{"id":3414,"date":"2023-12-06T20:07:01","date_gmt":"2023-12-06T20:07:01","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?p=2829"},"modified":"2023-12-06T20:07:01","modified_gmt":"2023-12-06T20:07:01","slug":"giuseppina-irene-groccia-itali","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/giuseppina-irene-groccia-itali\/","title":{"rendered":"Giuseppina Irene Groccia, Itali"},"content":{"rendered":"

Shqip\u00ebroi Anila Dahriu<\/em><\/p>\n

Giuseppina Irene Groccia<\/strong> ose emri n\u00eb art \u201cGiGro\u201d u lind n\u00eb Calopezzati n\u00eb provinc\u00ebn e Kozenc\u00ebs, Itali. Aktualisht jeton dhe punon n\u00eb Mirto Crosia (CS). I afrohet artit duke ndjekur nj\u00eb rrug\u00eb studimesh laboratorike, ku thellon teknikat t\u00eb ndryshme \u00a0piktoreske. Formacioni i saj tregon ndikime t\u00eb theksuara nga k\u00ebrkimet bashk\u00ebkohore. E tjerr krijimin e vet artistik si nj\u00eb mjet p\u00ebr reflektimin e vetvetes. Dimensioni introspektiv merr form\u00eb k\u00ebshtu n\u00eb gjuh\u00ebt e saja t\u00eb ndryshme shpreh\u00ebse si piktura, arti dixhital dhe fotografia, kjo e b\u00ebn \u201cGiGro\u201d nj\u00eb artiste eklektike t\u00eb aft\u00eb p\u00ebr t\u00eb krijuar nj\u00eb “transferim” emocional midis emocioneve t\u00eb veta, t\u00eb p\u00ebrkthyer n\u00eb mendime vizuale dhe perceptimit t\u00eb ndjesh\u00ebm e fryt\u00ebdh\u00ebn\u00ebs. Ka merita n\u00eb ekspozita t\u00eb shumta komb\u00ebtare dhe nd\u00ebrkomb\u00ebtare. Dy nga veprat e saja.\u201d Identiteti i t\u00eb menduarit” dhe”Psher\u00ebtim\u00eb”,jan\u00eb pjes\u00eb e koleksionit t\u00eb p\u00ebrhersh\u00ebm t\u00eb Paris Garden n\u00eb Zyrat Halkin \u2013 LOND\u00cbR Vepra \u201cMuret\u201d \u00ebsht\u00eb e pranishme n\u00eb \u201cKoleksionin e P\u00ebrhersh\u00ebm t\u00eb Artit Bashk\u00ebkohor\u201d n\u00eb Qendr\u00ebn Kulturore \u201cLa Riseria\u201d n\u00eb Novara. Vepra \u201cBlurManequin\u201d \u00ebsht\u00eb bler\u00eb nga qyteti CASAGIOVE (CASERTA), p\u00ebr koleksionin e fondit artistik komunal. Shum\u00eb prej veprave t\u00eb saja jan\u00eb pjes\u00eb e koleksioneve private n\u00eb Itali, Angli, Illinois, Florida, Louisiana, Kanada, Arkansas dhe Melburn (Australi). T\u00eb gjitha shitjet e veprave jan\u00eb t\u00eb kuruara nga galeria kryesore e artit n\u00eb internet ‘Saatchi Art’ me qend\u00ebr n\u00eb Los Angeles. N\u00eb vitin 2022 botoi MENTE OCCHI CUORE, librin e saj t\u00eb par\u00eb fotografik q\u00eb mbledh nj\u00eb p\u00ebrzgjedhje t\u00eb kujdesshme t\u00eb veprave t\u00eb saja dhe ku kompletohet mes fjal\u00ebve dhe imazheve dhe b\u00ebhet historia e saj. E fresk\u00ebt nga shtypi, n\u00eb shkurt 2023, \u00ebsht\u00eb vepra e saj e dyt\u00eb editoriale “LENS VIZIONS”. Faqe e vog\u00ebl dhe e \u00e7muar kushtuar nj\u00eb rruge eksperimentimi t\u00eb piktur\u00ebs nj\u00ebngjyr\u00ebshe t\u00eb zez\u00eb n\u00eb artin fotografik me “perla t\u00eb vogla” tekstuale brenda. Artiste dhe komunikuese entuziaste e bot\u00ebs s\u00eb artit bashk\u00ebkohor, \u00ebsht\u00eb autore e blogut “L’ArteCheMiPiace” dhe e revist\u00ebs “ContempoArte” ku publikon periodikisht artikuj, intervista dhe projekte kushtuar artit dhe kultur\u00ebs. Si Redaktore, ka redaktuar projektin e revist\u00ebs s\u00eb artit XartMagazine. Bashk\u00ebpunon me blogun Art&Investments dhe me revist\u00ebn mujore ExitUrbanMagazine.<\/p>\n

Faqja e internetit www.gigroart.com<\/a><\/p>\n

1-<\/p>\n

Fundosi kthetrat e tua
\nmidis shtresave delikate t\u00eb shpirtit \u2026
\nti, q\u00eb ende m\u00eb rr\u00ebmben frym\u00ebn.<\/p>\n

 <\/p>\n

2-<\/p>\n

M\u00eb p\u00eblqen p\u00ebrher
\nt\u00eb mendoj,
\nt\u00eb gj\u00ebndem nj\u00ebkoh\u00ebsisht
\nn\u00eb dy vende t\u00eb ndryshme
\nk\u00ebtu …
\ndhe, ku, m\u00eb “p\u00ebrciell ti”.<\/p>\n

3-<\/p>\n

M\u00eb k\u00ebrko
\nT\u00eb\u00a0 mbyllur
\nn\u00eb emocione…
\nt\u00eb thurur n\u00eb fjal\u00eb.
\nme gjej shpirtin t\u00eb
\n\u00e7liruar
\nnga \u00e7do ligj.<\/p>\n

4-<\/p>\n

Dhe, rishtazi\u00a0 vendosa pak buz\u00ebkuq
\np\u00ebr t\u00eb anashkaluar n\u00eb k\u00ebt\u00eb xhung\u00ebl
\nAsgj\u00eb t\u00eb \u00e7muar,
\nnj\u00eb mburoj\u00eb dylli
\nmes meje dhe t\u00eb v\u00ebrtetave t\u00eb pafundme
\nt\u00eb nj\u00eb pasqyre,
\n\u00cbsht\u00eb nj\u00eb humbje shum\u00ebngjyr\u00ebshe
\nk\u00ebtu midis mureve t\u00eb zemr\u00ebs.<\/p>\n

5-<\/p>\n

Nj\u00eb horizont ekstrem q\u00eb zbardh
\nz\u00eb nuk pip\u00ebtin,
\nmadje as hapat nuk ndihen,
\nMe shpier atje,
\nmes hap\u00ebsirave t\u00eb buta t\u00eb qiellit,
\nSi nj\u00eb mirazh drith\u00ebrues
\nn\u00eb prag t\u00eb nj\u00eb pritjeje…
\nP\u00ebr t’u takuar s\u00ebrish me detin
\nsepse, aty ,na pret
\nT\u00eb \u00ebnd\u00ebrrojm\u00eb nj\u00ebri-tjetrin.<\/p>\n

6-<\/p>\n

Gjurm\u00ebt e val\u00ebve n\u00eb muzg
\np\u00ebrciellin\u00a0 lutjet e\u00a0 koh\u00ebs
\n\u00cbsht\u00eb koha e per\u00ebndimit t\u00eb diellit
\navash, avash dhe memec,
\nAta, q\u00eb p\u00ebrgatisin heshtjen\u00b5
\nt\u00eb besojn\u00eb tek fati,
\nMe mund\u00ebsin\u00eb t\u00eb kthehen
\ndhe t\u00eb rr\u00ebfejn\u00eb vetveten
\nn\u00ebn streh\u00ebn e nj\u00eb p\u00ebrqafimi.<\/p>\n

P\u00ebr t\u00eb k\u00ebqyrur konturet e qiellit
\nTeksa n\u00ebp\u00ebr lutjet banojn\u00eb\u00a0 yjet.
\ndhe horizonti dhuron jehon\u00ebn e melankolis\u00eb.<\/p>\n

Do t\u00eb shkojn\u00eb t\u00eb pushojn\u00eb n\u00eb fund t\u00eb detit
\nAtje ,ku zhytet\u00a0 edhe dielli i heshtur.<\/p>\n

8-<\/p>\n

T\u00eb larg\u00ebta jan\u00eb\u00a0 dit\u00ebt
\nnd\u00ebrsa hap\u00ebm zemrat tona
\np\u00ebr t\u00eb num\u00ebruar plag\u00ebt e b\u00ebra,
\nTashm\u00eb e humbur \u00ebsht\u00eb magjia,
\nmes lumenjwve t\u00eb rinj\u00eb p\u00ebr t’u eksploruar
\n\u00ebsht\u00eb nj\u00eb daulle e shurdh\u00ebt.
\nkjo rrahje zemre q\u00eb nuk mund t\u00eb hesht\u00eb.
\nr\u00ebket e kripura rrjedhin mbi shtret\u00ebr
\ndikur fole p\u00ebrk\u00ebdheljesh.
\nJa ku jam, spektatore e heshtur
\ntw turbullimeve t\u00eb mia melankolike.
\nAty ku mbarojn\u00eb kufijt\u00eb e mi,
\nmb\u00ebrrijn\u00eb shk\u00ebputjet
\ne pavet\u00ebdijsh\u00ebme dhe robin\u00eb,
\nun\u00eb korr frytet e brisht\u00ebsis\u00eb sime.
\nN\u00eb pasqyr\u00ebn refleks t\u00eb \u00e7do shpirti
\nk\u00ebrkojm\u00eb dhe gjejm\u00eb
\nnj\u00eb sh\u00ebmb\u00ebllim p\u00ebr t\u00eb p\u00ebrk\u00ebdhelur
\nnj\u00eb\u00a0 frymim \u00eb njohur…
\ndhe,m\u00eb von\u00eb\u00a0 e l\u00ebm\u00eb t\u00eb iki.<\/p>\n

9—<\/p>\n

Z\u00ebrat e thellshme
\nAtje, n\u00eb gjysm\u00ebn tjet\u00ebr
\nt\u00eb shpirtit tim,
\ntek frymojn\u00eb heshtjet
\nsi pluhuri
\np\u00ebr t\u00eb gdhendur \u00ebndrrat..
\np\u00ebr t\u00eb skalitur premtime t\u00eb kota
\ntek p\u00ebrfundojn\u00eb duke t\u00eb hutuar
\nn\u00eb buz\u00eb t\u00eb nj\u00eb pafund\u00ebsie
\nduke u\u00a0 zhdukur m\u00eb n\u00eb fund
\nn\u00eb cop\u00ebza t\u00eb vogla.<\/p>\n

10—<\/p>\n

Ndodh gjithcka
\nn\u00eb nj\u00eb koh\u00eb\u00a0 pezull
\nmadje edhe sh\u00ebrimi
\nnga kujtime t\u00eb gabuara…
\nDuke p\u00ebrtypur
\nn\u00ebn z\u00eb,
\nt\u00eb pakuptueshme
\nzinxhir\u00ebt e dashuris\u00eb…
\npa asnj\u00eb\u00a0 brazd\u00eb.<\/p>\n

pa asnj\u00eb q\u00ebllim
\nIshte thjesht nj\u00eb trill.
\np\u00ebr t\u00eb \u00e7muar momentet.<\/p>\n

 <\/p>\n

11—<\/p>\n

Nuk gjendet asnj\u00eb\u00a0 vend para reve…
\nL\u00ebrm\u00eb t\u00eb g\u00eblltis\u00eb qiellin<\/p>\n

K\u00cbTU…
\nn\u00eb nj\u00eb koncert t\u00eb pafund humoresh.
\nM\u00eb lejo t’i shkruaj t\u00eb gjitha mbi goj\u00ebn e twnde,
\nnj\u00eb mij\u00eb sh\u00ebnime t\u00eb vogla
\nt\u00eb shp\u00ebrndara mes buzwe tw tua.<\/p>\n

P\u00ebr t’i rigjetur p\u00ebrs\u00ebri,
\ns\u00ebbashku n\u00eb nj\u00eb mij\u00eb udh\u00ebtime t\u00eb tjera .<\/p>\n

\"\"<\/p>\n

Art by\u00a0Giuseppina Irene Groccia<\/strong><\/p>\n

Poezi \u00a0shk\u00ebputur nga libri Mendja, Syt\u00eb dhe Zemra\u00a0<\/strong>nga Giuseppina Irene Groccia<\/strong><\/p>\n

Giuseppina Irene Groccia krijon dhe kompozon k\u00ebt\u00eb lib\u00ebr duke ndjer\u00eb nevoj\u00ebn p\u00ebr t\u00eb shprehur shpirtin e saj artistik duke thyer barrierat dhe duke lidhur drejtp\u00ebrdrejt fjal\u00ebn, imazhin, mendimin krijues.<\/p>\n

Shkruan Alessandro Binotti, President dhe Drejtor Artistik i qendr\u00ebs kulturore La Riseria n\u00eb Novara\u00a0 i cili \u00ebsht\u00eb autori i hyrjes s\u00eb librit \u201cMente, Occhi, Cuore.\u201d<\/p>\n

T\u00eb kesh n\u00eb duar 52 faqet e k\u00ebtij libri ishte nj\u00eb k\u00ebnaq\u00ebsi e madhe, madje dhe fizike, sepse \u00ebsht\u00eb nj\u00eb xhevahir i v\u00ebrtet\u00eb q\u00eb duket se \u00ebsht\u00eb krijuar nga nj\u00eb zonj\u00eb e fundit t\u00eb Rilindjes.<\/p>\n

“Mendja, syt\u00eb, zemra”, d.m.th. inteligjenca dhe kultura, v\u00ebshtrimi mbi bot\u00ebn, ndjenjat, emocionet, pra njeriu n\u00eb t\u00ebr\u00ebsin\u00eb e vet, jan\u00eb nj\u00eb qasje ndaj sublimes s\u00eb jet\u00ebs, n\u00eb t\u00eb v\u00ebrtet\u00eb, si\u00e7 v\u00ebren Alessandro Binotti, “Nj\u00eb intimitet dhe aq pasionante. Rrug\u00ebtim q\u00eb autoria e v\u00eb n\u00eb sken\u00eb me mjesht\u00ebri absolute por edhe me hij\u00ebsi e eleganc\u00eb e natyrshm\u00ebri spontane\u201d.<\/p>\n

Binotti p\u00ebrdor fjal\u00ebn sken\u00eb, dhe \u00ebsht\u00eb e v\u00ebrtet\u00eb, libri shpaloset si sekuenca kinematografike dhe kap dhe p\u00ebrfshin sepse Giuseppina nuk ka anashkaluar asgj\u00eb dhe “efektet” nuk jan\u00eb vet\u00ebm momente teknike, por “instalime” t\u00eb v\u00ebrteta p\u00ebr t\u00eb organizuar nj\u00eb spetak\u00ebl q\u00eb ka aft\u00ebsin\u00eb p\u00ebr t\u00eb p\u00ebrcjell\u00eb mesazhe t\u00eb bukuris\u00eb, poezis\u00eb, dashuris\u00eb.<\/p>\n

Sensualiteti i imazheve \u00ebsht\u00eb i nj\u00eb \u00ebmb\u00eblsie t\u00eb pafundme; ato jan\u00eb fytyra, buz\u00eb, flok\u00eb, l\u00ebvizje q\u00eb ndezin shpirtin me shije dhe \u00e7ojn\u00eb n\u00eb konsiderata but\u00ebsie, ajo but\u00ebsi q\u00eb n\u00eb sh\u00ebnimet e Giuseppin\u00ebs b\u00ebhet prekje simfonie: “Jemi t\u00eb kufizuar \/ n\u00eb ngroht\u00ebsin\u00eb e mureve \/ t\u00eb ndaluar \/ n\u00eb nj\u00eb univers t\u00eb izoluar \/ dhe i zbritur \/ nga dit\u00ebt e qarta t\u00eb jet\u00ebs”.<\/p>\n

\u00cbsht\u00eb vet\u00ebm nj\u00eb shembull p\u00ebr t\u00eb kuptuar se jemi \u201ct\u00eb zbritur n\u00eb \u00e7do moment t\u00eb jet\u00ebs\/ku gjej or\u00ebt e mia\u201d.<\/p>\n

Me pak fjal\u00eb, hyrja n\u00eb k\u00ebt\u00eb lib\u00ebr \u00ebsht\u00eb si t\u00eb hysh n\u00eb nj\u00eb magji situatash q\u00eb shfaqen dhe ikin larg p\u00ebr t\u00eb ndjekur \u00ebndrrat q\u00eb hapen me \u00e7do imazh, me \u00e7do fjal\u00eb. Nuk \u00ebsht\u00eb rast\u00ebsi q\u00eb autoria b\u00ebn nj\u00eb thirrje urdh\u00ebruese: \u201cM\u00eb k\u00ebrko \/ i mbyllur \/ n\u00eb emocione \/ fjal\u00eb t\u00eb b\u00ebra … \/ gjeje shpirtin tim \/ t\u00eb \u00e7liruar \/ nga \u00e7do ligj\u201d.<\/p>\n

Emocione q\u00eb i ndjeva si l\u00ebkundje, duke par\u00eb n\u00eb p\u00ebrgjith\u00ebsi nj\u00eb shqet\u00ebsim q\u00eb na b\u00ebn t\u00eb kuptojm\u00eb se sa shum\u00eb jet\u00eb ka pas saj, sa impulse nuk kan\u00eb marr\u00eb rrug\u00ebn e duhur dhe jan\u00eb mbytur n\u00eb paqart\u00ebsi.<\/p>\n

Jam i sigurt se rruga e Giuseppin\u00ebs \u00ebsht\u00eb e hapur dhe e gjer\u00eb, si\u00e7 thot\u00eb Piero Bargellini, dhe do ta shohim n\u00eb vepra t\u00eb tjera n\u00eb plot\u00ebsin\u00eb e saj, n\u00eb ashp\u00ebrsin\u00eb e saj stilistike, n\u00eb d\u00ebshir\u00ebn e saj t\u00eb pangopur p\u00ebr t\u00eb kapur misterin.<\/p>\n

Po, me mendje, me sy dhe me zem\u00ebr.<\/p>\n

\u00a0Dante Maffia (shkrimtar, poet kandidat p\u00ebr premio Nobel)<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Shqip\u00ebroi Anila Dahriu Giuseppina Irene Groccia ose emri n\u00eb art \u201cGiGro\u201d u lind n\u00eb Calopezzati n\u00eb provinc\u00ebn e Kozenc\u00ebs, Itali. Aktualisht jeton dhe punon n\u00eb Mirto Crosia (CS). I afrohet artit duke ndjekur nj\u00eb rrug\u00eb studimesh laboratorike, ku thellon teknikat t\u00eb ndryshme \u00a0piktoreske. Formacioni i saj tregon ndikime t\u00eb theksuara nga k\u00ebrkimet bashk\u00ebkohore. E tjerr […]<\/p>","protected":false},"author":1,"featured_media":2830,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[166,174],"tags":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3414"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=3414"}],"version-history":[{"count":0,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/3414\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/2830"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=3414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=3414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=3414"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=3414"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=3414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}