb k\u00ebndejmi, hasim n\u00ebp\u00ebr k\u00ebto vargje edhe nj\u00eb k\u00ebndim engj\u00ebllor, aspak agresiv a t\u00eb ashp\u00ebr. Kur autori e p\u00ebrdor m\u00eb se nj\u00ebher\u00eb fjal\u00ebn \u201csens\u201d (n\u00eb bashk\u00ebshoq\u00ebrim me shprehje t\u00eb\u00a0 fjal\u00ebve shqipe: ndjeshm\u00ebri, kuptim, gjakim etj. etj.), k\u00ebt\u00eb gjithnj\u00eb e b\u00ebn p\u00ebr ta fuqizuar mesazhin poetik q\u00eb p\u00ebrcjell nj\u00eb q\u00ebllim jet\u00ebsor, nj\u00eb pik\u00ebsynim t\u00eb qart\u00eb. \u00cbsht\u00eb, sikund\u00ebr thuhet, numri q\u00eb sh\u00ebnjon nj\u00eb zgjim i ri, i brendsh\u00ebm, shp\u00ebrthyes. Ky shp\u00ebrthim lexohet q\u00eb nga poezia e par\u00eb e deri te ajo e nj\u00ebqindenj\u00eb-t\u00eb. \u00cbsht\u00eb potenca krijuese autoriale q\u00eb pik\u00ebsynon t\u00eb na mbushulloj\u00eb me figura frym\u00ebzuese dhe motivuese, mu ashtu si\u00e7 b\u00ebn nj\u00eb ndikim pozitiv vet\u00eb ndjesia e dashuris\u00eb. Nuk \u00ebsht\u00eb e habitshme p\u00ebrse n\u00ebp\u00ebr vargje p\u00ebrdoren e k\u00ebndohen fjal\u00eb t\u00eb nj\u00eb rendi, si: g\u00ebzim (G\u00ebzohem por assesi nuk hidh\u00ebrohem; Ato p\u00ebrqafime me lot g\u00ebzimi; Gufoj me thepa g\u00ebzimesh\/ Pran\u00eb teje; Ti moj zem\u00ebr g\u00ebzoju dit\u00ebs\/ Q\u00eb kur dashuria na lindi; P\u00ebr dit\u00ebn ton\u00eb t\u00eb g\u00ebzuar; Got\u00ebn e g\u00ebzimit t\u00eb mbushur me hare e ke; G\u00ebzimin ton\u00eb mund ta shkrijm\u00eb n\u00eb zjarr; Pran\u00eb teje shpirti im g\u00ebzon qet\u00ebsin\u00eb; N\u00eb fole t\u00eb g\u00ebzuara u mb\u00ebshtetemi; dashuria nuk njeh mote… K\u00ebrkon vet\u00ebm zem\u00ebr g\u00ebzimplote; T\u00eb mbuluar ishim me rrjet\u00eb g\u00ebzimi; Duke i zgjuar epshet p\u00ebr k\u00ebt\u00eb nat\u00eb t\u00eb g\u00ebzuar; P\u00ebrball\u00eb bot\u00ebs, t\u00eb dyt\u00eb jemi t\u00eb g\u00ebzuar<\/em>) e p\u00ebrplot p\u00ebrdorime t\u00eb tjera t\u00eb ngjashme. Pothuajse, secil\u00ebn hap\u00ebsir\u00eb ai d\u00ebshiron ta mbush\u00eb me lumturi, ngaz\u00ebllim e g\u00ebzim. Madje, pas \u00e7do stuhie a furtune jet\u00ebsore, subjekti lirik i k\u00ebtij v\u00ebllimi d\u00ebshiron t\u2019ia rinis\u00eb k\u00ebsaj hap\u00ebsire t\u00eb mbushulluar me ditirambin e jet\u00ebs. \u00c7far\u00ebdo q\u00eb t\u00eb ndodh\u00eb, sido q\u00eb t\u00eb jet\u00eb, ai e ka numrin e tij engj\u00ebllor, magjik, nj\u00ebqindenj\u00eb, pik\u00ebrisht pse psikja e tij e jet\u00ebs mbushullohet me energjin\u00eb pozitive, me mir\u00ebqenien, me kujdesin p\u00ebr vetveten dhe n\u00eb sprovimin e di\u00e7kaje gjithnj\u00eb t\u00eb re, gjithnj\u00eb i hapur ndaj p\u00ebrvojave t\u00eb jet\u00ebs p\u00ebrball\u00eb v\u00ebshtir\u00ebsive a sfidave:<\/p>\n Dashuria me dor\u00eb nuk kapet, or i gjor\u00eb Duke e konceptuar poezin\u00eb e till\u00eb si nj\u00eb g\u00ebzim jete, i krijohet p\u00ebrshtypja sikur p\u00ebrnj\u00ebmend do t\u00eb ndodhin l\u00ebvizje pozitive n\u00eb mbushullimin e dashuris\u00eb. \u00cbsht\u00eb ai potenciali emocional, shpirt\u00ebror, q\u00eb e shpie n\u00eb nj\u00eb rreth tjet\u00ebr jo vet\u00ebm socializues t\u00eb dashuris\u00eb, por edhe t\u00eb jet\u00ebs: p\u00ebr t\u00eb flakur gjith\u00e7ka t\u00eb lig\u00eb nga ky sens i dashuris\u00eb, dhe p\u00ebr t\u2019i m\u00ebnjanuar shpirtra t\u00eb lig\u00eb a njer\u00ebzit e till\u00eb nga ai rreth. P\u00ebr ta realizuar koh\u00ebn e lumtur, mosh\u00ebn e lumtur,<\/p>\n M\u00eb djeg kureshtja: kush je Ja, pra, nj\u00eb fjal\u00eb tjet\u00ebr me rendin e saj fjal\u00ebsor-metaforik: lumturia. T\u00ebr\u00ebsia e numrit t\u00eb poezive, dometh\u00ebnia e tij shpirt\u00ebrore, \u00ebsht\u00eb njehsim i nxitjes s\u00eb shpirtit. Subjekti lirik iu beson fuqive t\u00eb ep\u00ebrme t\u00eb dashuris\u00eb, pothuajse t\u00eb barasvlershme me hyjnore.<\/p>\n Nga realiteti t\u00eb fshehur ishim Madje, nga lidhja shpirt\u00ebrore, e brendshme, me subjektin e dashuris\u00eb, fol\u00ebsi lirik i k\u00ebsaj poezie q\u00eb ligj\u00ebron gjithnj\u00eb n\u00eb veten e par\u00eb, \u00ebsht\u00eb edhe nd\u00ebrlidhje me universin (poeti p\u00ebrdor shpesh fjal\u00ebt univers, gjith\u00ebsi, gjithnaj\u00eb, vasion), si nj\u00eb shtegtim shpirti e ndjesie, pra, nd\u00ebrlidhje e v\u00ebnie marr\u00ebdh\u00ebnies me objektin e tij lirik t\u00eb k\u00ebndimit dashuror, marr\u00ebdh\u00ebnie q\u00eb v\u00eb ekuilib\u00ebr e harmoni. T\u00ebr\u00ebsia e till\u00eb sugjeron nj\u00eb etimon<\/em> shpirt\u00ebror t\u00eb fjal\u00ebfillesave t\u00eb dashuris\u00eb a t\u00eb burimeve t\u00eb saj, n\u00eb paradigm\u00ebn motivore e tematike q\u00eb e p\u00ebrmend\u00ebm n\u00eb fillim. \u00cbsht\u00eb udh\u00ebzues i brendsh\u00ebm q\u00eb i sugjeron poetit p\u00ebr t\u2019iu p\u00ebrkushtuar, n\u00eb k\u00ebt\u00eb koh\u00eb moshe, jet\u00ebs s\u00eb brendshme shpirt\u00ebrore, dhe k\u00ebt\u00eb m\u00eb s\u00eb miri e arrin n\u00ebp\u00ebrmes k\u00ebndimit t\u00eb dashuris\u00eb. Mbase, lexuesit do t\u2019i kujtohet edhe numri i till\u00eb \u00a0atomik i elementit kimik Mendelevit.<\/p>\n T\u00eb gjitha k\u00ebto asociacione artistike<\/em>, burojn\u00eb nga poezia q\u00eb, p\u00ebrve\u00e7 frym\u00ebzimit, ng\u00ebrthen edhe figur\u00eb t\u00eb pasur, edhe intelekt krijues. Jean Mor\u00e9as, poet, eseist dhe francez, pohon se “n\u00eb art… t\u00eb gjitha paraqitjet konkrete jan\u00eb… ngjarje sensuale, roli i t\u00eb cilave \u00ebsht\u00eb t\u00eb paraqesin far\u00ebn e tyre ezoterike me idet\u00eb primitive” (Z. Moreas), e ku ideja shnd\u00ebrrohet n\u00eb parim krijues t\u00eb let\u00ebrsis\u00eb moderne, n\u00ebn ndikimin e ideve psikanaliz\u00ebs. K\u00ebsisoj, p\u00ebrs\u00ebritja e t\u00eb nj\u00ebjtave fjal\u00eb-tema, fjal\u00eb-ide, fjal\u00eb-figura etj., p\u00ebrgjat\u00eb gjith\u00eb librit, sugjeron p\u00ebrs\u00ebritjen e lajtmotiveve t\u00eb dashuris\u00eb. K\u00ebt\u00eb tashm\u00eb e pam\u00eb te rrjedha asociative q\u00eb zgjojn\u00eb kryetemat kopshti i dashuris\u00eb dhe numri 101. Poeti Henry Wadsworth Longfellow shprehet: \u201cKopshti \u00ebsht\u00eb nj\u00eb mik q\u00eb mund ta vizitoni n\u00eb \u00e7do koh\u00eb.\u201d Nga k\u00ebndv\u00ebshtrimit krahasues: poeti XChemil Byty\u00e7i, sa her\u00eb ndjen nevoj\u00eb t\u00eb pik\u00ebtakohet me miken e tij, selit n\u00eb poezi kopshtin e tij t\u00eb dashuris\u00eb. Ndodh si n\u00eb nj\u00eb sinestezi a n\u00eb nj\u00eb \u201cproces sinestezik\u201d (\u201cunifikimi i ndjesive- \u00ebsht\u00eb nj\u00eb shoq\u00ebrim subjektiv spontan i ndjesive t\u00eb ndryshme t\u00eb shkaktuara nga p\u00ebrvoja e drejtp\u00ebrdrejt\u00eb e vet\u00ebm nj\u00ebr\u00ebs prej tyre; m\u00ebsimi dhe ndjenja me t\u00eb cil\u00ebn mund t\u00eb p\u00ebrzihet ajo q\u00eb perceptojm\u00eb me shqisat tona… N\u00eb literatur\u00eb, sinestezia p\u00ebrfaq\u00ebson nj\u00eb figur\u00eb stilistike t\u00eb imazheve lidh\u00ebse q\u00eb nuk vijn\u00eb nga i nj\u00ebjti kuptim…\u201d).<\/p>\n T\u00eb lutem, tani me gjith\u00eb shpirt t\u00eb them E, t\u00eb jetosh n\u00eb k\u00ebt\u00eb kopsht dashurie, \u00ebsht\u00eb nj\u00ebsoj si t\u00eb jetosh n\u00eb kopshtin e artit dhe t\u00eb k\u00ebng\u00ebs, aty ku selitet e bukura dhe bukuria e emocionit.<\/p>\n Ti mbaje veten, per\u00ebndesh\u00eb e dashuris\u00eb, Mjeku dhe peoti Xhemil Byty\u00e7i, ta krijon p\u00ebrshtypjen sikur i ka b\u00ebr\u00eb t\u00eb vetat th\u00ebniet e mjekut Debasish Mridha, i cili \u00ebsht\u00eb edhe nj\u00eb filozof, poet dhe autor amerikan, si k\u00ebrkues i t\u00eb v\u00ebrtet\u00ebs s\u00eb thell\u00eb. Ai thot\u00eb: \u201c”Duaje natyr\u00ebn sikur t\u00eb ishte kopshti yt i dashuris\u00eb” apo: \u201cMendja nuk \u00ebsht\u00eb nj\u00eb fush\u00eb e djerr\u00eb, por \u00ebsht\u00eb nj\u00eb kopsht dashurie gjithnj\u00eb n\u00eb rritje dhe gjithnj\u00eb n\u00eb lul\u00ebzim”. Nj\u00eb dashurues i till\u00eb \u00ebsht\u00eb edhe fol\u00ebsi lirik i k\u00ebsaj poezie, mendja e t\u00eb cilit lul\u00ebzon me frym\u00ebzime edhe n\u00eb mosh\u00eb sadopak t\u00eb thell\u00eb.<\/p>\n E tham\u00eb q\u00eb tek ky poet mungon q\u00ebllimsh\u00ebm k\u00ebndimi i dashuris\u00eb tragjike, sado q\u00eb aty-k\u00ebtu ka reminishenca t\u00eb tilla vargjesh. \u00cbsht\u00eb l\u00ebn\u00eb anash edhe k\u00ebndimi i dashuris\u00eb s\u00eb pamundur. Nd\u00ebrkaq, lexojm\u00eb poezi t\u00eb t\u00ebra n\u00eb t\u00eb cilat vijn\u00eb shum\u00eb vargje q\u00eb e p\u00ebrjet\u00ebson dashurin\u00eb e idealizuar,\u00a0 at\u00eb t\u00eb dinjitetshmen, t\u00eb\u00a0 bashk\u00ebndjesis\u00eb, bukurin\u00eb e ndjeshm\u00ebris\u00eb s\u00eb nd\u00ebrsjell\u00eb, sensuale. Jan\u00eb vargje t\u00eb asaj lirike q\u00eb shqipton marr\u00ebdh\u00ebniet jo vet\u00ebm midis dy t\u00eb dashuruarve, por sikur ato t\u00eb ishin marr\u00ebdh\u00ebnie midis nj\u00eb per\u00ebndie a per\u00ebndeshe, aty ku bukuria nuk shteron asnj\u00ebher\u00eb:<\/p>\n Ti mbaje veten, per\u00ebndesh\u00eb e dashuris\u00eb, Dhe s\u00eb k\u00ebndejmi shp\u00ebrthejn\u00eb vargje n\u00eb lart\u00ebsim t\u00eb k\u00ebtij universi t\u00eb dashuris\u00eb: n\u00eb dashuri mbret\u00ebresh\u00eb zjarri m\u00eb ishe, ose:<\/p>\n Tek Kopshti i Dashuris\u00eb diku n\u00eb gjith\u00ebsi Nga ana tjet\u00ebr, shpesh e shpesh n\u00ebp\u00ebr vargje subjekti lirik q\u00eb ligj\u00ebron n\u00eb veten e par\u00eb, ai vetveten e quan mbret:<\/p>\n Oh! P\u00ebr m\u00eb tep\u00ebr d\u00ebshiroj t\u00eb b\u00ebhem Ligj\u00ebrimi n\u00eb veten e par\u00eb i mund\u00ebson t\u00eb shpalos\u00eb k\u00ebndimin intim. Kurse fol\u00ebsi lirik i drejtohet vetes s\u00eb dyt\u00eb, objektit t\u00eb k\u00ebndimit, t\u00eb cil\u00ebs ndodh q\u00eb ndonj\u00ebher\u00eb ia jep edhe fjal\u00ebn. N\u00eb k\u00ebso rastesh, t\u00eb krijohet mbresa sikur te fillesat e dashuris\u00eb mbi tok\u00eb, si asociacion i Kopshtit t\u00eb Edenit biblik, apo si te kozmogonia e lasht\u00eb, aty ku u shfaq shkrimi i par\u00eb para pes\u00ebmij\u00eb vjet\u00ebsh, n\u00eb Mesopotami, kur n\u00eb pllaka prej balte shkruhet p\u00ebr dashurin\u00eb midis per\u00ebndis\u00eb Apsu dhe per\u00ebndesh\u00ebs Tiamat, nga t\u00eb cil\u00ebt lind\u00ebn per\u00ebndi t\u00eb tjera. Te kjo poezi byty\u00e7iane k\u00ebshtu k\u00ebndohet, porse gjith\u00e7ka \u00ebsht\u00eb kaq tok\u00ebsore e kaq njer\u00ebzore. Ashtu si\u00e7 ka si n\u00eb let\u00ebrsi n\u00eb e mo\u00e7me, n\u00eb lasht\u00ebsi, apo n\u00eb krejt krijimet e dashuris\u00eb, edhe te ky poet ka shum\u00eb vargje dhe lirika q\u00eb na tregojn\u00eb se sa\u00a0 e fuqishme \u00ebsht\u00eb lidhja e dashuris\u00eb midis dy qenieve njer\u00ebzore, si protagonist\u00eb lirik\u00eb. Q\u00eb te poezia e par\u00eb, si\u00e7 e pam\u00eb, ai e k\u00ebndon dashurin\u00eb e lart\u00ebsuar ideale:<\/p>\n Ishte koh\u00eb ideale p\u00ebr ne t\u00eb dy K\u00ebndohet, pra, si gjendje e situat\u00eb e p\u00ebrsosur. Sado q\u00eb idealja, p\u00ebrsosm\u00ebria na shfaqen si adhurim i pafund ndaj nj\u00ebri-tjetrit, me atribute cil\u00ebsie t\u00eb panum\u00ebrta; ani se jeta reale ng\u00ebrthen realitete t\u00eb tjera, shpesh dramatike; kjo b\u00ebhet me gjakimin a d\u00ebshir\u00ebn e zjarrt\u00eb: se si duhet t\u00eb duket e t\u00eb realizohet dashuria. Ndodh nj\u00ebsoj si te ata personazhet e romanit \u201cDashuria n\u00eb koh\u00ebt e koler\u00ebs\u201d t\u00eb Gabriel Garcia Markezit, ku personazhet e dashuruar\u00a0 thon\u00eb nj\u00ebri-tjetrit se dashuria e tyre \u00ebsht\u00eb qiellore e ku i dashuruari e konsideron t\u00eb dashur\u00ebn e vet krijes\u00eb t\u00eb p\u00ebrsosur. K\u00ebsisoj diku kah poezit\u00eb q\u00eb fillojn\u00eb me numrin gjasht\u00ebdhjet\u00eb, vijn\u00eb nj\u00eb varg lirikash t\u00eb bukura, me frym\u00ebzim t\u00eb lart\u00ebsuar si\u00e7 jan\u00eb poezit\u00eb \u201cKo<\/em>h\u00eb gjakftoht\u00ebsie\u201d, \u201cPeizazhi n\u00eb muzg\u201d, \u201cSyt\u00eb xixa brilante derdhnin\u201d, \u201cMbi m\u00ebkate tr\u00ebndafila vendos\u00ebm\u201d, \u201cNj\u00eb re qan p\u00ebr ty\u201d, \u201cU shkrep nj\u00eb shigjet\u00eb dashurie\u201d, \u201cDashuria \u00ebsht\u00eb thesar\u201d, \u201cdit\u00eb e kremte na ishte\u201d apo \u201cTek bregu para diellit ton\u00eb\u201d.<\/em> Jan\u00eb lirika ku lirizmi shfaqet me prirjet m\u00eb t\u00eb mira krijuese. Te kjo e fundit, eksklamacionet lirike shnd\u00ebrrohen n\u00eb kadenc\u00eb gjakimesh e p\u00ebrsiatjesh:<\/p>\n O zem\u00ebr, o shpirt, o dashuri Sikund\u00ebr shihet, jan\u00eb edhe lirika q\u00eb, p\u00ebrpos magjis\u00eb s\u00eb k\u00ebndimit e shp\u00ebrthimeve t\u00eb vrullshme, na drejtojn\u00eb kah motivet e t\u00ebrheqjes fizike, erotike dhe madje, edhe k\u00ebnaq\u00ebsis\u00eb trupore, seksuale. T\u00eb dashuruarit nuk reshten ndaj nj\u00ebri-tjetrit. Nga let\u00ebrsia aty-k\u00ebtu sensuale, autori kap\u00ebrcen te motivet a lirika e mir\u00ebsjelljes e ku protagonist\u00ebt, si n\u00eb shoq\u00ebrin\u00eb e dikurshme t\u00eb fisnik\u00ebve,\u00a0 \u00ebsht\u00eb dashuri e nd\u00ebrsjell\u00eb.<\/p>\n Thelbi i gjith\u00e7kaje \u00ebsht\u00eb dashuria, sado q\u00eb protagonist\u00ebt e k\u00ebsaj poezie sikur duken t\u00eb vetizoluar nga bota, sikur asgj\u00eb tjet\u00ebr nuk iu intereson, p\u00ebrpos ndjenjave t\u00eb tyre dhe bot\u00ebs s\u00eb tyre t\u00eb brendshme. Ja si poetizohet ky thelb si koncept lirik:<\/p>\n Q\u00eb n\u00eb brendi ke thelb t\u00eb art\u00eb ke dhe er\u00eb (…)<\/em><\/p>\n Vendos\u00ebm t\u00eb hulumtonim Jo vet\u00ebm numri 101, dhe jo vet\u00ebm motivet n\u00eb shum\u00eb trajta, por edhe boll\u00ebku i metaforizimeve e th\u00ebnieve diskurzive, aty-k\u00ebtu me tone eseistike, na sugjerojn\u00eb se dashuria \u00ebsht\u00eb nj\u00eb burim q\u00eb nuk shteron asnj\u00ebher\u00eb s\u00eb k\u00ebnduari n\u00eb poezi. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, pothuajse n\u00eb gjith\u00eb v\u00ebllimin mbizot\u00ebron nj\u00eb t\u00eb folur intim, nj\u00eb ligj\u00ebrim intim q\u00eb lidhet vet\u00ebm me bot\u00ebn e brendshme t\u00eb protagonist\u00ebve t\u00eb dashuruar. Her\u00ebn tjet\u00ebr poeti na e krijon mbres\u00ebn e t\u00eb folurit telepatik midis dy qenieve q\u00eb ndiejn\u00eb nj\u00ebsoj, sado q\u00eb nuk mund t\u00eb gjenden af\u00ebr nj\u00ebri-tjetrit e q\u00eb arrijn\u00eb t\u00eb zbulojn\u00eb gjith\u00e7ka p\u00ebr nj\u00ebri-tjetrin. Madje, shprehja p\u00ebrem\u00ebrore e p\u00ebremrit t\u00eb pakufish\u00ebm nj\u00ebri-tjetri<\/em> (nj\u00ebri-tjetrin, nj\u00ebri-tjetrit), p\u00ebrs\u00ebritet bukur shum\u00eb n\u00ebp\u00ebr vargje, p\u00ebr t\u00eb sugjeruar k\u00ebt\u00eb lidhje t\u00eb pashk\u00ebputshme midis dy vetash, t\u00eb dashur\u00ebs dhe protagonistit lirik t\u00eb dashuruar.<\/p>\n Aty lexojm\u00eb ngroht\u00ebsin\u00eb e emocionit, dehjen pas erosit, p\u00ebrzem\u00ebrsin\u00eb e marr\u00ebdh\u00ebnieve, por ndodh t\u00eb lexojm\u00eb ndonj\u00ebher\u00eb edhe mospajtime, kund\u00ebrshtime, largime… dhe p\u00ebrs\u00ebri etja e pashuar p\u00ebr t\u2019u afruar.\u00a0 Lexojm\u00eb ndonj\u00ebher\u00eb edhe dhimbjen e tyre, ndon\u00ebse ata i mbisundojn\u00eb ato, sikur ata e b\u00ebjn\u00eb betej\u00ebn e jet\u00ebs s\u00eb tyre q\u00eb ato asnj\u00ebher\u00eb t\u00eb mos ndodhin.<\/p>\n Sado q\u00eb vijn\u00eb ndonj\u00ebher\u00eb ndarje, harresa, kot\u00ebsi, largime, megjithat\u00eb malli mbetet lektisje q\u00eb s\u2019ka t\u00eb sosur. I dehur pas madh\u00ebshtis\u00eb s\u00eb k\u00ebsaj ndjesie, ai dehet edhe pas joshjeve t\u00eb erosit. Kur poeti varg\u00ebzon e p\u00ebrdor edhe fjal\u00eb si eksitim, seks, sensuale, \u00a0joshje trup-ndjell\u00ebse, epsh<\/em> etj., ai d\u00ebshiron t\u00eb na thot\u00eb se p\u00ebrvoja e jet\u00ebs q\u00eb mb\u00ebshteten n\u00eb kategorin\u00eb e sensuales, na m\u00ebson se dashuria dhe erotizmi nuk ndryshojn\u00eb, ashtu si\u00e7 e kan\u00eb kuptimin e tyre i-fisnik\u00ebrues, rip\u00ebrt\u00ebrit\u00ebs, riprodhues. Erosi \u00ebsht\u00eb si nj\u00eb per\u00ebndi q\u00eb v\u00eb ekuilib\u00ebr n\u00eb jet\u00eb (\u201cDhe erosi u shkri n\u00eb k\u00ebnaq\u00ebsi<\/em>\u201d, apo: \u201cMes dashuris\u00eb dhe erosit\/ U gjet\u00ebm n\u00eb bot\u00ebn e pafund<\/em>\u201d).<\/p>\n r\u00ebnd\u00ebsia e tematik\u00ebs s\u00eb dashuris\u00eb <\/strong><\/p>\n Autori nuk bie asnj\u00ebher\u00eb n\u00eb nivelin e let\u00ebrsis\u00eb pornografike, p\u00ebr ta l\u00ebn\u00eb anash p\u00ebrmas\u00ebn estetike. Shijimi i jet\u00ebs erotike nuk p\u00ebrb\u00ebn \u00ebnd\u00ebrr m\u00ebkatare, pra nuk \u00ebsht\u00eb i huaj p\u00ebr njeriun, sidomos p\u00ebr qeniet e dashuruara. \u00cbsht\u00eb k\u00ebrkesa letrare p\u00ebr t\u2019i thyer tabut\u00eb, ashtu si\u00e7 ka me boll\u00ebk n\u00eb let\u00ebrsit\u00eb moderne t\u00eb popujve t\u00eb zhvilluar.<\/p>\n Poeti ndien nevoj\u00eb t\u00eb ligj\u00ebroj\u00eb poetikisht p\u00ebr dashurin\u00eb rishtas e rishtas. Edhe bota\u00a0 sotme letrare, postmoderne, nuk i reshtet k\u00ebtij motivi t\u00eb p\u00ebrjetsh\u00ebm. Kudo e kurdo subjekti lirik ndien nevoj\u00eb ta shkrij\u00eb unin personal me subjektin e k\u00ebnduar, kurse k\u00ebndimin intim ta shqiptoj\u00eb me frym\u00eb t\u00eb magjishme lirike. Vet\u00eb jeta \u00ebsht\u00eb nj\u00eb k\u00ebng\u00eb lirike dashurie.<\/p>\n Jeta m\u00eb riktheu Ose: Autori nuk ndien nevoj\u00eb ta problematizoj\u00eb esenc\u00ebn e kuptimit t\u00eb dashuris\u00eb, as t\u00eb shtroj\u00eb pyetje filozofike p\u00ebr t\u00eb.<\/p>\n K\u00ebt\u00eb v\u00ebllim dhe v\u00ebllimin tjet\u00ebr, n\u00eb vazhdim po prej 101 poezish, mund t\u2019i lexojm\u00eb edhe nga nj\u00eb intenc\u00eb autoriale: se tematika e dashuris\u00eb n\u00eb let\u00ebrsi jo vet\u00ebm q\u00eb \u00ebsht\u00eb k\u00ebnduar gjithmon\u00eb, por ajo ka qen\u00eb dhe mbetet gjithmon\u00eb e r\u00ebnd\u00ebsishme p\u00ebr artin letrar. Ndodh kjo p\u00ebr faktin se dashuria \u00ebsht\u00eb ndjenja m\u00eb e past\u00ebr, m\u00eb sublime (\u201cMbi mua fytyra jote m\u00eb sublimja ndri\u00e7on\u201d<\/em>, ose: \u201cT\u00eb fitosh nj\u00eb shp\u00ebrblim shpirti\/T\u00eb jet\u00eb dhurat\u00eb sublime e jet\u00ebs<\/em>\u201d).\u00a0 \u00cbsht\u00eb ndjenja m\u00eb e bukur (\u201cTi m\u00eb ishe virgj\u00ebresh\u00eb e par\u00eb\/ E bukur dhe e p\u00ebrkryer<\/em>\u201d ose: \u201cZoti lule jete p\u00ebr mua t\u00eb fali\/ Lule t\u00eb bukur me plot ngjyra<\/em>\u201d). \u00cbsht\u00eb ndjenj\u00eb e p\u00ebrjetshme (\u201cDo t\u00eb kujtoj i heshtur p\u00ebrgjithmon\u00eb\u201d, \u201cFatin e pashmangsh\u00ebm e k\u00ebrkoja\/ P\u00ebr gjithmon\u00eb t\u00eb na shndris\u00eb\u201d<\/em>). \u00cbsht\u00eb fuqi e v\u00ebrtet\u00eb q\u00eb ka vendin e saj t\u00eb nderit n\u00eb altarin njer\u00ebzor (\u201cDashuria \u00ebsht\u00eb ndjesi aq e thell\u00eb, djeg,… Eksplodon si vullkan i fuqish\u00ebm<\/em>\u201d, apo \u201cDashuria \u00ebsht\u00eb Perandori e nxitur <\/em><\/p>\n Ajo m\u00eb e fuqishmja n\u00eb bot\u00eb.\u201d<\/em>).<\/p>\n Me nj\u00eb fjal\u00eb, ashtu si\u00e7 thot\u00eb Sh\u00ebn Pali: dashuria nuk mplaket asnj\u00ebher\u00eb. As poeti nuk mplaket n\u00eb shpirtin e tij, sepse mbetet i ri p\u00ebrher\u00eb.<\/p>\n Dhjetor 2022<\/em><\/p>","protected":false},"excerpt":{"rendered":" LIRIKA E DASHURIS\u00cb, NJ\u00cb DITIRAMB JETE (Xhemil Byty\u00e7i: \u201cKopshti i dashuris\u00eb\u201d, p\u00ebrmbledhje me 101 poezi dashurie, Sht\u00ebpia botuese \u2018\u2019Bograni\u2019\u2019, Prishtin\u00eb, 2022) Kur e parap\u00eblqen dhe e p\u00ebrdor shpesh e shpesh sintagm\u00ebn lirike kopshti i dashuris\u00eb, Xhemil Byty\u00e7i, mjek dhe poet, kishte parasysh q\u00eb te formulimi i till\u00eb lirik t\u00eb p\u00ebrgjith\u00ebsonte artistikisht gjendjet e pasura shpirt\u00ebrore […]<\/p>","protected":false},"author":1,"featured_media":2594,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[174,164],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3381"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3381"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3381\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3381"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3381"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
\n<\/em>Aty p\u00ebr rreth lule me shum\u00eb ngjyra v\u00ebshtrojm\u00eb
\n<\/em>Mitet e dashuris\u00eb kan\u00eb arritur t\u00eb dalin n\u00eb shesh.<\/em><\/p>\n
\n<\/em>Narcisi e tr\u00ebndafili supet nga trungu i nxjerrin
\n<\/em>P\u00ebrbirohen gonxhet me petale t\u00eb purpurta.<\/em><\/p>\n
\n<\/em>Gur graniti e dy dashnor\u00ebve t\u00eb p\u00ebrqafuar
\n<\/em>T\u00eb dashurve t\u00eb tjer\u00ebve syt\u00eb t\u00eb iu gdhijn\u00eb.<\/em><\/p>\n
\n<\/em>Parajsa e bukuris\u00eb sate gjendet
\n<\/em>M\u00eb b\u00ebn t\u00eb lumtur t\u00eb k\u00ebnaqem me ty.<\/em><\/p>\n
\n<\/em>Narcisi e tr\u00ebndafili supet nga trungu i nxjerrin
\n<\/em>P\u00ebrbirohen gonxhet me petale t\u00eb purpurta.
\n<\/em>apo nga ato t\u00eb p\u00ebrvoj\u00ebs q\u00eb t\u2019i dhuron jeta:<\/p>\n
\n<\/em>Sikur koh\u00ebrave nga dit\u00ebt e rinis\u00eb t\u00eb \u00ebnd\u00ebrronim.<\/em><\/p>\n
\n<\/em>Shtimni n\u2019 bah\u00e7e,\u00a0 o, p\u00ebrmi shpi \u2013 e ,
\n<\/em>Le t\u2019 vjen Rrushja , t\u2019 \u00ebm kan\u00eb p\u00ebrmi \u2013 e ,
\n<\/em>T\u2019 \u00ebm loton , o, me syt\u00eb e zi \u2013 e!<\/em><\/p>\n\n
\n<\/em>P\u00ebr m\u00eb tep\u00ebr, ajo me koh\u00eb p\u00ebrvet\u00ebsohet
\n<\/em>N\u00eb \u00e7ast kur zemra e jote n\u00eb thell\u00ebsi ndjen
\n<\/em>Edhe\u00a0 kundrejt sfidave kur ato q\u00ebndrojn\u00eb.<\/em><\/p>\n
\n<\/em>Dua kristal t\u00eb past\u00ebr dashurie,
\n<\/em>Me mendje e shpirt t\u00eb vija atje
\n<\/em>Pran\u00eb fytyr\u00ebs hyjnore – shk\u00ebndij\u00eb lumturie.<\/em><\/p>\n
\n<\/em>Rruga na ishte e mbyllur
\n<\/em>Duheshe vet\u00ebm t\u00eb fluturojm\u00eb
\n<\/em>Drejt shtigjeve hyjnore
\n<\/em>Tek caqet p\u00ebr ne t\u00eb parapara.<\/em><\/p>\n
\n<\/em>Kthehu ka vetja dhe merre drejtim drejt meje
\n<\/em>T\u00eb b\u00ebj thirrje dashurie t\u00eb v\u00ebrtet
\n<\/em>Eja p\u00ebrs\u00ebri t\u00eb bashk\u00ebndiejm\u00eb
\n<\/em>N\u00eb\u00a0 dashuri t\u00eb shkrir\u00eb.<\/em><\/p>\n
\n<\/em>D\u00ebshira ime nuk kishte mbarim,
\n<\/em>Besoja se je thesar i bukuris\u00eb,
\n<\/em>Zemra m\u00eb digjet, shuhem shqim.<\/em><\/p>\n\n
\n<\/em>D\u00ebshira ime nuk kishte mbarim,
\n<\/em>Besoja se je thesar i bukuris\u00eb,
\n<\/em>Zemra m\u00eb digjet, shuhem shqim.<\/em><\/p>\n
\n<\/em>Aty ku mund t\u00eb gjendet mbret\u00ebria e dashuris\u00eb.<\/em><\/p>\n
\n<\/em>Mbret mbi q\u00ebndrimin e saj mbret\u00ebresh\u00eb
\n<\/em>P\u00ebr t\u00eb krijuar pushtetin me dashuri.<\/em><\/p>\n
\n<\/em>Kur ndjenjat me lot i zbutnim
\n<\/em>Q\u00eb pjella e dashuris\u00eb t\u00eb na mbisundonte
\n<\/em>T\u00eb p\u00ebrmbushur me ide t\u00eb p\u00ebrplota.<\/em><\/p>\n
\n<\/em>Plot\u00a0 me epsh i mbushur jam
\n<\/em>I g\u00ebzuar k\u00ebrkoja\u00a0 t\u00eb marr rrug\u00ebn
\n<\/em>Edhe p\u00ebrtej kodr\u00ebs s\u00eb Diellit
\n<\/em>T\u00eb e k\u00ebrkoj bot\u00ebn e shpirtit t\u00ebnd
\n<\/em>T\u00eb arrijm\u00eb tek bregu i p\u00ebrbashk\u00ebt
\n<\/em>Nga aty ku p\u00ebllumbat fluturojn\u00eb<\/em>.<\/p>\n
\n<\/em>T\u00eb k\u00ebndshme q\u00eb zemrat i mahnit.<\/em><\/p>\n
\n<\/em>Dashurin\u00eb ton\u00eb n\u00eb thelb
\n<\/em>Nga se gjendeshim p\u00ebrball\u00eb fatit enigmatik.<\/em><\/p>\n\n
\n<\/em>N\u00eb pik\u00ebnisjet e dashuris\u00eb s\u00eb filluar\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n
\nJeta vark\u00eb e sigurt na u b\u00eb
\n<\/em>Me val\u00eb dashurie lundronim
\n<\/em>Deteve e oqeaneve
\n<\/em>Deri n\u00eb koh\u00eb t\u00eb p\u00ebrjet\u00ebsis\u00eb.<\/em><\/p>\n