{"id":5624,"date":"2025-12-14T19:59:15","date_gmt":"2025-12-14T19:59:15","guid":{"rendered":"https:\/\/www.iwabogdani.org\/?post_type=product&#038;p=5624"},"modified":"2025-12-14T19:59:15","modified_gmt":"2025-12-14T19:59:15","slug":"mantra-jeton-kelmendi","status":"publish","type":"product","link":"https:\/\/www.iwabogdani.org\/sq\/produkt\/mantra-jeton-kelmendi\/","title":{"rendered":"Mantra &#8211; Jeton KELMENDI"},"content":{"rendered":"<p style=\"font-weight: 400;\"><strong>Edition IWA BOGDANI<br \/>\n<\/strong><a href=\"https:\/\/www.iwabogdani.org\/sq\/\"><strong>www.iwabogdani.org<\/strong><\/a><strong><br \/>\n<\/strong><a href=\"mailto:iwabogdani@gmail.com\"><strong>iwabogdani@gmail.com<\/strong><\/a><strong><br \/>\n<\/strong>IWA Bogdani, Brussels \u2013 Prishtin\u00eb<br \/>\ntel; 0032494464251<\/p>\n<p style=\"font-weight: 400;\"><strong>Autor: <\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Jeton Kelmendi<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Lexuesi i par\u00eb: Bujar Tafa<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Editor: <\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Engj\u00ebll I. Berisha<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Redaktore &amp; lektore:<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Violeta Allmu\u00e7a <\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>\u00a0<\/strong><strong>\u00a0<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Realizimi kompjuterike: <\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Bogdani design<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Mantra &#8211; <\/strong><strong><em>Gjuha burimore<\/em><\/strong><em>:\u00a0<strong>Sanskrishtja<\/strong>\u00a0(nj\u00eb nga gjuh\u00ebt m\u00eb t\u00eb vjetra indoevropiane) <strong>Fjala sanskrite<\/strong>:\u00a0<strong>&#8220;<\/strong><\/em><strong><em>\u092e\u0928\u094d\u0924\u094d\u0930<\/em><\/strong><strong><em>&#8221; (mantra)&#8221;manas&#8221; (<\/em><\/strong><strong><em>\u092e\u0928\u0938\u094d<\/em><\/strong><strong><em>)<\/em><\/strong><em>\u00a0<\/em><em>= mendje <strong>&#8220;tra&#8221; (<\/strong><\/em><strong><em>\u0924\u094d\u0930<\/em><\/strong><strong><em>)<\/em><\/strong><em>\u00a0<\/em><em>= mjet, instrument, \u00e7lirim<\/em><em>\u27a4<\/em><em> Pra, do t\u00eb thot\u00eb:\u00a0<strong>&#8220;mjet p\u00ebr \u00e7lirimin e mendjes&#8221;<\/strong>.<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p style=\"font-weight: 400;\">Me nj\u00eb stil t\u00eb drejtp\u00ebrdrejt\u00eb, por thell\u00ebsisht lirik dhe reflektues, Kelmendi eksploron tema universale: luft\u00ebn, paqen, identitetin, kujtes\u00ebn dhe kompleksitetin e ekzistenc\u00ebs moderne, duke i ankoruar gjithmon\u00eb n\u00eb gjeografin\u00eb e tij emocionale.<br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Prof. Gustavo Vega, Spanj\u00eb<\/em><\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0<\/em><\/p>\n<p style=\"font-weight: 400;\">Rruga e tij \u00ebsht\u00eb nj\u00eb udh\u00eb k\u00ebrkimi: k\u00ebrkim i dashuris\u00eb, k\u00ebrkim i balsamit q\u00eb do t\u00eb ndihmoj\u00eb n\u00eb sh\u00ebrimin e plag\u00ebve pa fshir\u00eb gjurm\u00ebt e l\u00ebna n\u00eb shpirt. N\u00eb k\u00ebt\u00eb sh\u00ebtitje na fton t\u00eb dep\u00ebrtojm\u00eb heshtjen, ta pushtojm\u00eb at\u00eb, ta d\u00ebgjojm\u00eb, n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb d\u00ebgjojm\u00eb z\u00ebrin e tij q\u00eb del nga heshtja gjat\u00eb shkrimit.<\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Gustavo Gac-Artigas, Kili<\/em><\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0<\/em><\/p>\n<p style=\"font-weight: 400;\">Ky lib\u00ebr i Jeton Kelmendit ka nj\u00eb intensitet shpreh\u00ebs, madje nj\u00eb forc\u00eb shpreh\u00ebse t\u00eb mrekullueshme.<br \/>\nStruktura e t\u00eb gjith\u00eb udh\u00ebtimit \u00ebsht\u00eb fuqimisht metafizike, e kalibruar mbi kontraste dhe ndri\u00e7ime q\u00eb hyjn\u00eb dhe dalin nga kuptimi, nga dyshime q\u00eb, nd\u00ebrsa zgjidhen, madje gjejn\u00eb siguri; brenda dimensionit t\u00eb nj\u00eb arritjeje hipotetike q\u00eb nuk ka mund\u00ebsi t\u00eb gjej\u00eb nj\u00eb piedestal, nj\u00eb mb\u00ebrritje.<\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dante Maffia, Itali<\/em><\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0<\/em><\/p>\n<p style=\"font-weight: 400;\">N\u00eb\u00a0<strong>Mantra<\/strong><strong>,<\/strong> librin e tij m\u00eb t\u00eb ri, lexuesi mund t\u00eb shijoj\u00eb nj\u00eb sag\u00eb t\u00eb dyfisht\u00eb t\u00eb eksplorimit t\u00eb thelbit njer\u00ebzor: s\u00eb v\u00ebrtet\u00ebs, bukuris\u00eb, dashuris\u00eb. Jam i nderuar t\u00eb jem botuesi i tij n\u00eb ShBA.<\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Stanley H. Barkan, ShBA<\/em><\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0<\/em><\/p>\n<p style=\"font-weight: 400;\">Poezia e Kelmendit n\u00eb k\u00ebt\u00eb lib\u00ebr \u00ebsht\u00eb shum\u00eb emocionale dhe e thell\u00eb, me nj\u00eb k\u00ebrkim pothuajse t\u00eb pamundur t\u00eb esenc\u00ebs s\u00eb koh\u00ebs, heshtjes, s\u00eb v\u00ebrtet\u00ebs, jet\u00ebs dhe rrug\u00ebve t\u00eb saj. Ai luan me nj\u00eb dialektik\u00eb mes t\u00eb kund\u00ebrtave dhe nxitjeve psikologjike.<\/p>\n<p style=\"font-weight: 400;\">\n<p style=\"font-weight: 400;\"><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Prof. Emeritus. Ernesto Kahan, Izrael \u2013 Nobelist<\/em><\/p>\n<p style=\"font-weight: 400;\">\n<p style=\"font-weight: 400;\">Ajo q\u00eb mund t\u00eb them \u00ebsht\u00eb se kjo poezi \u00ebsht\u00eb e hapur, me nj\u00eb hap\u00ebsir\u00eb t\u00eb gjer\u00eb p\u00ebr reflektim. Ajo synon t\u00eb shpreh\u00eb si p\u00ebrvoj\u00ebn e tij nga fati turbulent i atdheut t\u00eb tij, Kosov\u00ebs, ashtu edhe reflektime universale njer\u00ebzore mbi jet\u00ebn dhe vdekjen, dinjitetin njer\u00ebzor, dashurin\u00eb dhe urrejtjen.<\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Knut \u00d8deg\u00e5rd, Norvegji<\/em><\/p>\n<p style=\"font-weight: 400;\">Tensioni mes d\u00ebshirave t\u00eb brendshme dhe realitetit t\u00eb jasht\u00ebm \u00ebsht\u00eb nj\u00eb motiv qendror n\u00eb krijimtarin\u00eb e Kelmendit.<\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Prof. Dr. Antoon Van den Braembussche, Belgjik\u00eb<\/em><\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0<\/em><\/p>\n<p style=\"font-weight: 400;\">Te Kelmendi, i ndjesh\u00ebm ndaj kalueshm\u00ebris\u00eb s\u00eb fatit njer\u00ebzor n\u00eb t\u00eb gjitha dimensionet e tij ontologjike, biologjike, psikologjike apo historike, \u00ebsht\u00eb e r\u00ebnd\u00ebsishme t\u00eb v\u00ebrehet se k\u00ebnga e dashuris\u00eb strukturojn\u00eb si nj\u00eb shtyll\u00eb kurrizore gjith\u00eb n\u00eb k\u00ebng\u00ebn poetike: ajo i drejtohet nj\u00ebkoh\u00ebsisht gruas dhe atdheut.<\/p>\n<p style=\"font-weight: 400;\"><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Akademik \u00c9ric Brogniet, Belgjik\u00eb<\/em><\/p>\n<p class=\"p1\"><strong>Katalogimi n\u00eb botim \u2013 (CIP)<\/strong><br \/>\n<strong>Biblioteka Komb\u00ebtare e Kosov\u00ebs \u201cPjetej Bogdani\u201d<\/strong><br \/>\n821.18-1<br \/>\nKelmendi, Jeton<br \/>\nMantra \/ Jeton Kelmendi. &#8211; Prishtin\u00eb : IWA Bogdani, 2025. &#8211; 152 f. ; 21 cm. &#8211;<br \/>\n(Biblioteka : \u201cAdem Shkreli\u201d)<br \/>\nISBN 978-9951-394-54-3<\/p>","protected":false},"featured_media":5625,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"product_cat":[27,82],"product_tag":[320,257],"book_author":[226],"book_publisher":[186],"acf":[],"_links":{"self":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/5624"}],"collection":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/comments?post=5624"}],"version-history":[{"count":1,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/5624\/revisions"}],"predecessor-version":[{"id":5627,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product\/5624\/revisions\/5627"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media\/5625"}],"wp:attachment":[{"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/media?parent=5624"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product_cat?post=5624"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/product_tag?post=5624"},{"taxonomy":"book_author","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_author?post=5624"},{"taxonomy":"book_publisher","embeddable":true,"href":"https:\/\/www.iwabogdani.org\/sq\/wp-json\/wp\/v2\/book_publisher?post=5624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}