Elisabetta Bagli u lind n\u00eb Rom\u00eb (Itali) dhe jeton n\u00eb Madrid (Spanj\u00eb) q\u00eb nga viti 2002. E diplomuar n\u00eb Ekonomi dhe Administrim Biznesi, ajo \u00ebsht\u00eb p\u00ebrkthyese, shkrimtare, poete, eseiste, kolumniste, korrespondente radioje, njoh\u00ebse e disa gjuh\u00ebve; spanjolle, angleze, italiane dhe p\u00ebrfaq\u00ebsuese e shoqatave kulturore nd\u00ebrkomb\u00ebtare, dhe organizatore e ngjarjeve. Vepra e saj \u00ebsht\u00eb p\u00ebrkthyer dhe botuar n\u00eb m\u00eb shum\u00eb se nj\u00ebzet gjuh\u00eb. Ajo \u00ebsht\u00eb autore e disa librave me poezi, nj\u00eb p\u00ebrmbledhje tregimesh, nj\u00eb libri p\u00ebr f\u00ebmij\u00eb, si dhe shum\u00eb artikujve dhe eseve p\u00ebr gazeta dhe revista online n\u00eb mbar\u00eb bot\u00ebn. Ajo \u00ebsht\u00eb korrespondente n\u00eb Spanj\u00eb p\u00ebr Radio ICN NY, stacioni radiofonik p\u00ebr italian\u00ebt n\u00eb Nju Jork. Ajo \u00ebsht\u00eb korrespondente n\u00eb Spanj\u00eb p\u00ebr Revist\u00ebn Ciao me baz\u00eb n\u00eb MB dhe p\u00ebr revista t\u00eb tjera nd\u00ebrkomb\u00ebtare. Ajo \u00ebsht\u00eb korrespondente n\u00eb Spanj\u00eb p\u00ebr Poetry Sound Library dhe Voices of the Trees, projekte t\u00eb konceptuara n\u00eb Lond\u00ebr nga artistja Giovanna Iorio dhe t\u00eb shp\u00ebrndara n\u00eb t\u00eb gjith\u00eb bot\u00ebn. Ajo ka bashk\u00ebpunuar me Com.It.Es n\u00eb Rrjetin Konsullor Italian t\u00eb Madridit (Spanj\u00eb) dhe me Dhom\u00ebn Italiane t\u00eb Tregtis\u00eb t\u00eb Madridit (Spanj\u00eb) n\u00eb organizimin e ngjarjeve kulturore. Ajo ka bashk\u00ebpunuar edhe me Fondacionin Esther Koplo\u00ebitz n\u00eb vitin 2017. Q\u00eb nga viti 2019 ajo \u00ebsht\u00eb An\u00ebtare Nderi e OJQ-s\u00eb Tribuna, Tribuna p\u00ebr t\u00eb Drejtat e Njeriut. Q\u00eb nga viti 2021 ajo \u00ebsht\u00eb an\u00ebtare e asociuar e ANLMI (Akademia e Amerik\u00ebs s\u00eb Veriut e Let\u00ebrsis\u00eb Moderne LIR\u00cb P\u00cbR T\u00cb JETUAR 95 Nd\u00ebrkomb\u00ebtare) me qend\u00ebr n\u00eb New Jersey p\u00ebr Delegacionin e Mbret\u00ebris\u00eb s\u00eb Spanj\u00ebs \u2013 Madrid. Q\u00eb nga viti 2022 ajo mori Nderin e Lart\u00eb p\u00ebr t’u nominuar Dama e AICACE (Akademia Nd\u00ebrkomb\u00ebtare e Shkenc\u00ebs, Artit, Kultur\u00ebs dhe Edukimit) me qend\u00ebr n\u00eb Meksik\u00eb. Ajo ka marr\u00eb disa \u00e7mime prestigjioze, duke p\u00ebrfshir\u00eb: Diplom\u00ebn e Nderit Mayte Sp\u00ednola p\u00ebr merita artistike nga grupi Pro Arte y Cultura n\u00eb 2017 (Spanj\u00eb), Dallimi p\u00ebr Gruan\u00eb e Shquar n\u00eb Kultur\u00eb, 2019, dh\u00ebn\u00eb nga Forumi i Grave t\u00eb Amerik\u00ebs Latine, Mars. del Plata (Argjentin\u00eb); \u00c7mimi Italian p\u00ebr Kultur\u00ebn 2019 dh\u00ebn\u00eb nga ambasadori italian n\u00eb Spanj\u00eb Stefano Sannino n\u00eb Madrid (Spanj\u00eb); \u00c7mimi Najiman n\u00eb Liban n\u00eb korrik 2020; \u201cDrita e Galat\u00ebs\u201d e Kultur\u00ebs dhe Turizmit t\u00eb Arteve t\u00eb Stambollit n\u00eb 2021; Premio d\u2019Eccellenza alla Cultura \u201cCitt\u00e0 del Galateo\u201d n\u00eb Rom\u00eb (n\u00eb Shoq\u00ebrin\u00eb Dante Alighieri); \u00c7mimi Hipatia de Alejandr\u00eda n\u00eb ART AWARDS 2022, organizuar nga ArteAhora, Akademia Spanjolle e Let\u00ebrsis\u00eb Moderne, Akademia Komb\u00ebtare dhe Nd\u00ebrkomb\u00ebtare e Poezis\u00eb e Shoq\u00ebris\u00eb Meksikane t\u00eb Gjeografis\u00eb dhe Statistikave dhe TV Mundo dixhitale. Publikimet e saj t\u00eb fundit jan\u00eb “Mucho m\u00e1s que el sol” (Shum\u00eb m\u00eb shum\u00eb se dielli), 2022 Kolumbi, dygjuh\u00ebshe n\u00eb spanjisht dhe italisht, “\u0391\u03ba\u03b1\u03c4\u03b1\u03bc\u03ac\u03c7\u03b7\u03c4\u03bf\u03c2 \u03ad\u03c1\u03c9\u03c4\u03b1\u03c2” (Dashuri e parezistueshme), 2022 Greqi, dygjuh\u00ebshe n\u00eb greqisht dhe italisht dhe “E aft\u00eb p\u00ebr p\u00ebrjet\u00ebsi.\u201d, dygjuh\u00ebsh n\u00eb turqisht dhe anglisht.<\/p>","protected":false},"excerpt":{"rendered":"
ISBN:<\/strong> 978-9951-764-82-7
\nPages: <\/strong>95
\nTranslator: <\/strong>Jeton Kelmendi<\/p>","protected":false},"featured_media":5010,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"product_cat":[82],"product_tag":[],"book_author":[219],"book_publisher":[186],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/5009"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=5009"}],"version-history":[{"count":4,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/5009\/revisions"}],"predecessor-version":[{"id":5015,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/5009\/revisions\/5015"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/5010"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=5009"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product_cat?post=5009"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product_tag?post=5009"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=5009"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=5009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}