{"id":3411,"date":"2023-10-02T16:25:25","date_gmt":"2023-10-02T16:25:25","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?p=2753"},"modified":"2023-10-02T16:25:25","modified_gmt":"2023-10-02T16:25:25","slug":"iwa-bogdani-boton-ne-shqip-nje-leter-e-hapur-nga-gagik-davtyan-nga-jeton-kelmendi","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/iwa-bogdani-boton-ne-shqip-nje-leter-e-hapur-nga-gagik-davtyan-nga-jeton-kelmendi\/","title":{"rendered":"IWA Bogdani boton ne Shqip &quot;NJ\u00cb LET\u00cbR E HAPUR&quot; NGA GAGIK DAVTYAN. nga Jeton Kelmendi"},"content":{"rendered":"<p><strong>&#8220;NJ\u00cb LET\u00cbR E HAPUR&#8221; NGA GAGIK DAVTYAN, PARAQET NJ\u00cb P\u00cbRMLEDHJE POETIKE P\u00cbRKUSHTUESE P\u00cbR SHPIRTIT KRIJUES T\u00cb SHKRIMTARIT ARMEN, I CILI KA KALUAR N\u00cbP\u00cbR SFIDA T\u00cb NDRYSHME JET\u00cbSORE.<\/strong><\/p>\n<p><em><strong>Nga Prof. Jeton Kelmendi PhD<\/strong><\/em><\/p>\n<p>Gagik Davtyan, nj\u00eb em\u00ebr i njohur n\u00eb bot\u00ebn e poezis\u00eb, n\u00eb vendin e tij Armeni ka sjell\u00eb n\u00eb drit\u00ebn e dit\u00ebs nj\u00eb lib\u00ebr me vargje t\u00eb zgjedhura n\u00eb librin e tij t\u00eb titulluar &#8220;Nj\u00eb Let\u00ebr e Hapur&#8221;, t\u00eb cil\u00ebn e kemi p\u00ebrkthyer n\u00eb Gjuh\u00ebn Shqipe, nga Anglishtja dhe Fr\u00ebngjishtja. Ky lib\u00ebr sh\u00ebnon nj\u00eb moment t\u00eb r\u00ebnd\u00ebsish\u00ebm p\u00ebr let\u00ebrsin\u00eb armene, sepse mund t\u00eb lexohet edhe n\u00eb nj\u00ebr\u00ebn nga gjuh\u00ebt m\u00eb t\u00eb vjetra t\u00eb Evrop\u00ebs, pra n\u00eb gjuh\u00ebn Shqipe, dhe nj\u00eb shembull t\u00eb fuqish\u00ebm t\u00eb talentit krijuese t\u00eb vendit t\u00eb tij. Me nj\u00eb tonacion t\u00eb pasur dhe nj\u00eb aft\u00ebsi t\u00eb maturuar p\u00ebr t\u00eb shprehur ndjenjat m\u00eb thelb\u00ebsore, poeti Armen na udh\u00ebzon n\u00eb nj\u00eb udh\u00ebtim poetik t\u00eb mrekulluesh\u00ebm.<\/p>\n<p>N\u00eb k\u00ebt\u00eb p\u00ebrmledhje poetike, Davtyan paraqet nj\u00eb shpirt krijues t\u00eb pasur dhe nj\u00eb dashuri t\u00eb ngroht\u00eb ndaj poezis\u00eb, sukur q\u00eb paraqet edhe nj\u00eb dashuri p\u00ebr vendin e tij dhe nj\u00eb p\u00ebrkushtim p\u00ebr jet\u00ebn e p\u00ebrditshme. Varf\u00ebria e fjal\u00ebs, ndjeshm\u00ebria e thell\u00eb emocionale dhe lidhja e thell\u00eb me historin\u00eb dhe kultur\u00ebn e tij b\u00ebjn\u00eb prej tij nj\u00eb poet t\u00eb jasht\u00ebzakonsh\u00ebm. Me nj\u00eb stil t\u00eb but\u00eb dhe nj\u00eb pasion t\u00eb mrekulluesh\u00ebm p\u00ebr artin e vargjeve, ai arrin t\u00eb kap\u00ebrcj\u00eb kufijt\u00eb e fjal\u00ebs dhe t\u00eb shp\u00ebrthej\u00eb n\u00eb ekspresione poetike t\u00eb mahnitshme.<\/p>\n<p>Nj\u00eb nga karakteristikat m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb poezis\u00eb s\u00eb Gagik Davtyan \u00ebsht\u00eb tema e shqet\u00ebsimeve t\u00eb jet\u00ebs s\u00eb p\u00ebrditshme. P\u00ebrmes vargjeve t\u00eb tij, ai b\u00ebn nj\u00eb thirrje p\u00ebr reflektim ndaj momenteve t\u00eb thjeshta dhe ndjenjave t\u00eb p\u00ebrditshme q\u00eb jan\u00eb t\u00eb r\u00ebnd\u00ebsishme p\u00ebr secilin prej nesh. Ai na kujton se edhe n\u00eb rutin\u00ebn ton\u00eb t\u00eb zakonshme mund t\u00eb gjejm\u00eb bukurin\u00eb dhe poezin\u00eb.<\/p>\n<p>Poeti nuk harron asnj\u00ebher\u00eb origjin\u00ebn e tij dhe dashurin\u00eb p\u00ebr vendin e tij t\u00eb lindjes, Armenin\u00eb. N\u00ebp\u00ebrmjet poezis\u00eb, ai shpreh ndjenjat e ndryshme ndaj vendit t\u00eb tij dhe d\u00ebshir\u00ebn p\u00ebr t\u00eb ruajtur kultur\u00ebn dhe identitetin e tij. Kjo lidhje e thell\u00eb me vendin dhe kultur\u00ebn e tij \u00ebsht\u00eb nj\u00eb tem\u00eb q\u00eb e b\u00ebn librin e tij edhe m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm p\u00ebr popullin armen, por e b\u00ebn edhe m\u00eb interesnt edhe p\u00ebr lexuesin shqiptar.<\/p>\n<p>Libri &#8220;Nj\u00eb Let\u00ebr e Hapur&#8221; \u00ebsht\u00eb nj\u00eb k\u00ebndv\u00ebshtrim i mir\u00eb n\u00eb bot\u00ebn e poetit Armen Gagik Davtyan. Ky lib\u00ebr nuk \u00ebsht\u00eb vet\u00ebm nj\u00eb koleksion vargjesh, por nj\u00eb let\u00ebr e hapur q\u00eb na shp\u00ebrthen emocionet, mendimet dhe ndjenjat m\u00eb t\u00eb thella t\u00eb autorit. Me thell\u00ebsin\u00eb e tij emocionale dhe aft\u00ebsin\u00eb p\u00ebr t\u00eb p\u00ebrcjellur ndjenjat m\u00eb t\u00eb thella t\u00eb jet\u00ebs dhe identitetit, Gagik Davtyan b\u00ebn krenar let\u00ebrsin\u00eb armene dhe i dhuron lexuesit nj\u00eb thesar t\u00eb mrekulluesh\u00ebm t\u00eb poezis\u00eb. Kjo \u00ebsht\u00eb nj\u00eb p\u00ebrmledhje q\u00eb nuk duhet humbur nga dashamir\u00ebsit e poezis\u00eb dhe t\u00eb kultur\u00ebs. Si p\u00ebrkthyes i k\u00ebtyre poezive, mund t\u00eb konstatoj se nuk b\u00ebhet fjal\u00eb p\u00ebr nj\u00eb poezi t\u00eb zakonshme, si\u00e7 jemi m\u00ebsuar ta lexojm\u00eb n\u00eb koh\u00ebn e teknologjis\u00eb, madje n\u00eb nj\u00eb koh\u00eb kur ky art nuk \u00ebsht\u00eb n\u00eb dit\u00ebt m\u00eb t\u00eb mira, sidomos p\u00ebr shkak t\u00eb ndikimit q\u00eb ka shkaktuar interneti, ku kemi r\u00ebnia t\u00eb lexueshm\u00ebris\u00eb gjithandej, e sidomos t\u00eb poezis\u00eb. Di\u00e7ka tjet\u00ebr q\u00eb poashtu duhet potencuar, \u00ebsht\u00eb fakti se poeti Davtyan ka arritur q\u00eb t\u00eb kombinoj dy modele t\u00eb krijimtaris\u00eb: modelin Armen dhe modelin Rus, p\u00ebr \u00e7ka konsideroj se paraqet nj\u00eb form\u00eb t\u00eb nd\u00ebrtimit t\u00eb vargut me plot\u00eb figuarcione dhe vizione p\u00ebr fjal\u00ebn artistike, gjithnj\u00eb t\u00eb mbushur me pasion dhe dije.<\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;NJ\u00cb LET\u00cbR E HAPUR&#8221; NGA GAGIK DAVTYAN, PARAQET NJ\u00cb P\u00cbRMLEDHJE POETIKE P\u00cbRKUSHTUESE P\u00cbR SHPIRTIT KRIJUES T\u00cb SHKRIMTARIT ARMEN, I CILI KA KALUAR N\u00cbP\u00cbR SFIDA T\u00cb NDRYSHME JET\u00cbSORE. Nga Prof. Jeton Kelmendi PhD Gagik Davtyan, nj\u00eb em\u00ebr i njohur n\u00eb bot\u00ebn e poezis\u00eb, n\u00eb vendin e tij Armeni ka sjell\u00eb n\u00eb drit\u00ebn e dit\u00ebs nj\u00eb lib\u00ebr [&hellip;]<\/p>","protected":false},"author":1,"featured_media":2748,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[164],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3411"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3411"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3411\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3411"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3411"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}