Realiteti dhe imagjinar n\u00eb poezi nga Yang Jijun Nga Prof. Jeton Kelmendi PhD<\/p>\n
Yang Jijun \u00ebsht\u00eb poet me nj\u00eb qasje t\u00eb ve\u00e7ant\u00eb n\u00eb t\u00eb shkruarit e poezis\u00eb. Ai spikat kuptimin dhe filozofin\u00eb e tij t\u00eb poetike, e cila, \u00ebsht\u00eb nj\u00eb p\u00ebrqasje ndaj realitetit tjet\u00ebr q\u00eb e sheh me syrin e kuptimit brenda fush\u00ebs s\u00eb jet\u00ebs njerzore t\u00eb shkruar n\u00eb koh\u00eb dhe hap\u00ebsir\u00eb. Transformimi nga realiteti q\u00eb ai sheh n\u00eb at\u00eb n\u00eb mendjen e tij \u00ebsht\u00eb nj\u00eb rregull i zakonsh\u00ebm i krijimit letrar, por p\u00ebr Yang Jijun, transformimi \u00ebsht\u00eb shum\u00eb i personalizuar, pasi ai shpesh filtron, zhvendos dhe ndryshon gj\u00ebrat dhe situatat q\u00eb sheh n\u00eb jet\u00ebn e tij, duke transformuar ato n\u00eb imazhin e tij me dridhje guri vezullues shprehet Wu Towen, nj\u00eb studjues I njohur klinez. P\u00ebrgjat\u00eb leximit t\u00eb poezive t\u00eb tij, si njohja e pare q\u00eb krijova me autorin gjeta forma t\u00eb larmishme t\u00eb t\u00eb shprehurit p\u00ebr gj\u00ebrat q\u00eb e rrethojn\u00eb poetin Jijun, e natyrsh\u00ebm ngjarje t\u00eb cilat rrjedhin n\u00ebp\u00ebr poezit\u00eb e k\u00ebtij libri po sikur lumi q\u00eb ec\u00ebn n\u00ebp\u00ebr shtratin e vet. P\u00ebr mua k\u00ebto poezi jan\u00eb t\u00eb natyr\u00ebs sodit\u00ebse, si nd\u00ebrrimi I dit\u00ebs, q\u00eb p\u00ebrjell nat\u00ebn dhe k\u00ebsi soji lidh pak\u00ebputshm\u00ebrin\u00eb e e koh\u00ebs. Mbase mund t\u00eb jet\u00eb edhe q\u00ebndrimi i Yang Jijun ndaj jet\u00ebs si koncept n\u00eb zhvillimin e t\u00eb gjitha gj\u00ebrave, p\u00ebr t\u00eb cilat ai shp\u00ebrfaq ndjesin\u00eb poetike, por edhe njer\u00ebzore. \u00cbsht\u00eb nj\u00eb gj\u00eb e mir\u00eb q\u00eb ai e mban pjes\u00ebn m\u00eb t\u00eb v\u00ebshtir\u00eb t\u00eb jet\u00ebs s\u00eb tij n\u00eb meditim dhe e shkruan at\u00eb n\u00eb poezi. Libri me poezi \u201cDrita e fundit\u201d e Yang Jijun, t\u00eb cilin e kam p\u00ebrkthyer nga Gjuha Angleze \u00ebsht\u00eb plot me imazhe dhe pamje nga epoka tradicionale, nd\u00ebrsa modeli i poezive \u00ebsht\u00eb kryesisht i err\u00ebt, si fytyra e nj\u00eb njeriu n\u00eb meditim. Sikur k\u00ebrkon di\u00e7ka n\u00ebp\u00ebr hap\u00ebsir\u00ebn q\u00eb e rrethon poetin. Duke paraqitur vetmin\u00eb e njeriut modern n\u00eb imazhet tradicionale kineze dhe duke zb\u00ebrthyer modelet e brendshme t\u00eb mb\u00ebshtjella n\u00eb t\u00eb, zbulohet nj\u00eb d\u00ebshir\u00eb e caktuar e fshehur n\u00eb vetmin\u00eb e njeriut t\u00eb sot\u00ebm. Ka sekrete n\u00eb poezit\u00eb e Yang Jijun dhe ndershm\u00ebria e tij \u00ebsht\u00eb maskuar n\u00eb to, si nj\u00eb “n\u00ebndet\u00ebse e fshehur” q\u00eb fshihet n\u00ebn uj\u00eb. K\u00ebshtu e shikon ai jet\u00ebn, me nj\u00eb perspektiv\u00eb t\u00eb fshehur. Ai vet\u00eb \u00ebsht\u00eb i “fshehur”, dhe “un\u00eb” n\u00eb vet\u00ebn e par\u00eb shfaqet rrall\u00eb n\u00eb poezit\u00eb e tij. Poeti fshihet gjithmon\u00eb n\u00eb hije, duke v\u00ebzhguar dhe regjistruar pa l\u00ebvizur dhe duke shprehur nj\u00eb d\u00ebshir\u00eb t\u00eb caktuar p\u00ebr jet\u00ebn pa l\u00ebvizur. Nj\u00eb zog i madh q\u00eb ruan nj\u00eb n\u00ebndet\u00ebse t\u00eb fshehur \u00ebsht\u00eb nj\u00eb p\u00ebrfytyrim mjaft delikat, nj\u00eb mall i ngjallur nga impulset e brendshme t\u00eb poetit. Poezit\u00eb e Yang Jijun duket se shfaqin nj\u00eb bot\u00eb p\u00ebrplot\u00eb zhg\u00ebnjime, deshira dhe qasje reale me t\u00eb cilat ai e nd\u00ebrton bot\u00ebn e vet poetike, ku njeriu nuk \u00ebsht\u00eb vet\u00ebm p\u00ebrsoni q\u00eb e shohim, por ka edhe shum\u00eb gj\u00ebra me t\u00eb cilat njeriu jeton dhe madje edhe e b\u00ebn jet\u00ebn t\u00eb ket\u00eb kuptim n\u00eb sensin plot\u00eb t\u00eb kuptimit. P\u00ebr lexuesin e k\u00ebtij libri mund t\u00eb shihet qart\u00eb se kur Yang Jijun merret me realitetin n\u00eb poezit\u00eb e tij, ai tenton t\u00eb nd\u00ebrtoj\u00eb realitetin nga jorealiteti, duke nd\u00ebrtuar brenda vetes nj\u00eb realitet ideal q\u00eb zvarritet nga \u00e7\u00ebshtjet e shumta q\u00eb e p\u00ebrcjellin realitetin, sidomos ket\u00eb realtet q\u00eb po e jetojm\u00eb n\u00eb postmoderniz\u00ebm. Si rezultat, ka nj\u00eb kuptim prej shum\u00eb kuptim\u00ebsis\u00eb n\u00eb jet\u00ebn e sotme, nj\u00eb poezi brenda kuptimit dhe nj\u00eb kuptim jo t\u00eb zakonsh\u00ebm n\u00eb poezin\u00eb e tij. Kjo \u00ebsht\u00eb ndoshta ajo q\u00eb e b\u00ebn pik\u00ebpamjen e tij p\u00ebr realitetin kaq t\u00eb ve\u00e7ant\u00eb dhe ajo q\u00eb e b\u00ebn stilin e tij krijues interesant. Simbolet n\u00eb poezin\u00eb e Jijun fshehin shpesh realitetin imagjinar nga bota reale e njohur p\u00ebr ne, duke na sygjeruar nj\u00eb alternative tjet\u00ebr p\u00ebr t\u2019iu qasur jet\u00ebs.<\/p>","protected":false},"excerpt":{"rendered":"
Yang Jijun \u00ebsht\u00eb poet me nj\u00eb qasje t\u00eb ve\u00e7ant\u00eb n\u00eb t\u00eb
\nshkruarit e poezis\u00eb. Ai spikat kuptimin dhe filozofin\u00eb e tij t\u00eb
\npoetike, e cila, \u00ebsht\u00eb nj\u00eb p\u00ebrqasje ndaj realitetit tjet\u00ebr q\u00eb e sheh
\nme syrin e kuptimit brenda fush\u00ebs s\u00eb jet\u00ebs njerzore t\u00eb shkruar
\nn\u00eb koh\u00eb dhe hap\u00ebsir\u00eb.<\/p>","protected":false},"featured_media":4332,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"product_cat":[15],"product_tag":[],"book_author":[],"book_publisher":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/4331"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=4331"}],"version-history":[{"count":3,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/4331\/revisions"}],"predecessor-version":[{"id":4912,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/4331\/revisions\/4912"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/4332"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=4331"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product_cat?post=4331"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product_tag?post=4331"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=4331"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=4331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}