{"id":5540,"date":"2025-08-02T12:21:04","date_gmt":"2025-08-02T12:21:04","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?p=5540"},"modified":"2025-08-02T12:57:08","modified_gmt":"2025-08-02T12:57:08","slug":"nga-costantino-bellusci-rosanna-servidio-parathenie-nga-dante-maffia","status":"publish","type":"post","link":"https:\/\/www.iwabogdani.org\/sq\/nga-costantino-bellusci-rosanna-servidio-parathenie-nga-dante-maffia\/","title":{"rendered":"Nga Costantino Bellusci & Rosanna Servidio Parath\u00ebnie nga Dante Maffia"},"content":{"rendered":"

Ish nj\u00eb gher\u00eb\/her\u00eb\u2026<\/strong><\/p>\n

C\u2019era una volta\u2026<\/p>\n

Nga Costantino Bellusci & Rosanna Servidio<\/strong>
\nParath\u00ebnie nga Dante Maffia<\/strong><\/p>\n

Trash\u00ebgimia gojore e arb\u00ebresh\u00ebve \u00ebsht\u00eb nj\u00eb thesar i rrall\u00eb, i mbijetuar p\u00ebrmes brezash q\u00eb i kan\u00eb ruajtur fjal\u00ebt si amanet shpirt\u00ebror. P\u00ebrrallat, legjendat, fjal\u00ebt e urta, jan\u00eb rr\u00ebfime q\u00eb kap\u00ebrcejn\u00eb koh\u00ebt dhe na ndihmojn\u00eb t\u00eb kuptojm\u00eb thell\u00ebsin\u00eb e bot\u00ebs shpirt\u00ebrore e kulturore t\u00eb nj\u00eb komuniteti t\u00eb vog\u00ebl, por t\u00eb madh n\u00eb shpirt. P\u00ebrrallat q\u00eb paraqiten n\u00eb k\u00ebt\u00eb p\u00ebrmbledhje jan\u00eb rr\u00ebfime t\u00eb mbledhura nga tradita e Platacit dhe San Giorgio Albanese, t\u00eb shkruara n\u00eb gjuh\u00ebn arb\u00ebreshe me besnik\u00ebri ndaj form\u00ebs origjinale t\u00eb rr\u00ebfimit.<\/p>\n

K\u00ebto rr\u00ebfime p\u00ebr\u00e7ojn\u00eb nj\u00eb urt\u00ebsi t\u00eb vjet\u00ebr, nj\u00eb m\u00ebnyr\u00eb t\u00eb t\u00eb menduarit q\u00eb shpesh i mungon bot\u00ebs moderne \u2013 ku p\u00ebrmes kafsh\u00ebve q\u00eb flasin, flet\u00ebve t\u00eb preshit q\u00eb b\u00ebhen ur\u00eb mes jet\u00ebs e vdekjes, e vajzave t\u00eb braktisura q\u00eb shnd\u00ebrrohen n\u00eb zonja, kuptojm\u00eb sesi mitet nd\u00ebrtojn\u00eb etik\u00ebn e nj\u00eb shoq\u00ebrie. Kjo trash\u00ebgimi nuk \u00ebsht\u00eb vet\u00ebm art, \u00ebsht\u00eb identitet. \u00cbsht\u00eb m\u00ebnyra se si nj\u00eb popull ruan rr\u00ebnj\u00ebt e tij p\u00ebrmes z\u00ebrit.<\/p>\n

Duke i sjell\u00eb n\u00eb drit\u00eb k\u00ebto rr\u00ebfime, ruajm\u00eb gjall\u00eb gjuh\u00ebn, kultur\u00ebn dhe shpirtin e nj\u00eb bote q\u00eb meriton t\u00eb d\u00ebgjohet edhe sot.<\/p>\n

Anila Dahriu<\/strong><\/p>\n

Hyrje nga autor\u00ebt<\/strong><\/p>\n

P\u00ebr komunitetin ton\u00eb, me dashuri<\/strong><\/p>\n

Popullit t\u00eb Platacit dhe t\u00eb Sh\u00ebn Gjergjit Arb\u00ebresh,
\nnjer\u00ebz t\u00eb mir\u00eb, krenar\u00eb dhe t\u00eb sjellsh\u00ebm,
\nkjo dhurat\u00eb e \u00e7muar dhe e ve\u00e7ant\u00eb,
\nqoft\u00eb p\u00ebr t\u00eb ruajtur identitetin ton\u00eb
\ngjuh\u00ebsor dhe kulturor.<\/p>\n

 <\/p>\n

Costantino Bellusci \u2013 Rosanna\u00a0<\/strong>Served<\/b><\/p>\n

Q\u00ebllimi i k\u00ebtij botimi \u00ebsht\u00eb t\u00eb ruajm\u00eb trash\u00ebgimin\u00eb gojore t\u00eb komunitetit ton\u00eb arb\u00ebresh: rr\u00ebfime, p\u00ebrralla dhe legjenda q\u00eb kalonin brez pas brezi n\u00eb m\u00ebnyr\u00eb gojore dhe q\u00eb sot rrezikojn\u00eb t\u00eb zhduken me koh\u00ebn. Gjuha \u00ebsht\u00eb nj\u00eb mjet themelor i identitetit kulturor, dhe mbrojtja e saj do t\u00eb thot\u00eb t\u00eb ruash kujtes\u00ebn kolektive dhe shpirtin e nj\u00eb populli.<\/p>\n

P\u00ebrrallat nuk jan\u00eb thjesht tregime p\u00ebr f\u00ebmij\u00eb: ato jan\u00eb metafora t\u00eb jet\u00ebs, ku p\u00ebrballen e mira dhe e keqja, fati dhe liria, vdekja dhe shpresa. Personazhet \u2013 princa, princesha, kafsh\u00eb q\u00eb flasin, vajza t\u00eb braktisura q\u00eb triumfojn\u00eb \u2013 na udh\u00ebheqin p\u00ebrmes nj\u00eb bote simbolike q\u00eb ka formuar nd\u00ebrgjegjen e brezave.<\/p>\n

Ne kemi p\u00ebrpjekur t\u00eb shkruajm\u00eb me p\u00ebrpik\u00ebri tregimet e d\u00ebgjuara gjat\u00eb viteve nga t\u00eb moshuar dhe t\u00eb af\u00ebrm t\u00eb komuniteteve t\u00eb Platacit dhe Sh\u00ebn Gjergjit, duke ruajtur leksikun origjinal arb\u00ebresh dhe duke i shoq\u00ebruar me p\u00ebrkthim n\u00eb italisht. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, bukuria e rr\u00ebfimit nuk humbet, por ndahet.<\/p>\n

Kultura arb\u00ebreshe ka ende shum\u00eb p\u00ebr t\u00eb dh\u00ebn\u00eb, jo vet\u00ebm p\u00ebr brezat e rinj t\u00eb komuniteteve tona, por edhe p\u00ebr t\u00eb gjith\u00eb ata q\u00eb d\u00ebshirojn\u00eb t\u00eb kuptojn\u00eb pasurin\u00eb e pakicave gjuh\u00ebsore dhe shpirt\u00ebrore t\u00eb Italis\u00eb.<\/p>\n

Bashk\u00ebfshatar\u00ebve tan\u00eb, njer\u00ebzve tan\u00eb t\u00eb thjesht\u00eb dhe fisnik\u00eb, ia ofrojm\u00eb k\u00ebt\u00eb vep\u00ebr si nj\u00eb dhurat\u00eb dashurie p\u00ebr tok\u00ebn ton\u00eb, gjuh\u00ebn ton\u00eb dhe kujtes\u00ebn ton\u00eb.<\/p>\n

gjuha, fjala, tregimi q\u00eb mbart m\u00eb shum\u00eb se sa fjali: mbart shpirtin e nj\u00eb populli.<\/p>\n

Parath\u00ebnie nga Dante Maffia \u2013 P\u00ebrrallat, kujtesa e nj\u00eb populli<\/strong><\/p>\n

Sa her\u00eb q\u00eb m\u00eb ndodh t\u00eb merrem me p\u00ebrralla ose legjenda, kam gjithmon\u00eb ndjesin\u00eb se po lundroj n\u00eb uj\u00ebra t\u00eb turbullta ose n\u00eb thell\u00ebsi t\u00eb detit.<\/p>\n

Q\u00eb kur pata mund\u00ebsin\u00eb t\u00eb kuptoj se \u201cLo cunto de li cunti\u201d<\/em>, dometh\u00ebn\u00eb \u201cshkrehja e picirrel\u00ebve\u201d<\/em>, nga Giambattista Basile \u00ebsht\u00eb pla\u00e7kitur, t\u00eb pakt\u00ebn k\u00ebshtu thuhet, nga V\u00ebllez\u00ebrit Grimm dhe Andersen, kam gjithmon\u00eb frik\u00eb t\u00eb mos humbas orientimin dhe p\u00ebr k\u00ebt\u00eb arsye t\u00eb b\u00ebj ndonj\u00eb pohim t\u00eb gabuar, sepse \u00ebsht\u00eb p\u00ebrhapur ideja se p\u00ebrrallat jan\u00eb shpikje t\u00eb autor\u00ebve t\u00eb famsh\u00ebm, nd\u00ebrsa tregimet jan\u00eb histori q\u00eb gjithmon\u00eb kan\u00eb qarkulluar n\u00eb imagjinat\u00ebn kolektive dhe jan\u00eb shkrir\u00eb me besimet popullore, edhe n\u00ebse me ndryshime ndonj\u00ebher\u00eb t\u00eb m\u00ebdha e ndonj\u00ebher\u00eb pothuajse t\u00eb padukshme.<\/p>\n

Fatmir\u00ebsisht, k\u00ebt\u00eb her\u00eb nuk m\u00eb k\u00ebrkohet t\u00eb b\u00ebj nj\u00eb diskutim historik apo filologjik, por m\u00eb \u00ebsht\u00eb besuar nj\u00eb nism\u00eb me t\u00eb cil\u00ebn jam plot\u00ebsisht dakord si p\u00ebr q\u00ebllimet ashtu edhe p\u00ebr synimet. Ta themi me fjal\u00ebt e Corrado Alvaro-s, ajo p\u00ebr t\u00eb ruajtur sa m\u00eb shum\u00eb kujtime q\u00eb t\u00eb jet\u00eb e mundur, p\u00ebr t\u00eb shmangur q\u00eb gjith\u00e7ka t\u00eb bjer\u00eb n\u00eb harres\u00eb, n\u00eb heshtje t\u00eb plot\u00eb.<\/p>\n

Prandaj kan\u00eb b\u00ebr\u00eb mir\u00eb Costantino Bellusci dhe Rosanna Servidio q\u00eb kan\u00eb mbledhur dhe transkriptuar p\u00ebrralla, tregime, legjenda n\u00eb gjuh\u00ebn shqipe dhe m\u00eb pas i kan\u00eb p\u00ebrkthyer n\u00eb italisht, n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb mbetet burimi i nj\u00eb realiteti dhe i nj\u00eb tradite prej nga jan\u00eb ushqyer breza f\u00ebmij\u00ebsh q\u00eb menj\u00ebher\u00eb kan\u00eb ndjer\u00eb magjin\u00eb dhe kan\u00eb nxjerr\u00eb dobi t\u00eb ndryshme prej saj.<\/p>\n

T\u00eb shmangim k\u00ebrkimin e prototipeve t\u00eb materialit t\u00eb mbledhur, neve na p\u00eblqen t\u00eb vler\u00ebsojm\u00eb faqet e \u00e7muara q\u00eb na ofrohen dhe t\u00eb risjellim n\u00eb kujtes\u00eb momentet e f\u00ebmij\u00ebris\u00eb son\u00eb p\u00ebrmes skenave t\u00eb shumta t\u00eb treguara k\u00ebtu, t\u00eb cilat na kthejn\u00eb te nj\u00eb oralitet tashm\u00eb i zhdukur, por q\u00eb dinte t\u00eb mbante t\u00eb lidhur kujtes\u00ebn gojore.<\/p>\n

Ngjarjet e kafsh\u00ebve t\u00eb ndryshme \u2013 p\u00ebr t\u00eb njohur natyr\u00ebn e p\u00ebrrall\u00ebs, mjafton t\u00eb v\u00ebrehet n\u00ebse protagonist\u00ebt jan\u00eb kafsh\u00eb, si\u00e7 \u00ebsht\u00eb m\u00ebsuar nga Ezopi, Fedri, La Fontaine e Rodari. N\u00ebse k\u00ebto tregime jan\u00eb shpikur shekuj m\u00eb par\u00eb, \u00ebsht\u00eb nj\u00eb fakt relativ p\u00ebr ne q\u00eb k\u00ebtu duam thjesht t\u00eb dokumentojm\u00eb pasurin\u00eb e nj\u00eb tradite gjithmon\u00eb t\u00eb vlefshme dhe t\u00eb mbushur me kuptime, madje edhe morale.<\/p>\n

Nj\u00eb shembull, p\u00ebrralla e gjarprit q\u00eb lirohet nga nj\u00eb i mir\u00eb, ka epilogun e vet n\u00eb rikthimin n\u00eb gjendjen fillestare nga e cila nis historia; ashtu si edhe t\u00eb tjerat kan\u00eb thelbin e nj\u00eb q\u00ebndrimi moral q\u00eb nuk ka munguar kurr\u00eb n\u00eb vizionin e familjeve t\u00eb vjetra, t\u00eb cilat ia transmetonin nga brezi n\u00eb brez.<\/p>\n

Leximi ose rr\u00ebfimet nuk ishin kurr\u00eb vet\u00ebm gjeste k\u00ebnaq\u00ebsie, por kishin edhe momente meditimi dhe edukimi ndaj bukuris\u00eb dhe vlerave t\u00eb familjes, shoq\u00ebris\u00eb dhe Zotit. \u00cbsht\u00eb e nevojshme t\u00eb theksohet p\u00ebrkushtimi i t\u00eb dy p\u00ebrkujdes\u00ebsve q\u00eb nuk e kan\u00eb transmetuar verb\u00ebrisht angazhimin e tyre nga goj\u00ebdh\u00ebnat n\u00eb shkrim, ngjarjet q\u00eb qarkullonin n\u00eb aj\u00ebr dhe ishin pran\u00eb harrimit.<\/p>\n

Si Bellusci ashtu edhe Servidio kan\u00eb dh\u00ebn\u00eb versione t\u00eb p\u00ebrsosura duke u kujdesur t\u00eb sjellin faktet n\u00eb nj\u00eb aur\u00eb delikate letrare q\u00eb i jep \u00e7do faqeje nj\u00eb shprehshm\u00ebri, do t\u00eb thoja t\u00eb shenjt\u00eb, sidoqoft\u00eb t\u00eb ngroht\u00eb dhe t\u00eb k\u00ebndshme, dhe ende t\u00eb mbushur me emocione.<\/p>\n

Nuk ishte e leht\u00eb, nuk \u00ebsht\u00eb kurr\u00eb e leht\u00eb t\u00eb risjell\u00ebsh at\u00eb q\u00eb prej shekujsh \u00ebsht\u00eb rip\u00ebrseritur para oxhakut n\u00eb mbr\u00ebmjet e dimrit dhe \u00ebsht\u00eb b\u00ebr\u00eb vend i zakonsh\u00ebm. Costantino dhe Rosanna kan\u00eb pasur ndjeshm\u00ebrin\u00eb e mas\u00ebs, t\u00eb atij m\u00ebsimi t\u00eb famsh\u00ebm t\u00eb shkrimtar\u00ebve dhe poet\u00ebve t\u00eb m\u00ebdhenj grek\u00eb q\u00eb nuk e shp\u00ebrdoronin kurr\u00eb nj\u00eb fjal\u00eb, nuk e ngarkonin kurr\u00eb shprehjen me gj\u00ebra t\u00eb tep\u00ebrta.<\/p>\n

Kur familjet mblidheshin p\u00ebrpara oxhakut p\u00ebr t\u00eb d\u00ebgjuar rr\u00ebfimet, zakonisht ishte gjyshi ose ndonj\u00ebher\u00eb gjyshja q\u00eb udh\u00ebhiqte tregimin, dhe ndihej nj\u00eb interes i p\u00ebrbashk\u00ebt, ndaj ishte bukur dhe mbres\u00ebl\u00ebn\u00ebse t\u00eb d\u00ebgjoje t\u00eb moshuarit q\u00eb arrinin ta lidhin auditorin me di\u00e7ka t\u00eb pap\u00ebrcaktueshme. Pauzat e tyre p\u00ebrjetoheshin me ankth, dhe arrihej t\u00eb mb\u00ebshtetej me gjith\u00eb zem\u00ebr nj\u00eb personazh apo nj\u00eb kafsh\u00eb me nj\u00eb ndjenj\u00eb t\u00eb fort\u00eb pjes\u00ebmarrjeje.<\/p>\n

Nj\u00eb her\u00eb nj\u00eb burr\u00eb kishte martuar nj\u00eb grua arb\u00ebreshe dhe k\u00ebshtu isha edhe un\u00eb d\u00ebshmitar, n\u00eb Plataci dhe n\u00eb lagjen e Fontana Ficara, p\u00ebr episode q\u00eb m\u00eb kan\u00eb p\u00ebrfshir\u00eb n\u00eb d\u00ebgjimin e tregimeve q\u00eb gjyshja e gruas sime ndonj\u00ebher\u00eb i thurte me nj\u00eb hir dhe nj\u00eb fines\u00eb t\u00eb till\u00eb saq\u00eb arrinte, n\u00eb q\u00ebllimin e saj, t\u2019i b\u00ebnte t\u00eb besueshme edhe gj\u00ebrat m\u00eb t\u00eb pabesueshme. Auditori ishte gjithmon\u00eb i elektrizuar. Ato pranira t\u00eb shpikura kishin forc\u00ebn t\u00eb b\u00ebheshin s\u00ebrish krijesa t\u00eb gjalla, pjes\u00eb e p\u00ebrditshm\u00ebris\u00eb.<\/p>\n

Aspekti tjet\u00ebr ishte se pas tregimeve lindnin diskutime t\u00eb gjata dhe ishte e \u00e7uditshme, do t\u00eb thoja e pabesueshme, q\u00eb disa nga t\u00eb pranishmit rreshtoheshin n\u00eb an\u00ebn e palogjikshm\u00ebris\u00eb, pra, n\u00eb an\u00ebn e protagonist\u00ebve t\u00eb p\u00ebrrallave, n\u00eb an\u00ebn e atyre q\u00eb kishin turpin m\u00eb t\u00eb madh dhe d\u00ebshironin t\u00eb keqen e tjetrit.<\/p>\n

Fuqia e p\u00ebrrallave ka qen\u00eb gjithmon\u00eb shum\u00eb irracionale. Magjia e tyre q\u00ebndron edhe n\u00eb k\u00ebt\u00eb palogjikshm\u00ebri misterioze q\u00eb pretendon, ndonj\u00ebher\u00eb, t\u00eb jet\u00eb e v\u00ebrtet\u00eb. Nuk \u00ebsht\u00eb rast\u00ebsi q\u00eb shpirti njer\u00ebzor \u00ebsht\u00eb krahasuar, n\u00ebse nuk gaboj, nga Marcel Proust, me paradokset dhe skenat sureale t\u00eb p\u00ebrrallave apo legjendave.<\/p>\n

Kthehem k\u00ebshtu p\u00ebr t\u00eb lavd\u00ebruar dy p\u00ebrkujdes\u00ebsit p\u00ebr dashurin\u00eb me t\u00eb cil\u00ebn iu p\u00ebrkushtuan pun\u00ebs dhe p\u00ebr durimin (mjafton t\u00eb hidhet nj\u00eb v\u00ebshtrim n\u00eb aparatin kritik shkencor t\u00eb ofruar) n\u00eb t\u00eb cilin kam gjetur edhe emra personash t\u00eb njohur p\u00ebr mua, nd\u00ebr ta Luca Perrone, q\u00eb ka qen\u00eb m\u00ebsuesi im i fr\u00ebngjishtes n\u00eb shkoll\u00ebn e mesme n\u00eb Trebisacce.<\/p>\n

Libra t\u00eb k\u00ebtij lloji duhet t\u00eb lindin vazhdimisht p\u00ebr t\u00eb ruajtur trash\u00ebgimin\u00eb e traditave dhe t\u00eb kujtes\u00ebs, p\u00ebrndryshe do t\u00eb arrijm\u00eb n\u00eb nj\u00eb pik\u00eb ku nuk do t\u00eb dim\u00eb m\u00eb nga vijm\u00eb. Dhe t\u00eb mos dish nga vjen, nuk t\u00eb ndihmon t\u00eb dish ku po shkon.<\/p>\n

Zoti Ferdinand<\/em>\u00a0<\/em><\/strong><\/h1>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Z\u00f2ti Ferdinand nga men\u00e0t mirr k\u00e0lin e v\u00e8nej tek tenim\u00e8ndet, v\u00e8ni ka Kop\u00e0qi,\u00a0 kur n\u00ebn nj\u00eb l\u00ecsi gjegji nj\u00eb vashar\u00e8le \u00e7\u00eb q\u00e0nej, pund\u00e0rti kalin e i tha: Bilar\u00e9, pse qan? <\/em><\/p>\n

– Eh, zoti bul\u00e0, mua m\u00eb vdiq m\u00ebma e t\u00e0ta m\u00f9ar nj\u00eb mag\u00e0r\u00eb; \u2018ng\u00eb m\u2019 do gj\u00eb ka shp\u00eca, \u2018ng\u00eb m\u2019 jep mang\u00f9 t\u2019 gha! A\u00ed u vu njet\u00ebr gher\u00eb te k\u00e0li e u pr\u00f9ar ka shp\u00eca e i tha Fillom\u00ecn\u00ebs: <\/em><\/p>\n

– Ndreq\u00ebm gj\u00eb t\u2019 gha se kam ja s\u00ecell nj\u00eb vashar\u00e8le \u00e7\u2019 \u00ebsht\u00eb e vdes \u00f9ri. Zonj\u00eb Xhem\u00eb, e shoqa, kur e pa t\u2019shoqin \u00e7\u2019u pr\u00f9ar ka shpia tha: Pse u pr\u00f2ra, a\u00ed i tha at\u00eb \u00e7\u2019 kish par. <\/em><\/p>\n

– \u00cbgh, \u00ebgh, ec i jip t\u2019 ngr\u00ebn\u00eb as\u00e1na vashar\u00e8le. Dit\u00ebn d\u00f2pu, shkoj njet\u00ebr gher\u00eb at\u00e8na e aj\u00f3 vash\u00ebz ish njet\u00ebr gher\u00eb n\u00ebn at\u00ecna lis. A\u00ed u kallar, tha: <\/em><\/p>\n

– Gjegj k\u00ebt\u00fa, bilar\u00e9, nga me m\u00f9a; ngit e rri me m\u00f9a ka shp\u00eca \u00ecme. Aj\u00f3 v\u00e0te; oj zonja Xhem\u00eb \u00e7\u2019ish kutjend, pse aj\u00f3 kish nj\u00eb bir ganj\u00fan, ma i n\u00ebmri \u2018ng ish f\u00e0re i urt! Don Ferdin\u00e0ndi ngad\u00ecta i th\u00f2ni t\u2019 b\u00ecrit:<\/em><\/p>\n

– Ka t\u2019 vi\u00e7 me m\u00f9a te petkrat, ka t\u2019 m\u00ebs\u00f2ghe\u00e7 at\u00eb \u00e7\u00eb ka t\u2019 b\u00eb\u00e7. A\u00ed fj\u00ebnej e me t\u2019jatit \u2018ng\u00eb v\u00e8ni. Nj\u00eb men\u00e0t, di menat, tre men\u00e0t, Bel\u00ecna i tha: <\/em><\/p>\n

– Z\u00f2ti bul\u00e1, v\u00ecnj u me ti; m\u00ebs\u00f3m m\u00f9a. Ngad\u00ecta Bel\u00ecna v\u00e8nej me Don Ferdinandin e e m\u00ebs\u00f3j at\u00e8 \u00e7\u2019 kish t\u2019 b\u00ebnej. Z\u00f2ti Ferdinand u smur e e shoqa q\u00e0nej, thonej. <\/em><\/p>\n

– \u00c7\u2019 kam b\u00ebmi nan\u00ed, ki bir im \u2018ng\u00eb vlen faregj\u00eb; nan\u00ec nd\u00eb vdes ki na vd\u00e8smi ur. Don Ferdinandin th\u00ebrr\u00edti Bel\u00ecn\u00ebn e tha: <\/em><\/p>\n

– Gjegj k\u00ebtu, ti ka t\u2019e mart\u00f2\u00e7 t\u2019im bir; \u2018ng \u00eb gj\u00eb i urt, per\u00f2 \u00ebsht\u00eb nj\u00eb ganj\u00fan i mir\u00eb e t\u2019 mban zonj\u00eb. Aj\u00f3 e mart\u00f3j. Bel\u00ecna nga ment v\u00ebghej mbi k\u00e0lin e venej te p\u00e8tku. Guall\u00e0net i sht\u00ecen nj\u00eb vjersh e i th\u00f2jin: <\/em><\/p>\n

– Zonja Bel\u00ecn\u00eb te k\u00e0li vet e ka shp\u00eca \u00e7\u00f2tit s\u00f2lldet ja sill alla v\u00ebrt\u00e8t\u00eb. Ajo risp\u00ebnd\u00f2ni: <\/em><\/p>\n

– A\u00ed \u00e7ot \u00ebsht\u00eb im shoq, ma u gha e ju rrini pa ngr\u00ebn\u00eb.<\/em><\/p>\n

E j\u00ebma e sh\u00ebn Pj\u00e8trit<\/em><\/h1>\n

\u00a0<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ish nj\u2019 gr\u00f9a \u00e7\u00eb n\u00ebng sht\u00edj ujit m\u2019 dert. Nj\u2019 dit\u00eb ish e l\u00e0nej l\u00e0krat ka l\u00f9mi e \u00f9jit i m\u00f9ar nj\u2019 flet pr\u00e8shi. Po t\u2019a z\u00ebj, ma ujit a q\u00e8lli hj\u00ecm\u00ebz. E aj\u00f3: <\/em><\/p>\n

– Vaft p\u00ebr shp\u00ecrtin t\u2019im. Kur vdiq, Z\u00f2ti Krisht a targ\u00f3j nd\u2019 pist. Sh\u00ebn Pj\u00e8tri kish h\u00e8l\u00ebm e l\u00f9ti Z\u00f2tin Kr\u00ecsht t\u2019 a nxir j\u00ebm\u00ebn ka p\u00ecsa. Inzot i tha: <\/em><\/p>\n

– Aj\u00f3 ka vet nj\u2019 flet pr\u00e8shi e atj\u00e9 ka t\u2019 ngj\u00ectet, b\u00e8lu b\u00e8lu, se nd\u2019 u kp\u00f9ftit fl\u00e8ta, s\u2019 m\u00ebnd dal m\u00eb. Sh\u00ebn Pj\u00e8tri m\u00f9ar flet\u00ebn e vat ka j\u00ebma e i tha: <\/em><\/p>\n

– Inz\u00f3t m\u2019 b\u00ebri graxjan, ngj\u00ectu b\u00e8lu b\u00e8lu se nd\u2019 kp\u00f9tet fl\u00e8ta, s\u2019 kam m\u00eb \u00e7\u00eb t\u00eb t\u2019 b\u00ebnj. E kall\u00e0rti flet\u00ebn. A j\u00ebma z\u00e8sku e u ngjit. Kur arriv\u00f3j nd\u2019 mest flets, u ardin\u00f9a se m\u00eb tj\u00e8ra i kishan z\u00ebn kamizoll\u00ebn e do\u2019 t\u2019 ngj\u00ectshin pas as\u00e1j. Ma, as\u00e1j ju ndot keq se ngj\u00ectshin dhe at\u00e1. Shk\u00f9ndi fort kamizoll\u00ebn se mos t\u2019i vejan pas at\u00e1. Fl\u00e8ta u kput e aj\u00f3 ra pap\u00e0n nd\u2019 pist e atj\u00e9 qindr\u00f3j.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Costantino Bellusci \u2013 Banon n\u00eb Plataci (CS). \u00cbsht\u00eb m\u00ebsues i Historis\u00eb dhe Filozofis\u00eb n\u00eb shkollat e mesme dhe i L\u00ebnd\u00ebs s\u00eb Fes\u00eb n\u00eb shkoll\u00ebn 9-vje\u00e7are.<\/em>\u00a0<\/em><\/p>\n

Rosanna Servidio \u2013 Banon n\u00eb San Giorgio Albanese (CS). \u00cbsht\u00eb m\u00ebsuese n\u00eb kopsht (arsim parashkollor).<\/em><\/p>\n

P\u00ebrgatiti p\u00ebr botim: Anila Dahriu<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Ish nj\u00eb gher\u00eb\/her\u00eb\u2026 C\u2019era una volta\u2026 Nga Costantino Bellusci & Rosanna Servidio Parath\u00ebnie nga Dante Maffia Trash\u00ebgimia gojore e arb\u00ebresh\u00ebve \u00ebsht\u00eb nj\u00eb thesar i rrall\u00eb, i mbijetuar p\u00ebrmes brezash q\u00eb i kan\u00eb ruajtur fjal\u00ebt si amanet shpirt\u00ebror. P\u00ebrrallat, legjendat, fjal\u00ebt e urta, jan\u00eb rr\u00ebfime q\u00eb kap\u00ebrcejn\u00eb koh\u00ebt dhe na ndihmojn\u00eb t\u00eb kuptojm\u00eb thell\u00ebsin\u00eb e bot\u00ebs […]<\/p>","protected":false},"author":8,"featured_media":5543,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[171,166],"tags":[298,296,297],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/5540"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=5540"}],"version-history":[{"count":3,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/5540\/revisions"}],"predecessor-version":[{"id":5545,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/posts\/5540\/revisions\/5545"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/5543"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=5540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/categories?post=5540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/tags?post=5540"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=5540"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=5540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}