{"id":5223,"date":"2024-05-19T20:08:40","date_gmt":"2024-05-19T20:08:40","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?post_type=product&#038;p=5223"},"modified":"2024-05-19T20:09:42","modified_gmt":"2024-05-19T20:09:42","slug":"duke-pritur-diten-e-tete-by-anton-marku","status":"publish","type":"product","link":"https:\/\/www.iwabogdani.org\/sq\/produkt\/duke-pritur-diten-e-tete-by-anton-marku\/","title":{"rendered":"DUKE PRITUR DIT\u00cbN E TET\u00cb by Anton Marku"},"content":{"rendered":"<p>Katalogimi n\u00eb botim \u2013 (CIP)<br \/>\nBiblioteka Komb\u00ebtare e Kosov\u00ebs \u201cPjet\u00ebr Bogdani\u201d<\/p>\n<p>821.18-1<br \/>\nMarku, Anton<br \/>\nDuke pritur dit\u00ebn e tet\u00eb: poezi \/ Anton Marku. &#8211; Prishtin\u00eb<br \/>\n: IWA Bogdani, 2024. \u2013 102 f. ; 21 cm. &#8211; (Biblioteka<br \/>\nPjet\u00ebr Bogdani)<br \/>\nLet\u00ebrsiashqipe &#8212; Poezishqipe<br \/>\n<strong>ISBN 978-9951-764-56-8<\/strong><br \/>\nAleph [000099758]<\/p>\n<p>&nbsp;<\/p>\n<p><strong>DERI N\u00cb DIT\u00cbN E TET\u00cb<\/strong><\/p>\n<p>Nga Jeton Kelmendi<\/p>\n<p><em>Anton Marku \u201cDuke pritur dit\u00ebn e tet\u00eb\u201d. Botoi \u201cIWA Bogdani\u201d, 2024, Bruksel\/Prishtin\u00eb<\/em><\/p>\n<p>Libri me poezi \u201cDuke pritur dit\u00ebn e tet\u00eb\u201d, shkruar nga autori Anton Marku, \u00ebsht\u00eb nj\u00eb udh\u00ebtim emocional<br \/>\nn\u00ebp\u00ebr mendimet, ndjenjat dhe p\u00ebrvojat e njeriut n\u00eb rrug\u00ebn e jet\u00ebs. Rrug\u00ebtim ky, n\u00ebp\u00ebr t\u00eb cilin poeti e gjen veten \u00e7do<br \/>\ndit\u00eb dhe \u00e7do koh\u00eb, natyrisht me nj\u00eb koncept udh\u00ebtimi me vetveten, n\u00ebp\u00ebr koh\u00ebra dhe imazhe shum\u00eb dimensionale,<br \/>\nsikur p\u00ebr nga nuancat kuptimore, po ashtu edhe refleksionet gjuh\u00ebsore dhe stilistike. Me gjuh\u00ebn e tij<br \/>\nsuptile dhe poetike, Marku na udh\u00ebzon n\u00eb bot\u00ebn e brendshme, duke reflektuar mbi dashurin\u00eb, humbjen,<br \/>\nkujtes\u00ebn dhe shpres\u00ebn n\u00eb m\u00ebnyra t\u00eb thella dhe t\u00eb frym\u00ebzuara. K\u00ebsisoj, Marku nxjerr nga vetja e tij bot\u00ebn e<br \/>\nbrendshme dhe madje duke e sh\u00ebtitur k\u00ebt\u00eb \u201cbot\u00eb\u201d n\u00ebp\u00ebr t\u00eb shtat\u00eb dit\u00ebt e jav\u00ebs dhe ndalon p\u00ebr t\u00eb pritur dit\u00ebn e tet\u00eb.<br \/>\nKjo dit\u00eb sipas autorit do t\u00eb vij\u00eb, por se kur, kjo pastaj edhe ngre nj\u00eb pik\u00ebpyetje.<\/p>\n<p>Titulli i librit \u201cDuke pritur dit\u00ebn e tet\u00eb\u201d i poetit Anton Marku p\u00ebrshkruan nj\u00eb udh\u00ebtim t\u00eb brendsh\u00ebm, t\u00eb<br \/>\nhapur dhe t\u00eb thell\u00eb n\u00eb bot\u00ebn e ndjenjave dhe mendimeve t\u00eb shkrimtarit. N\u00eb k\u00ebt\u00eb lib\u00ebr, autori spikat me tematikat e<br \/>\nzgjedhura, ku e p\u00ebrdor mir\u00eb p\u00ebrvoj\u00ebn n\u00eb fush\u00ebn e shkrimtaris\u00eb dhe sidomos stisjen imagjinare poetike, p\u00ebr<br \/>\n\u00e7ka me kujdes nd\u00ebrton poezi t\u00eb realizuara artistikisht. Sipas mendimit tim faktor\u00ebt q\u00eb e b\u00ebjn\u00eb k\u00ebt\u00eb lib\u00ebr t\u00eb<br \/>\nve\u00e7ant\u00eb, pse qasja poetike e autorit p\u00ebrfaq\u00ebson nj\u00eb dimension t\u00eb till\u00eb, t\u00eb thell\u00eb dhe t\u00eb ve\u00e7ant\u00eb, \u00ebsht\u00eb pik\u00ebrisht<br \/>\ntentativa p\u00ebr ta vendosur vargun n\u00eb nj\u00eb pik\u00eb, nga ku mund t\u00eb shihet jeta l\u00ebviz\u00ebse dhe l\u00ebvizja e jetes\u00ebs.<br \/>\nMbi k\u00ebt\u00eb parim, poeti Marku shpreh ndjenjat val\u00ebzuese dhe p\u00ebrvojat e tij n\u00ebp\u00ebrmjet nj\u00eb gjuhe poetike t\u00eb<br \/>\nmrekullueshme dhe nj\u00eb lirike t\u00eb realizuar mir\u00eb edhe nga aspekti tematik, edhe nga aspekti p\u00ebrmbajt\u00ebsor. Poezit\u00eb e<br \/>\ntij nuk jan\u00eb nj\u00eb shprehje e thjesht\u00eb e ndjenjave, por ato p\u00ebrhapin thell\u00ebsin\u00eb dhe kompleksitetin e emocioneve<br \/>\nnjer\u00ebzore n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb provokuese. Poeti, q\u00eb konsideroj se \u00ebsht\u00eb poet i konciziteteve, pra Anton Marku<br \/>\np\u00ebrdor imazhe t\u00eb pasura, metafora dhe simbole q\u00eb e pasurojn\u00eb tekstin dhe e b\u00ebjn\u00eb at\u00eb t\u00ebrheq\u00ebs p\u00ebr lexuesin.<br \/>\nNatyrisht se kjo poezi m\u00eb s\u00eb shumti p\u00eblqehet nga lexuesi i konsoliduar, pra shkrimtar\u00ebt q\u00eb jan\u00eb edhe vet\u00eb pjes\u00eb e<br \/>\nk\u00ebsaj bote. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, Marku arrin t\u00eb krijoj\u00eb nj\u00eb lidhje t\u00eb fort\u00eb midis lexuesit dhe tekstit t\u00eb tij, duke e b\u00ebr\u00eb<br \/>\nat\u00eb nj\u00eb p\u00ebrvoj\u00eb letrare t\u00eb larmishme.<br \/>\nQasja poetike e autorit \u00ebsht\u00eb e r\u00ebnd\u00ebsishme p\u00ebr t\u00eb ngritur librin n\u00eb nj\u00eb dimension t\u00eb till\u00eb t\u00eb thell\u00eb sepse i lejon<br \/>\nlexuesit t\u00eb ndjehen t\u00eb lidhur me \u00e7do fjal\u00eb dhe \u00e7do imazh q\u00eb ai krijon. Duke shfryt\u00ebzuar fuqin\u00eb e poezis\u00eb, Marku ia<br \/>\narrin t\u00eb ndaj\u00eb ndjenjat dhe mendimet e tij n\u00eb nj\u00eb m\u00ebnyr\u00eb Duke pritur dit\u00ebn e tet\u00eb t\u00eb thell\u00eb dhe t\u00eb frym\u00ebzuar, duke e b\u00ebr\u00eb lexuesin t\u00eb ndjehet si nj\u00eb pjes\u00eb e historive dhe emocioneve t\u00eb tij.<\/p>\n<p>Titulli \u201cDuke pritur dit\u00ebn e tet\u00eb\u201d ka nj\u00eb dimension t\u00eb thell\u00eb dhe metaforik n\u00eb k\u00ebt\u00eb kontekst. Dit\u00eb e tet\u00eb \u00ebsht\u00eb<br \/>\nnj\u00eb koncept i njohur n\u00eb let\u00ebrsin\u00eb bot\u00ebrore, i cili \u00ebsht\u00eb p\u00ebrdorur p\u00ebr t\u00eb p\u00ebrfaq\u00ebsuar shp\u00ebrthimin e nj\u00eb realizimi<br \/>\napo nj\u00eb moment t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb jet\u00ebn e nj\u00eb personi. N\u00eb librin e Markut, ky titull krijon ndjenj\u00ebn e pritjes,<br \/>\nt\u00ebrheq\u00ebse dhe emocionuese, q\u00eb e b\u00ebn lexuesin t\u00eb ndjehet si n\u00eb pritje t\u00eb nj\u00eb momenti t\u00eb madh apo t\u00ebr\u00ebsor n\u00ebp\u00ebr<br \/>\nrrug\u00ebn e jet\u00ebs. P\u00ebr autorin, dit\u00ebn e tet\u00eb mund ta interpretojm\u00eb si nj\u00eb moment vendimtar, nj\u00eb pik\u00eb kulmore<br \/>\nku shfaqen shum\u00eb nga ndjenjat dhe reflektimet personale t\u00eb autorit.<br \/>\nP\u00ebrmes k\u00ebsaj qasjeje shum\u00eb personale, Marku e ngre librin n\u00eb nj\u00eb dimension t\u00eb ve\u00e7ant\u00eb, duke e b\u00ebr\u00eb at\u00eb<br \/>\nnj\u00eb eksperienc\u00eb letrare q\u00eb prek zemr\u00ebn dhe mendjen e lexuesit. Me poezit\u00eb e tij t\u00eb thella dhe t\u00eb frym\u00ebzuara, ai na<br \/>\nudh\u00ebzon n\u00eb nj\u00eb udh\u00ebtim emocional e filozofik, duke na b\u00ebr\u00eb t\u00eb reflektojm\u00eb mbi jet\u00ebn, dashurin\u00eb, humbjen dhe<br \/>\nshpres\u00ebn n\u00eb m\u00ebnyra t\u00eb thella dhe t\u00eb frym\u00ebzuara. Anton Marku p\u00ebrdor nj\u00eb stil t\u00eb shkrimit shkurt\u00ebr<br \/>\ndhe t\u00ebrheq\u00ebs n\u00eb poezit\u00eb e tij p\u00ebr t\u00eb transmetuar thelbin e mendimeve dhe ndjenjave t\u00eb tij. P\u00ebrdorimi i fjal\u00ebve dhe<br \/>\nimazheve t\u00eb zgjedhura me kujdes i lejon atij q\u00eb t\u00eb shpreh\u00eb shum\u00eb n\u00eb nj\u00eb hap\u00ebsir\u00eb relativisht t\u00eb vog\u00ebl, duke e b\u00ebr\u00eb<br \/>\np\u00ebrmbajtjen e tij t\u00eb ndjeshme dhe t\u00eb thell\u00eb. N\u00eb pak fjal\u00eb ai ngarkon shum\u00eb mendime.<\/p>\n<p>Poezit\u00eb e tij t\u00eb shkurtra jan\u00eb si grumbullime t\u00eb momenteve t\u00eb p\u00ebrjetuara dhe mendimeve t\u00eb thella, t\u00eb cilat ai p\u00ebrpiqet t&#8217;i p\u00ebrforcoj\u00eb n\u00eb m\u00ebnyr\u00eb efektive p\u00ebrmes fjal\u00ebve t\u00eb zgjedhura me kujdes dhe sintaks\u00ebs s\u00eb thjesht\u00eb por t\u00eb fuqishme. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, ai arrin t\u00eb shpreh\u00eb thelbin e ndjenjave dhe ideve t\u00eb tij n\u00eb m\u00ebnyr\u00eb t\u00eb qart\u00eb dhe t\u00ebrheq\u00ebse p\u00ebr lexuesin.<br \/>\nP\u00ebrsa i p\u00ebrket titujve t\u00eb librit t\u00eb tij, ata jan\u00eb t\u00eb shkurt\u00ebr po ashtu dhe t\u00eb fokusuar n\u00eb thelbin e tematik\u00ebs,<br \/>\nduke e b\u00ebr\u00eb p\u00ebrmbajtjen e librit t\u00eb qart\u00eb dhe t\u00eb identifikueshme p\u00ebr lexuesin. Kjo qasje e thjesht\u00eb dhe e<br \/>\ndrejt\u00ebp\u00ebrdrejt\u00eb n\u00eb tituj e b\u00ebn librin e tij t\u00eb shk\u00eblqej\u00eb p\u00ebr lexuesit, duke i lejuar ata t\u00eb kuptojn\u00eb me leht\u00ebsi tem\u00ebn<br \/>\nkryesore dhe fokuset e tij. N\u00eb p\u00ebrgjith\u00ebsi, p\u00ebrdorimi i nj\u00eb stili t\u00eb shkurt\u00ebr dhe t\u00eb fokusuar nga Marku n\u00eb poezit\u00eb e k\u00ebtij libri \u00ebsht\u00eb nj\u00eb<br \/>\nstrategji e suksesshme p\u00ebr t\u00eb transmetuar mendimet dhe ndjenjat e tij n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb fort\u00eb dhe t\u00ebrheq\u00ebse. Kjo i lejon atij t\u00eb krijoj\u00eb nj\u00eb lidhje t\u00eb ngusht\u00eb dhe t\u00eb thell\u00eb me publikun, duke e b\u00ebr\u00eb p\u00ebrvoj\u00ebn letrare m\u00eb t\u00eb r\u00ebnd\u00ebsishme<br \/>\ndhe m\u00eb t\u00eb thell\u00eb p\u00ebr ata q\u00eb e lexojn\u00eb. Duke qen\u00eb se shkrimi dhe sidomos poezia ka modelin e vet t\u00eb t\u00eb shkruarit dhe<br \/>\nkjo e dallon nj\u00eb shkrimtar nga tjetri, un\u00eb konsideroj se edhe leximi e ka at\u00eb lexuesin e vet, i cili dallon nga nj\u00eb<br \/>\nlexues tjet\u00ebr. P\u00ebr mua ky \u00ebsht\u00eb nj\u00eb lexim kontekstual q\u00eb i kam b\u00ebr\u00eb k\u00ebtij libri.<\/p>","protected":false},"excerpt":{"rendered":"<p>Botues<br \/>\nJeton Kelmendi<br \/>\nIWA BOGDANI<br \/>\niwabogdani@gmail.com<br \/>\nwww.iwabogdani.org<\/p>\n<p>Titulli origjinal:<br \/>\nDuke pritur dit\u00ebn e tet\u00eb<br \/>\nBruksel 2024<br \/>\nPrishtin\u00eb 2024<\/p>\n<p>Redaktore dhe lektore:<br \/>\nVioleta Allmu\u00e7a<br \/>\nRealizimi teknik: Bogdani Edition<br \/>\nT\u00eb gjitha t\u00eb drejtat \u00a9 Autori<\/p>","protected":false},"featured_media":5225,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"product_cat":[82],"product_tag":[234,58],"book_author":[246],"book_publisher":[186],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/5223"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=5223"}],"version-history":[{"count":2,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/5223\/revisions"}],"predecessor-version":[{"id":5227,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/5223\/revisions\/5227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/5225"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=5223"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product_cat?post=5223"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product_tag?post=5223"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=5223"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=5223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}